Gerald Cafferty Posted August 12, 2017 Share Posted August 12, 2017 Another weekly challenge. Remember there are no rules you can do what you wish in your interpretation, but if you can give information of the steps taken and software used to add interest. It is not meant as a competition just a bit of fun. If anyone else would like to post next week please give it a go, upload a HIGH resolution jpeg. Link to comment Share on other sites More sharing options...
Bill J Boyd Posted August 12, 2017 Share Posted August 12, 2017 LR to adjust shadows, highlights and cropping. Silver Efex 2 for antique plate filter. 3 Link to comment Share on other sites More sharing options...
dcstep Posted August 12, 2017 Share Posted August 12, 2017 Processed in DxO Optics Pro 11.4.2 Square, tight crop Contrast 100% B&W conversion with DxO FilmPack Rollie 25 imitation PN-Challenge-08/12/2017 by David Stephens, on Flickr 5 Link to comment Share on other sites More sharing options...
Bill C Posted August 13, 2017 Share Posted August 13, 2017 Here's something akin to the old Kodak tone-line process,published in the 1960s(?). In that method, litho film was used to make a sort of line drawing, where all of the tonal transitions, light to dark, were replaced by a line. Basically you contact print a normal negative onto the high-contrast litho film, resulting in either black or clear areas. This high-contrast film is contact printed onto litho again. The result is two films, that when sandwiched, emulsion to emulsion, in perfect alignment won't let any light through. But... if you sandwich them emulsion sides facing away, the emulsions are separated by two base-thicknesses. So you contact print that sandwich onto another sheet of litho film, but during the exposure you make the exposing light come on from off-axis at all angles (imagine the contact-printing frame rotating on a turntable, with the light source being off-axis; the amount of off-axis controls line width). So I approximated this method in the GIMP. I didn't like the transitions in the face though; one of the software blending options lets one of the background tones to come through, which I think looks better, so I used that. (You can do the same thing with the physical film by sandwiching a semi-continuous tone image with one of the line images, which is what I was working towards.) Photoshop probably does the same thing with just a button push. 2 Link to comment Share on other sites More sharing options...
Trigger_Happy Posted August 13, 2017 Share Posted August 13, 2017 I think he needed some separation from the trees. I added some fog and masked him out. Desaturated a little bit using Silver Efex. It was a fun photo to play with. 5 Link to comment Share on other sites More sharing options...
Ken Ratcliffe Posted August 14, 2017 Share Posted August 14, 2017 All adjustments in PSE14. Straighten image, saturated slide film preset x 3, low key (colour), small amount Orton Effect and Poster edges. Finally adjust levels and colour. 3 Link to comment Share on other sites More sharing options...
Gerald Cafferty Posted August 14, 2017 Author Share Posted August 14, 2017 Cropped in LR. Opened in Silver Efex Pro 2, added Structure & Contrast, added Vignette & Border. 5 Link to comment Share on other sites More sharing options...
michaellinder Posted August 14, 2017 Share Posted August 14, 2017 Buddha with Bounty - - Cropped from right edge in PSE15. Color Efex - low key filter, darken/lighten center filter, PSE - adjusted hue (-8), saturation (+17), then used saturate/desaturate sponge on tree trunk. 1 Link to comment Share on other sites More sharing options...
michaellinder Posted August 17, 2017 Share Posted August 17, 2017 GC, if you'd like me to post the next image, I think I have an appropriate one. Link to comment Share on other sites More sharing options...
Gerald Cafferty Posted August 17, 2017 Author Share Posted August 17, 2017 GC, if you'd like me to post the next image, I think I have an appropriate one. OK Michael that would be fine with me. Thanks for helping to keep things going............regards GC. Link to comment Share on other sites More sharing options...
Glenn McCreery Posted August 17, 2017 Share Posted August 17, 2017 I played with two layers in Photoshop CS5, one layer using Topax Simplify to give a painterly style to the background, and another layer using solarization in ColorEfex for the Buddah. I then cropped and flattened the image. 2 Link to comment Share on other sites More sharing options...
michaellinder Posted August 17, 2017 Share Posted August 17, 2017 I played with two layers in Photoshop CS5, one layer using Topax Simplify to give a painterly style to the background, and another layer using solarization in ColorEfex for the Buddah. I then cropped and flattened the image. [ATTACH=full]1204443[/ATTACH] Looks like the Buddha has grown a beard! Link to comment Share on other sites More sharing options...
Glenn McCreery Posted August 17, 2017 Share Posted August 17, 2017 Yes, he has been sitting there a long while. 1 Link to comment Share on other sites More sharing options...
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