erik_l. Posted May 13, 2003 Share Posted May 13, 2003 This is a shot of my daughter from this past weekend. M6ttl 50/2 Summicron (4th gen.), Tri-X in D76(1:1). I shot this into the light and exposed via incident meter for the rooms interior light. At about 1/125 f/2-2.5 or so. Is this an example of the glow in the reflections? Thanks, Erik.<div></div> Link to comment Share on other sites More sharing options...
sal_ortega Posted May 13, 2003 Share Posted May 13, 2003 Can't help but answer a question c a question- have you seen other systems that could have responded to this lighting situation as effectively? You've got a great picture, full of a sense of wonder. Link to comment Share on other sites More sharing options...
andrew_lee2 Posted May 13, 2003 Share Posted May 13, 2003 I don't think so. I think it's the quality of the light more than anything else. The light is very good, and so is the picture, but glow is something else, in my mind. Link to comment Share on other sites More sharing options...
terry_rory Posted May 13, 2003 Share Posted May 13, 2003 Never mind all that 'glowing tosh'! I want to know what sort of Hi-fi you have hanging off that rather capable looking loudspeaker in the corner? Oh yeah, nice baby too. Link to comment Share on other sites More sharing options...
andrew_lee2 Posted May 13, 2003 Share Posted May 13, 2003 I make no aesthetic claims regarding this shot, but just to illustrate, here is an example of what I've always perceived "glow" to be. Could just be light falloff. Very subjective, this thing, much like boke.<div></div> Link to comment Share on other sites More sharing options...
mark_salkowitz Posted May 13, 2003 Share Posted May 13, 2003 <p align="center"><img border="0" src="http://64.176.135.74/girl-glow.jpg" width="379" height="597"></p><p>first and foremost, no scanned image -- no matter how great a scanner -- can accurately depict "glow" like agood fiber print. the best way i can think to describe glow is as a soft"glowing" light that seems to jump off a print. such that it almostcalms the eyes as if the print is actually emitting its own illumination. whilethe language used to describe glow may be subjective, you know a print thatglows when you see it. the above print is one that, in my view, really has thatglow quality to it. that all being said, the print glows, the scan shows someglow but not even comparable to the actual print. </p> <p>i recall there being some discussion on the topic of glow which seemed tospark some debate. im sure that a simple search on photo.net will turn it up. additionally,i remember there being mention of an article at another site that talked abouthow to achieve glow in a print. </p> Link to comment Share on other sites More sharing options...
sam_portera Posted May 13, 2003 Share Posted May 13, 2003 Mark what film and developer was used in the above image. The tones are beautiful. Link to comment Share on other sites More sharing options...
johann_fuller Posted May 13, 2003 Share Posted May 13, 2003 It's flare - largley unavoidable when you have very bright areas of light in a scene. Any dirt, scratches, smears or coating defects will increase it. Nice though in this example! Link to comment Share on other sites More sharing options...
steve_lehuray1 Posted May 13, 2003 Share Posted May 13, 2003 This could be a sample of 'glow' Summilux 50/1.4 at f1.4. Link to comment Share on other sites More sharing options...
mark_salkowitz Posted May 13, 2003 Share Posted May 13, 2003 Hey Sam,<BR> Glad you like it :-) I just check the negative and to my surprise it was TMY or T-max 400 (not a big fan). As far as developer, I can�t say for sure. This was taken at about the time when I switched over from T-max liquid to X-tol. It was also around the same time I stopped using TMY and moved to Tri-X and HP5 Plus. It was either tmax developed in tmax (gasp) 2:8 I think, or tmax in xtol 1:1. Heard exciting things about two bath developer, been meaning to try that for the longest time�. On the side, it was printed on Agfa 111c developed in Agfa neutol WA. Anyway, hope this helps. Link to comment Share on other sites More sharing options...
tapani_rauha2 Posted May 13, 2003 Share Posted May 13, 2003 I think this beautiful picture by Andrew Lee has the glow factor in it too? http://www.photo.net/photo/1395992 Link to comment Share on other sites More sharing options...
joakim_gleisner Posted May 13, 2003 Share Posted May 13, 2003 Hmm, has anyone else noticed that "glowy" pictures often seem to be taken with Tri-x film, and usually developed in D-76? Maybe I'm just imagining things, but it seems this combination does something special to the light it captures. Link to comment Share on other sites More sharing options...
bill_g2 Posted May 13, 2003 Share Posted May 13, 2003 <P>First time I've posted a photo to photo.net. <p>When I think of glow, there are a couple of photos that come to mind. This is one of them. <P>This was taken in a cafe in Germany, on the trip where we told her parents that they were going by grandparents by Christmas. She is about 10 weeks pregnant with our first child. It was taken one year ago this month. <P>I don't know whether it meets the photography definition of glowing... but I can assure you that she was glowing in person!<div></div> Link to comment Share on other sites More sharing options...
larry_kincaid1 Posted May 13, 2003 Share Posted May 13, 2003 Now I know what glow is. It's like pornography. You can't say what it is, but everyone is supposed to know when they see it. Some nice photographs here; great drawing with light. Link to comment Share on other sites More sharing options...
mike dixon Posted May 13, 2003 Share Posted May 13, 2003 I get "glow" with several different films, and I don't use TriX or D76. It's not simply a film thing.<P> <img src="http://mikedixonphotography.com/livbw07.jpg"> Link to comment Share on other sites More sharing options...
feli Posted May 14, 2003 Share Posted May 14, 2003 RE:Joakim Gleisner It's mostly the lens (or filtering). But I do see some special voodoo when I shoot my 50 DR with Plus-X and D76. I'm eager to try some EFKE stock. Supposedly it has a very long tonal scale. I have been told that the lack of anti-halation backing on early filmstocks contributed a certain amount of glow. feli Link to comment Share on other sites More sharing options...
kaiblanke Posted May 14, 2003 Share Posted May 14, 2003 Mike and Mark, <p> looking at the pictures it seems to me that the glow is coming from the subjects ;-) Link to comment Share on other sites More sharing options...
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