ofey_kalakar Posted January 5, 2008 Share Posted January 5, 2008 Used the 35 f1.4 with my D300 earlier today. The combination is fantastic. I've also tested the D300 with the 45 AiP f2.8 pancake lens too. It's also a really nice combo.<div></div> Link to comment Share on other sites More sharing options...
ofey_kalakar Posted January 5, 2008 Author Share Posted January 5, 2008 45 AiP and D300<div></div> Link to comment Share on other sites More sharing options...
ofey_kalakar Posted January 5, 2008 Author Share Posted January 5, 2008 Another one with the 35 f1.4 @f1.4<div></div> Link to comment Share on other sites More sharing options...
andrew robertson Posted January 6, 2008 Share Posted January 6, 2008 Looks like it's a bit tough to focus, no? Link to comment Share on other sites More sharing options...
ofey_kalakar Posted January 6, 2008 Author Share Posted January 6, 2008 No, not at all. The full size images are very well focused, and none of the exposures are over blown nor is there any detectible CA. The bokhe is quite nice. Some of the more modern lenses tend to give really harsh contrasty images and as a result have no character. These two lenses I find have unique signatures. The 50 f1.2 may be a little soft wide open, though.<div></div> Link to comment Share on other sites More sharing options...
briany Posted January 6, 2008 Share Posted January 6, 2008 Agree with Andrew. I don't see anything that looks to be in critical focus, especially in the first and third images. Would be curious to see a 100% crop of the "in focus" area. Looking to the right of his shoulder in the third image, the specular highlights have distinct bright rings - not what I'd term great bokeh. If you enjoy them though, that's really all that matters... Link to comment Share on other sites More sharing options...
vivek iyer Posted January 6, 2008 Share Posted January 6, 2008 "Some of the more modern lenses tend to give really harsh contrasty images and as a result have no character." Your color images (especially) are pretty low contrast images. Did you use lens hoods? The 50/1.2 especially benefits from a long lens hood that matches the FOV on an APS-C sensor. Link to comment Share on other sites More sharing options...
ofey_kalakar Posted January 6, 2008 Author Share Posted January 6, 2008 Brian, you'll get those"bright rings" with any fast lens, the fact that there is no color fringing or color aberration is important. As these were problems with the D200.<div></div> Link to comment Share on other sites More sharing options...
ofey_kalakar Posted January 6, 2008 Author Share Posted January 6, 2008 Again 35 f1.4 D300<div></div> Link to comment Share on other sites More sharing options...
ofey_kalakar Posted January 6, 2008 Author Share Posted January 6, 2008 50 f1.2 @f1.2 with a D200 lots of CA<div></div> Link to comment Share on other sites More sharing options...
ShunCheung Posted January 6, 2008 Share Posted January 6, 2008 Fab, your images seem to be slightly out of focus to me, even as small JPEGs. That was exactly the problem I had when I tried a Zeiss ZF 50mm/f1.4 on my D2X about a year and half ago. KatzEye should be the answer, although I don't use them since I typically don't focus manually. Link to comment Share on other sites More sharing options...
juanjo_viagran Posted January 6, 2008 Share Posted January 6, 2008 here are some shots with the 28mm @ 1.4 on D200 (UNTOUCHED) <img src="http://i215.photobucket.com/albums/cc112/Juanjo_Viagran/BS/_DSC4429-1.jpg"> <img src="http://i215.photobucket.com/albums/cc112/Juanjo_Viagran/BS/_DSC4419-1.jpg"> this one is a little touched.. ;) <img src="http://i215.photobucket.com/albums/cc112/Juanjo_Viagran/BS/_DSC4452-1.jpg"> Link to comment Share on other sites More sharing options...
vivek iyer Posted January 6, 2008 Share Posted January 6, 2008 Juanjo, The shots from Fab have been made under adverse lighting conditions. :) Link to comment Share on other sites More sharing options...
briany Posted January 7, 2008 Share Posted January 7, 2008 Fab, where do you see CA on that D200 shot? Even if the CA was 5 pixels wide on the original (and I've never seen anything remotely close to that), it would be less than 1 pixel wide at the size you've posted. Perhaps you don't understand what CA (or sharpness) is? Link to comment Share on other sites More sharing options...
ofey_kalakar Posted January 7, 2008 Author Share Posted January 7, 2008 Brian, I know what sharpness is. If I want sharpness, for that I use a two photon laser confocal microscope with Zeiss optics.<div></div> Link to comment Share on other sites More sharing options...
ofey_kalakar Posted January 7, 2008 Author Share Posted January 7, 2008 As for CA=chromatic aberration examples with the 50 f1.2<div></div> Link to comment Share on other sites More sharing options...
ofey_kalakar Posted January 7, 2008 Author Share Posted January 7, 2008 another ex CA<div></div> Link to comment Share on other sites More sharing options...
ofey_kalakar Posted January 7, 2008 Author Share Posted January 7, 2008 Brian, I would never have guessed that the moon (above image) had purple fringing. Don't misunderstand me, I think the f1.2 lens is brilliant, but I don't think it shines on the D200 body.<div></div> Link to comment Share on other sites More sharing options...
ofey_kalakar Posted January 7, 2008 Author Share Posted January 7, 2008 one more<div></div> Link to comment Share on other sites More sharing options...
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