This is not a question, but an alert to two highly photog relevant articles in the June 19, 2006 New Yorker. That is the isue with the wedding get-away car with one groom and three brides, if you see it in your doctor's office, at a stand, the library: The first article (p. 46-51) deals with "The Cameraman" Gregg Tolland, who revolutionized the taking of film shots in the 1930-40s. Wonderful explanations andideas about how to photograph, light, make action etc etc. Te second article (and I do not know why we are so lucky with this issue) is on "Stereo Sue" (p. 64-73) and deals with the history and neurological basis of monocular and stereo human vision, the benefits of both for photography (= making flat pictures of space around us) and so forth. Very illuminating for anyone interested in photography, in seeing and depicting. I do not know how to locate these on the internet; the New Yorker site does not seem to have an archive. Sorry, at least I could not find one.