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Elcan 50 f/2


eric_hurtado

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E. Leitz, Canada, now known as Elcan, made some oddball optics for the millitary. I have vague recollections that Modern Photography magazines got hold of the 50/2 to try out. It was more than sharp enough to produce acceptable 8x10 prints, the kind of things you might use in a newspaper or brochure, but wide open it wasn't going to give you super crisp 16x20's. As a practical lens for shooting public relations pix or news it was fine.
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I have been very fortunate to have owned all three of these Elcan lenses.

here are my comments.

 

Elcan 50/2 -- a mediocre lens optically, made to fulfill the U.S. Army

contract for the KE7A, which specified that a normal lens would be

supplied. Nice and compact but otherwise nothing special -- a 50/2.8

Elmar performs better.

 

Elcan 66/2 -- a superb lens, one of the best ever. Made for high resolution

espionage by NATO military attaches stationed in the Soviet Bloc during

the Cold War. Works just fine on an M camera.

 

Elcan 90/1 -- Totally impractical for normal photography. Focus is not

coupled to the M rangefinder (and viewfinder is blocked by the huge

lens). Instead, focus is achieved by extension rings for fixed distances, in

tandem with a special lighting system. Designed for photographing Soviet

submarines in poor light -- this is NOT for portraits of your

mother-in-law! Note: Optically not the same lens as the other 90/1 Elcan

made for Picker X-Ray Corp.

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  • 4 years later...
<p>I owned an elcan 66mm that I purchased along with an M4-2. The setup would scratch the film and all the pictures were out of focus. I wrote a letter to Lecia and I was immediately visited by the FBI who impounded the camera. It appears that it was a Naval intellegience camera and the particular camera/lense combination that I purchased was set up for special thin infrared film. I wish I still owned it but it was misappropriated from it rightful owners (the taxpayers) somewhere along the path to me. An experience that I would rather not repeat.</p>
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