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Remote control photography???


jose_carlos

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I want to take photographs of animals at night and am planning on

setting up my camera on a tripod with flash next to a path frequently

used by animals. The idea is for something to come along, trip the

switch and fire the camera. I want to be able to set it up, go away

and leave the camera, then come back to it the following morning. I

have never done anything like this before so could someone please

tell me what I need? Do I need the LC3/LC4 wireless remote

controller?

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Since you mentioned LC3/4, I guess you shoot Canon?? SO, can't help you there, but IF the LC3/4 is the Canon equivalent of the Nikon ML-3 (which I have), then yes, that is the way to go.

 

With the ML-3, you set the transmitter to the correct mode and mount it on one tripod and the receiver and SLR on another tripod.

 

The shutter trips when the IR beam between the 2 tripods is broken -- you can do this in single shot mode or continious shooting mode, as set on the SLR.

 

Some lag if the camera has to AF, and/or the flash has to "wake up."

 

Good luck!!!

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<i>Tell me, what success have you had using a transmitter and receiver?</i><p<p>

In my backyard, with my dog, I've had some success, but that's an extremely controlled environment.

<p><p>

In the field, I haven't had much luck -- on the rare occasions that animals do go through, the framing will be way off, or my AF won't be fast enough or (in MF) won't be in focus or flash triggers too late.

<p><p>

Hint: make sure you have adequate DOF.

<p><p>

Good luck!!!

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Hmmm. The stuff from Kapture is awfully expensive.

The LC4 is also pretty expensive and I see nothing on

the spec sheet that promises that it can deliver a

"shoot on breaking the beam" function. By way of

exploring an alternative, I'll just tell you how I

did it, but I certainly don't claim it's any better.

 

I found an infrared sensor at Radio Shack, the type

that is sold for burglar alarms. The trick is to find

one that has a 'normally open' output as an option.

Most are 'normally closed.' Once you've selected an

infrared sensor, you'll need just two things: a way

to power it and a way to connect its output to the camera.

For power, I used some battery holders, C-type if I

remember right, enough to add up to the right voltage

figuring 1.5 volts per battery. To trigger the camera

from the sensor, you just need a long wire and the right

connector for your camera's wired cable-release socket.

For me this was easy, because I used an Elan IIe

whose socket can be fit with a small audio connector

that is a reasonably standard component.

 

My setup went like this: Tape the IR sensor to the

outside of a small cardboard box to hold it up vertical

at near ground level. Mount the batteries for the IR

sensor inside the box. Run the output wire from the

IR sensor up to a tripod where the camera sits. Run

another long wire from the camera to a flash on a second

tripod. Set focus, exposure, and flash all to manual

settings based on knowing where the subject will be.

Stick your hand into the area once to test the system,

then leave.

 

This proved to be a hideously bad implementation of a

remote camera. The finished setup is gangly, with lots

of wires, lots of flaky connectors, and different batteries

everywhere. It was vulnerable to moisture, to theft, and

to being knocked over. The batteries in the flash would

barely last overnight, and the batteries powering the

infrared sensor barely longer than that. The infrared

sensor, when tripped, would hold its output switch closed

for long enough to make the camera shoot 6 or 7 frames,

all of which were completely black except the first one

because the flash would only fire once. This wasted

lots of film and meant that the setup would only get

5 or 6 good images on a roll.

 

Having said how bad it was, I also have to point out

that it fulfilled my requirements beautifully.

It was cheap, I assembled it in a couple of hours,

and it succeeded in producing well-exposed, well-lit

pictures of wildlife in my back yard, some of which I

didn't know had been visiting my yard. If it's only

a few feet from your door and you're only going to

leave it overnight and don't mind tending it rather

intensively, this is a solution that works. If you

want something you can leave unattended deep in the

woods for months on end, well, let's just say quite

a bit of design refinement would be needed.

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The key to this is to know the habitats of the prey you are trying to

photograpgh. I have been using a point and shoot attached to a

infrared triggering device. I have been getting grey fox by using fish

oil and peanut butter on the end of a log. That way they walk up the

log and I can better frame the picture. To date off and on over the

past few years I have gotten a couple of good ones. It is alot of fun

when you get your rolls back because you never know what you are foing

to get. I have gotten wood rats, skunks, raccons and both my dog and

my cat as well as some curious people. Luckily they didn't take my

rig. Today in the mail I got a stealth cam all in one unit that I'm

going to try once the rain stops pouring down. In conclusion find a

narrow path where you can somewhat control your prey

 

 

C

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