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CRIT: tokyo


steve_west

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since buying a rangefinder at the beginning of this year, i haven't had much time to take

any pictures. i've had a lot more time since october and reading the leica forum now and

then has inspired me to start taking street pix. i got a lot of respect for street

photographers. compared to my usual work where i have loads of time to set up for

something, it's much more challenging. especially, (i'm finding) with a rangefinder cos i'm

not used to them. i'd like to hear your comments - good, bad, constructive, abusive or

otherwise.

 

all but about 3 of the pix on the site were taken last month over about 2 weeks on the m7

with a 35mm. all full frame except where cropped square. it's a bit of a mixed bag cos

i'm just snapping at the moment.

 

cheers.

 

<a href="http://homepage.mac.com/mecan/index.htm" >tokyo - november 2004</a>

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Steve,

 

I find what you are doing interesting. A number of the shots are

striking because they are so weird. "Scrotum" and "Ass" must have

interesting stories behind them.

 

Here's what is most interesting to me. The overall darkness. It is

a lugubrious darkness. An overwhelming darkness. A chilling

darkness. I live down in Kansai and get up to Tokyo only a few times

a year. The Tokyo I've known (in passing) for 25 years seems the

opposite--bright, light, flashy. So I'm enjoying seeing Tokyo

through your eyes.

 

Much of what you are seeing on the streets is familiar to me. The

weird people, the inexplicable dirt in a place so consciously trying

to look clear and proper, and those frequent violations of laws and

regulations (the bikes locked to the wrought iron fence).

 

Also the homeless shots point to an increasingly familiar sight in

Japan. The public drunkeness--that is a perpetual sight in the late

hours. ("Salaryman" is a telling shot--you need the title to really

understand the photograph).

 

I like the weeping (?) woman on the cell phone very much.

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Steve, I'm impressed. Really really impressed. Your photos do just what

street photos are supposed to do -- capture the reality of moments. If you

don't mind I'd like to hear a bit about how do go about doing your street

photography. What are your routines?

 

I'm also envious. Really really envious. It would take years down here in

Kagawa to collect that many odd moments! On a typically Sunday morning

here in Zentsuji, I can ride up and down through the entire town and see

maybe 20 people total. And half of them will be riding their bikes to the train

station to get out of town.

 

Please let us in on your approach to "street walking."

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Man, I'm jealous Steve; that's a really impressive body of work to put together in two weeks.

 

This isn't a criticism, more of a question really; why do current pics of tokyo so often look like pics of NYC during the 80's. Dark, dirty, contrasty, or am I just projecting?

 

Re Neopan, if you need the speed you might want to trix in diafine? Rate it at 1200 or 1600.

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thanks guys. a lot of questions there that i'll address tomorrow. it's 3 in the morning here

and i just got in from a night shoot. tonights' theme was people being sick. i'm ready for

bed after spending 2 hours in the police station after being chased and captured by one of

my drunk and very angry subjects. hurting all over and exhausted. this time, i kept the

film tho'. i'd like to coin a new phrase for street photography - 'short lens, short life'.

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wow! last night was crazy... you just never know how people are going to react....

anyway. donald - thanks for your comments and praise - tho' i feel the pix are still

immature and i need to do a lot of refining. you like the numbers eh? well, just counted -

15 rolls. the lens is a summicron new type and colour film was probably kodak VS or GX,

not that you'd know it once i've messed with it. routines....? well, i just go out when i

have time and always shoot in pairs at night in places like shibuya. if i see something i

think will be gone in seconds i (sometimes) look thru the viewfinder and press the button.

focus, wind-on, re-compose and press the button again.

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