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Detailed portraits


john_b_ckman

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Hello!

My next project in photography is to take portraits of male friends

and I want them to be very detailed. I want to se everything in the

face. The film that I intend to use is Ilford Pan+. Now I would like

to get recomendations concerning lighting. What kind of light,

direction etc. Will hopefully post the results when the project gets

started.

 

/ John Bäckman

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Doesnt seem that anyone wants to answer this ..so i'll give it a go...

Im doing something simliar right now... nd from what Ive seen is direct lighting, harsh even will produce alot of detail... as will using a quality macro lens... a super sharp lens will have it so u can see each seperate eye lash.

Hope this helps some

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James is right. Lighting will have as great or greater effect on the results

you are looking for than the lens you choose (with the exception of a soft

focus portrait lens). The more you cross light the subject the more the

minute detail will be shown in detailed relief. But be prepared for every

pore and capulary to show up in vivid detail.<div>004FUg-10683584.jpg.503020d94e599bc8f3b9cdb033c22cfe.jpg</div>

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John, here's another way to approach the lighting to bring out the detail

in a dramatic manner. 2 strip lights were used, placed just off camera

and positioned to spill around to high-light the important portions of the

subjects' face. Hope it helps some to see different approaches.<div>004FUx-10683784.jpg.ea095f18290d1e4d77129ad0315fc203.jpg</div>

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And try using a green filter or ortho film. The response of ortho film makes the skin blemishes very prominent. The razor stubble stands out very well. Using a green filter will acomplish somewhat the same thing though not as much. Pan F+ is a red sensitive film and will suppress the male complexion. Use an ortho film. But by far the best way to bring out the male face is with good hard lighting like shown in these examples.
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I am a simpleton. I am a huge fan of natural light for portrait stuff moving the subject closer to the light source (i.e.large north window)for harshness or further away for more diffuse, soft lighting while bouncing/reflecting light by various means where appropriate; always using a razor sharp lens and varying the background. Part of the sheer fun is searching for the right light, playing with it until you get exactly what you want. And then, yes, the utter joy of the darkroom experience.

Good luck and Happy New Year!

Rick Gray

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  • 2 weeks later...

John...try getting your hands on a Linhof 4X5 camera, a good

quality Schneider lens,20 pound tripod, TMAX film, XTOL

developer, JOBO processor and good natural lighting or soft-box.

Patience and an expresive face should result something

interesting after many trys..... and failures. Don't give up. Here's

one I like. You may not however.<div>004LFU-10892584.jpg.15456ef5e7528f3473c767720f006025.jpg</div>

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