william_markey Posted April 1, 2010 Share Posted April 1, 2010 <p>I just purchased an almost-new (less than 10 rolls taken) Nikon F3HP yesterday - one of my dream cameras. Along with the camera, I purchased a 105 f/2.8 Micro AIS Nikkor and a 28-85 f/3.5 - 4.5 Nikkor. Since I shoot mostly wanna-be models and portraits, I'd like add a bit longer lens. For those of you with experience with the 180 f2.8 and/or the 300 f/4.5...which would give me a better bokeh and nicer over-all photograph?</p> <p>Thanks for your opinions and your help!</p> Link to comment Share on other sites More sharing options...
david_carroll4 Posted April 1, 2010 Share Posted April 1, 2010 <p>Unless you're shooting the models from the end of your back yard, I can't imagine why you would use the 300/4.5 for this purpose. The 180mm is the obvious choice - it's a really nice lens, in addition.</p> Link to comment Share on other sites More sharing options...
lex_jenkins Posted April 1, 2010 Share Posted April 1, 2010 <p>I have the older 180/2.8 pre-AI Nikkor, which functions in stop-down metering mode with my F3HP, and the 300/4.5 AI ED (non-IF) Nikkor, which is fully functional with my 35mm Nikons and D2H. I've also tried the pre-D version of the 180/2.8 AF Nikkor and liked it.</p> <p>For most situations I've found the 180/2.8 more useful for portraits, include group portraits of families. As long as there's enough room for camera-subject separation it's a good focal length. It's very sharp even wide open and the bokeh is delightful - possibly the best of all my Nikkors, including the excellent 105/2.5 AI.</p> <p>I've used the 300/4.5 only a few times for portraits. To get enough separation for single subject portraits I'd have the subject sit at the end of the dock (I used to live on a lake front) while I moved about halfway back down the dock - quite a distance. And it doesn't focus closely enough for convenient use in tight quarters - around 18 feet minimum on mine. It's a terrific lens with good bokeh, but it's most useful for nature or wildlife photography.</p> Link to comment Share on other sites More sharing options...
pisq Posted April 1, 2010 Share Posted April 1, 2010 <p>How does the sharpness of the 300f4.5 compare to the 180f2.8? The AF version of the 180f2.8 is an incredible lens, my 300f4.5 seems a bit soft in comparison.</p> Link to comment Share on other sites More sharing options...
richard_cochran Posted April 1, 2010 Share Posted April 1, 2010 <p>I've got both the 180 f/2.8 and the 300 f/4.5, both lenses in AIS manual focus flavors. I've also got an F3HP.</p> <p>For portraiture, there's no contest. The 180 f/2.8 wins. The 300 is too long. The extra focal length means not only more distance between subject and photographer (invest in a bullhorn or walkie-talkies to direct your model), but also more camera shake, so a tripod or a VERY fast shutter speed is essential to get the best out of the lens. The 180 can get away with a slower shutter speed, and it's a faster lens, so you effectively get around a two stop advantage with the 180. Yes, you CAN take portraits with the 300, but it's normally easier to do with the 180, and either lens can isolate the subject with selective focus and a blurred background.</p> <p>The 180 is more compact, as well, though either lens is a good sized hunk of glass.</p> <p>Both lenses seem sharp enough for my purposes, but I don't shoot test targets much. All the reports I've seen from those who DO test extensively point to the 180 f/2.8 being a better performer than the 300 f/4.5. Note that there are several versions of the 300 f/4.5, though -- I have the non-ED non-IF one which has the poorest reputation.</p> Link to comment Share on other sites More sharing options...
lex_jenkins Posted April 1, 2010 Share Posted April 1, 2010 <p>Carey, my copy of the 300/4.5 AI ED (non-IF) Nikkor is very sharp, even wide open, good enough that I seldom stop down to more than f/5.6. The shop I bought it from also had an earlier non-ED 300/4.5 Nikkor that was definitely inferior (had to be stopped down to f/8 for decent sharpness), and a 300/4 AF Nikkor. This particular copy of the 300/4.5 AI ED was the best of the bunch, including wide open. It's just as good on my D2H as with film in the F3HP and FM2N.</p> Link to comment Share on other sites More sharing options...
william_markey Posted April 1, 2010 Author Share Posted April 1, 2010 <p>Thanks for all the responses!! It's just what I thought then...the 180 it shall be!</p> Link to comment Share on other sites More sharing options...
steve_phillipps Posted April 1, 2010 Share Posted April 1, 2010 <p>I had the 180 f2.8 manual focus lens and it was amazing - one of the best I've ever used - I think my current 200 f2VR is even better, but it's HUGE!<br />Steve</p> Link to comment Share on other sites More sharing options...
dave_wilson1 Posted April 1, 2010 Share Posted April 1, 2010 <p>180 2.8 is a sweetie, that would probably be you're preferred choice. That being said, I have an excellent copy of the regular 300 4.5 Ais I picked up very reasonable and I really like this lens. It is very smooth and has beautiful color, almost zero distortion of any kind, and you can all but blast a flash right through it before it flares. It may not be hairpoint sharp like some others but it is a really fine lens for what it does. I use it wide open and love it for the right subject. One really great feature for the F3, haven't had one in a while, is the E focus screen with the grid on it. With the high eyepoint it's very useable in lining things up. Enjoy, Dave</p> Link to comment Share on other sites More sharing options...
joshloeser Posted April 1, 2010 Share Posted April 1, 2010 <p>I've used a friend's 180/2.8 AIS and it looked terrific. Certainly a match for almost any lens I've mounted on my D700. </p> Link to comment Share on other sites More sharing options...
scott_murphy_photography Posted April 3, 2010 Share Posted April 3, 2010 <p>Both have their place. I have taken lots of portraits with my 300mm f/4.5, but my 180mm f/2.8 is far more useful. I like using my 180mm for portraits as it can be used one stop down and produce very sharp images, while throwing the background well out of focus.</p> Link to comment Share on other sites More sharing options...
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