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RECIPE FOR DIGITAL BW USING THE CHANNEL MIXER


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Hi,

here's a quick list i developed over the years with info i took around the web, from non scientific test i have

done, and from my scanman experience when i scanned negs with my Imacon. Im not stating that this is THE real

truth on how to get the same film dynamic range, but let see it as a staring point to get nice BW, when you also

use indeed after level, curve, mask and all the other Ps tool.

 

Since Ps CS3 now offer a BW tool, some people prefered to use it instead of the channel mixer for many reason..i

like to use channel mixer personnaly.

 

Your comment are always a pleasure : ) have fun. Use them with channel mixer red-green-blue. In monochrome mode.

 

*IN CASE OF* I know that those number are not taking care of the water temperature, the bacterie in the water,

the chemical, the plastic and the planet alignement..they are provide as a starter point to get pleasing BW, or i

must say to *simulate* a BW look on a digital file. I know before someone fanatic pop's in that digital BW is not

the same as tradional BW.

 

Those number are simple there to HELP achieve a starting look, you should forget about teh kind of film they

*mimic* just use them as a simple reference only.

 

For those of you that like the BW tool in CS3, i have developed some preset that worked well for me, feel free to

send me a email to get them.

 

 

Agfa 200X: 18,41,41

 

Agfapan 25: 25,39,36

 

Agfapan 100: 21,40,39

 

Agfapan 400: 20,41,39

 

 

Ilford Delta 100: 21,42,37

 

Ilford Delta 400: 22,42,36

 

Ilford Delta 400 Pro & 3200: 31,36,33

 

Ilford FP4: 28,41,31

 

Ilford HP5: 23,37,40

 

Ilford Pan F: 33,36,31

 

Ilford SFX: 36,31,33

 

Ilford XP2 Super: 21,42,37

 

Kodak Tmax 100: 24,37,39

 

Kodak Tmax 400: 27,36,37

 

Kodak Tri-X: 25,35,40

 

And these basic ones:

 

Normal Contrast: 43,33,30

 

High Contrast: 40,34,60

 

and at last a generic BW:

 

24,68,8.

 

50,50,0

 

25,75,0.

 

 

PATRICK LAVOIE

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  • 2 weeks later...

I still use channel mixer, too. It has enough control that I always go back to it after trying the new B&W tool.

 

That being said, I gave up on digital b&w and went back to film. ;-) I spent 4 hours in a rental darkroom last night and even with my absolutely crappy skills in traditional printing am thrilled with the results compared to my years of trying to get a nice digital b&w print.

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