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Linhof Viewfinder Gadget


john_hennessy

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Does anyone here have experience with the Linhof shoe-mounted gadget that optically and mechanically shows the view seen by different focal lengths? Is it worth the effort to carry it around as opposed to my trusty card with a 4:5 hole cut in it? The ones I have seen on ebay seem to have a maximum focal length of 360 mm; are some longer? Are they still sold new? Does anyone know of alternative (i.e. lighter or cheaper) gadgets other than a simple card?

 

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Thanks.

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The Linhof Multifocus Finder is currently made. It is a zoom type

finder for focal lengths from 75 to 350mm (for 45) and accepts

rotating masks for formats from 6x7cm to 4x5" including 612cm.

 

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The current masks do not fit the older non zoom type finder.

Those are the ones where the image size changes by moving

the front and rear lenses apart rather then rotating a ring around

the eyepiece.

 

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A second ring corrects for parralax.

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The question isn't so much "Are they worth it to lug around?" as it

is, can you afford it and do you want to?

 

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Leica made similar devices for their cameras and provided you do the

math, they work well. The device I have is, NO! I AM NOT MAKING THIS

UP! called an IMARECT. No, it pre-dates viagra.

 

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Bolex also made opto/mechanical viewfinders for their 16mm cameras

and they cost even less, although they don't "zoom" like the others

do. I think they had three focal lengths to choose from. It's

strictly a low cost option you might consider if you bump into one in

a parts box at the local camera store.

 

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Zone VI/Calumet makes/sells what amounts to your cardboard card cut-

out only it's smaller and has a lanyard to keep it around you neck

and a filter which helps you preview a scenes contrast range.

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If you shoot regularly and have developed the skill necessary to

translate the distance from your eye and the perspective card to a

specific focal length lens, that will obviously be the best situation

from an economic and logical perspective.

 

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I acquired both a 4x5 and a 5x7 Linhof viewfinder for several

personal reasons. 1) Because of my real job and a family, I shoot far

to infrequently to be accurate enough with the perspective card. I

would love to be making photographs every other day, but that is just

not in the cards. 2) I have a wide range of lenses to be able to

shoot with and 3) I want to make as sure as possible that where I

drop my tripod legs is where I will in fact make a photograph. In

other words, these devices save me valuable time getting to where I

need to be and 4) I found my viewfinders in great condition used and

at reasonable prices and they are an integral part of my pre-shot

routine. You can get along fine without them. The botom line is

determining if you will make enough use of one to justify a purchase.

If you do decide to get one, I would recommend used and prepare to

spend around $200+ for one in decent shape.

 

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Cheers!

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I have one of these (expensive) beauties and here are my experiences

and opinions FWIW: (1) It's heavy, due to the glass, to use as an

independent viewfinder. It weighs 250g and I carry it in my shirt

pocket with a string around my neck. If I leave it out of my shirt

pocket it can damage my ribs as it swings while I walk. (2) It is

WAY overpriced, like many Linhof accessories. It costs about twice as

much as a Canon 75-300 Zoom EF IS Auto Focus but has way less

functionality, if you think about it! Makes no sense. (3) It has

focal lengths of 75mm to 360mm. (4) I DO like using it better than

the card with a 4x5 cutout and the knotted string, which I used for

some time before acquiring the viewfinder. (5) If I lost or broke

the thing, I would go back to the card with cutout as the cost does

not exceed the benefit, IMO.

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"It costs about twice as much as a Canon 75-300 Zoom EF IS

Auto Focus but has way less functionality, if you think about it!

Makes no sense."

 

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Except for scale.

 

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Would you think that Linhof could possible handmake and sell

as many in two years as Canon can machine make and sell in

one week?

 

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If Linhof could make, and the market was as large as Canon's

you would see a price more in line with Canons.

 

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And, of course, the German employees making them would be

willing to make less per year and get fewer vacations and fewer

benefits to aid in keeping prices down. And the DM would have

the same value as the Yen.

 

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It isn;t as simple as you may think.

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Bob is right, it doesn't work that way. If it did, a Linhof Technika

would have about a third as many parts as a Honda Civic (it costs

about a third as much) or the car would have only about a few dozen

moving parts.

 

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Prices have to do with production volume. If you sell many pieces,

you can price them lower and still recover your initial costs, if

few, like Linhof then you have to price them high.

 

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And I hope this does not introduce any doubts that the Linhof is a

fine, fine, FINE camera. None better.

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I have one of the earlier finders (when you zoom it all the way out,

the image gets really tiny) and I love it -- but I have the Tech IV

camera to go with it. Without the camera, owning it wouldn't make a

lot of sense - unless you intended to carry it in your pocket and pull

it out and use it to "scope" where to shoot from or what lens to use

before you unpack your 4x5 kit.<p>Mounted on my camera, I can easily

compare the view between the finder and the ground glass. If parallax

is adjusted properly, the finder works very well.<p>I think Toyo also

made or makes a variable finder for their 4x5 -- probably pretty

expensive.<p>One could figure out what the equivalent focal legnths

were with a 35mm and carry a 35mm slr camera and a zoom. If you have

time to burn maybe try making one out of 2 brass or copper pipes that

fit together like a old pirate telescope and have a mask at the far end

--- match the view to your existing lenses. You could make a proto-

type out of toilet paper tubes. I'm sure that at some point someone

like Hama has made some sort of cheap version of this for

photographers, film directors or art directors to "eyeball" their shots

-- scour ebay.

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"I have one of the earlier finders (when you zoom it all the way

out, the image gets really tiny)"

 

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That's is why the current zoom version is so much better. On

yours at 360mm the image is the size of your small finger nail.

 

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On the zoom type the image at all focal lengths is large and easy

to use.

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The current ones (made over the past 20+ years) are black and

have 2 concentric rings around the eyepiece. One for zoom and

one for distance. Each is color coded by lens groups. It does not

pull apart to change focal length and it covers 75 to 360mm.

 

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Most on ebay are very old.

 

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For currrent pricing check with a camera store.

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John: your question is a good one deserving of an answer in

photography terms. Yes, the Linhof VF is excellent as it gives you a

view and perspective which approximates what you will get with

various lenses. This is true for the later models of the VF anyway

and will do so with far greater accuracy than cards and other

contraptions. I mount mine on a camera shoe which has an attached

handle and cord for round the neck carrying. This last item prevents

dropping this very expensive VF. It helps me study the subject

without having to set up my Linhof.

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I just made one of these for pennies. I took an empy 35 mm

slide mount, masked it to a 4:5 ratio, and filled the hole with a

piece of translucent Scotch tape to provide a diffusing screen. I

then removed the thick plastic diffuser from one of those freebie

slide viewers you are supposed to hold up to a light, inserted the

slide mount and held the whole thing behind a nasty 28-85 mm

zoom lens I don't use any more. Voila, a zooming viewfinder! It's

a bit bulky, but it works.

 

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You can improve on this by using a telescope or microscope

eyepiece to focus on the aerial image. With a 35 mm frame size

you will need a (spendy) wide-field, low power eyepeice, so it's

better to use shorter focal lengths and a common-as-muck 5x or

10x eyepeice. Look for cheap video or home movie camera

zooms, which are physically more compact than 35 mm wide

angle zooms and are very cheap on the used market.

 

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Increasing the power of the eyepeice will let you go to longer

focal lengths, and most eyepieces have a place to put graticles

where it is easy to add a cardboard or plastic mask. Making an

adapter to mount the eyepiece behind the lens is a simple task

for a competent machine shop, or you can use t-mount

components from, say, Edmund (www.edsci.com). If you can

live with the bulk of a 35 mm zoom lens, Kenko sell an adaptor

which fits major 35 mm brands directly.

 

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Calibrating the focal length of one of these devices is a simple

task. Just frame a shot on your view camera, adjust the viewer

so that you see the same thing, and make a mark on the zoom

scale. The rest of the scale should change proportionately, but

unless you own huge numbers of LF lenses, you can just repeat

the calibration for each lens you own.

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"You could have used a Gepe slide mount that already has a

metal mask in this proportion. "

 

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Much as I like to support local industries, that would have cost

more than pennies. As it was, I almost broke my budget with the

Scotch Tape.

 

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A better use of my time would be to find a cheap erecting prism

(ohh err missus). Actually, I have one, from an old Practika

camera with changeable viewfinders, but that's hardly a

widely-available solution. No doubt you'll let us know if

RODENSTOCK, LINHOF, GEPE or KAISER have something that

will do the job for more money.

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