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Circular Polarizer with 12-24 for landscapes


craig_shearman1

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I'm getting a Tokina 12-24 that I'll be using for landscape work on my Nikon

D200 and will be using a circular polarizer. I know that to avoid vignetting,

Tiffen, Hoya, etc. make special thin versions. But has anybody tried the Cokin

P series circular polarizer on a 12-24? Is the P mount big enough to keep it

from vignetting even though the whole think is clearly not thin? I already have

the P series system (along with an ND grad) and the ciruclar polarize for it is

half the cost of a 77mm circular polarizer. For landscapes, I want to get in

everything the lens can see and not have to crop because of vignetting. (Going

to the Grand Canyon South Rim for the first time next week.)

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If you use a Cokin P wide-angle filter holder (or cut the first two slots off of a standard

holder), you should be able to use the polarizer down to at least 14mm before you get

vignetting. Using the standard P holder you'll probably start getting vignetting around

16mm. That said, you may not want to plan to use a polarizer at the widest settings of

your lens. You won't get uniform polarization across the field of view.

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I would NOT use a polarizer on a wide lens when including the sky; the blue of the sky will

not be uniform, and it generally looks terrible (at least to my eyes). I would use a polarizer

on a wide lens only when the sky is not included, such as the interior of a forest, where it

does a great job.

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Are the polarization problems (not vignetting problems) with a lens this wide specific to circular polarizers or are the a problem with linear polarizers as well? My understanding is that linear polarizers don't work well with autofocus but I've been manually focusing for 30 years so that's not an issue if they work otherwise.
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Cokin P series wont work well to the widest part of the lens. Try thin polarizer filters - even then, you have to make sure that it's the only filter on the lens. If shooting scene w/o sky, slight vignetting is not a problem - you can always use PS to clone out. For sky, the gradation of color is the problem - but sometimes that do add effect - again can be fixed/touched up in PS
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