Film Camera Weekend for April 7

Last weekend's mix of classic and modern worked well. Same as last time just post with what's consistent with your comfort level. I'll start.

West of MSU football stadium, Minolta XE with Vivitar 24mm f2, Ilford FP4+

http://www.flibweb.nl/flibweb/cpg154/albums/userpics/10001/LB170105.jpg

Playing with Power Tools, Contax IIa + pre-war Sonnar 50 f/2, Fomapan 100

Windsor Ruins. Nikon FM2n, Zeiss ZF 2/25, medium yellow filter, Ilford FP4+.

FM2n, 2/25, med. yellow, FP4+.

Local Pond. Nikon F6, Zeiss Milvus 1.4/50, yellow filter, Kodak 400TX

Walk alone. Pentax P3n, SMC Pentax-M 35mm f/2, Fuji Superia 400.

 

• Test of Nikon F90 (=US "N90") AF

  
  

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Remains.

 

 

Canon EOS-1V, Ilford HP5+ film

Hello everyone. Seems the "regulars" (vendors) at the sunday Farmers Market are getting use to me wondering about with the Fed or Iso. . . they see me and instantly get that smile up and a shaka moving. . . that old impulse for goofing about is also there. Fed-2 / Jupiter-8, Kentmere400, OA & V600 scans. Aloha, Bill

Wabbit Ears. . .

Private Joke only two brothers could share. Round object is an Ulu, or breadfruit. Aloha, Bill

Nikon N80, Tmax 100.

A modern film camera image now.

Canon EOS Rebel K, Plus-X

 

And another classic, from Konica Auto S2

James, the Windsor Ruins & local pond shots are tasty - at least to my tastes.

 

Mjferron - nicely done. 'Like compositions of twisted wood (as you can see from my posts).

Another wet week, dull and grey, but I dashed out between showers and hurriedly shot a roll of Arista 100 in an Agfa Isolette II. It had a couple of tiny pinholes in the bellows which I'd been trying to locate and repair, and I was really keen to see if my efforts had met with success. They had, and though the light was as flat as a pancake there were a few frames I quite liked, and I'll post three here. The lens was the 75mm Apotar f/4.5, and the film was developed in PMK Pyro.

 

Davis

 

 

 

Encore

 

 

Girl Band

 

This afternoon the weather cleared and I took out a Minolta Maxxum 7000 I'd spent some time on, cleaning and rectifying some battery leakage. They are historic cameras and I was delighted to find this one performed immaculately, using the kit 35-70mm f/4 lens, which has to be one of the better consumer-grade zooms. Film was Kentmere 100 developed in PMK Pyro.

 

Vine

 

 

Timber

 

Edited April 7, 2017 by rick_drawbridge

Nikon F 50mm 1.4 T-MAX 100 D76 V700

Nikon F 50mm 1.4 T-MAX 100 D76 V700

Nikon F 50mm 1.4 T-MAX 100 D76 V700

Greetings,

 

No "modern" camera scans this week, but here are three from a recent test roll using a Mamiya MSX 1000 with Sekor SX 50/2 and Fuicolor 100.

 

 

Tiguex Park

 

Colorful Chairs

 

Springtime

One of a few classic SLRs with spot metering only (at open aperture with Mamiya/Sears SX lenses). I like the clean, angular early 70s styling of these cameras.

 

 

Mamiya MSX 1000

Spotty 1000, Tak 55/1.8, Arista Ultra 100, PMK Semi-stand. Scans BSH/V700.

 

On the way to Saunders Lane, a quick test with the Jupiter 9, 85/2.0.

 

V FOR VERISIMILITUDE.

Another Soviet lens that impresses.

Edited April 7, 2017 by Tony Evans

Saunders Lane on a rare Spring day. Back to the Tak 55/1.8.

 

SAUNDERS LANE.

Edited April 7, 2017 by Tony Evans

A good read. Milo steals a walk-on.

A GOOD READ.