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Best mirrorless for legacy lenses?


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I would like to use my Leica M lenses on a small camera such as the Sony NEX, Pany G or Oly EP series. I found the Leica M9 clumsy,

unreliable to wake up and show the in-viewfinder settings, and with very imprecise framing. I have tried a 35 Summicron on an old GF1

but it take two different button presses to trigger the focus magnifier. I have read that the NEX 5N and NEX 7 have focus peaking to

assist with manual focus - can that facility be left on at all times? If not, is it easy to switch on? Are there any other views about the best

mirrorless small camera to use with an adapter and manual lenses?

Thanks

Philip

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<p>I place some more restrictions on my mirrorless that I want to use with my M lenses (and at least one Nikkor) - the camera must have a useable eye-level viewfinder and at least an APS-C-size sensor. This currently leaves the Sony NEX7 and the Fuji XPro-1 in the game - and once there are some reviews out on the latter and when I can get my hands on both, it just might be decision time. Or I will have to wait for the next round of updates....</p>
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<p>I use the Sony 5N with the add on EVF. I only use CV lenses with this camera: 15mm f4.5, 28mm f2, 50mm f1.5-S, and 85mm f3.5-S. The peaking function can be left on all the time. I generally use "low" setting for the 15mm, "mid" level with the 28 and 50 lenses, and "high" with the 85mm. I use Yellow as the color, and I set the camera to display black and white on the LCD at low contrast (set at -3) to make the peaking "shimmers" more noticeable. (Since I shoot RAW the original color is always available). <br>

I prefer the 5N for two reasons: I'm left eye dominant, and the swivel EVF on the 5N is a whole lot easier for me than the built-in v/f on extreme left of the NEX 7 (no, I have not used it but I've been in touch with folks who have). Second, the touch screen on the 5N is more useful than I thought to get precise focus with the screen magnification feature.<br>

Another "plus" for the 5N is less corner color shifts and vignetting than with the 7 with UWA lenses. I use CornerFix with the 15mm (also I set up a profile for the 28 but never had to use it). This works provided you shoot RAW and convert to DNG files.</p>

 

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<p>With the high megapixel sensors and optical means (microlenses) of allowing so-called legacy RF lenses to be used on full frame digital bodies, I wonder why there are not more mirrorless cameras like the Leica M9 that exploit the full frame. The Sony NEX-7 and the Fuji Pro SPro-1 are apparently competent machines, but why not other full frame mirrorless cameras? The larger pixel size would be a plus for image rendition. Are they in the offing, and worth the wait?</p>
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<p>I would have thought the Olympus cameras with body IS might be attractive to you. Since panasonic have connections with Leica they have adaptors for your lenses mentioned in the manual which came with my G3. Depends on if you want the crop factor or larger sensor, not that much different You could read the report of a conversation with Panasonic's marketing manager linked from the Olympus and 4/3 forum, which talked about different processors. </p>
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<p>Phillip,<br>

After the past several years of examining interchangeable lens mirrorless camera models I finally purchased my first in November, a NEX-5N, for three primary reasons: IQ up to ISO 3200, the flexibility using the EVF and LCD, and MF peaking. I don't have M-mount lenses currently, but as others here, I have and use a wide variety of old MF optics including Contax G, C/Y, Leica R, Nikkor AIS and earlier, Canon FD, OM, and more. I've since purchased adapters for each native mount to the NEX, and peaking makes all of them just FUN to use as well as bringing out their best qualities again, and that was my primary reason they were purchased and kept in the first place.</p>

<p>The Contax Gs are the most difficult for me to use on NEX, between their close registration as well as the sometimes rough focus operation of the adapters. But the IQ results are more than worth any effort.</p>

<p>The 5N is a little small in my hands, and it needed to be well customized for the ways I wanted to work with it, but overall much easier than using these old lenses on my Canon DSLRs whether with live view, focus screens, angle finder and other visual aids, all lacking the aid of peaking. I use S and M modes primarily on the 5N with the MF optics, with peaking active all the time, but it's only obvious when an MF lens is attached and peaking is visible only on the in-focus areas. You'll have to handle and see this for yourself to appreciate or reject.</p>

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<p>From all that I've heard and read <a></a>in this thread and elsewhere, it seems that the Sony NEX bodies are the ones to beat.</p>

<p>I had a Panasonic G1 on which to use my Canon FD lenses, and I found the viewfinder to be very poor. The NEX-7 reportedly has the best viewfinder of any mirrorless body, so I'm considering acquiring one once it's released.</p>

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<p>Leslie, what pray tell is IBIS and 2x? Agree that NEX has a competent EVF, but there is apparently still room for improvement in that category. Leica M8 (about $2000 on used market) or the expensive M9 have OVF, in addition to Fuji's still awaited X-PRO1</p>
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<p>I'm not sure 2x crop factor is a plus or a minus, depends....<br>

The Sony sensors seem to have better dynamic range and better high ISO performance. To my style, using a telephoto lens with a fast shutter speed if you can just crank up the ISO more or less obviates the need for image stabilization. </p>

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<p>I may be the only one here interested in a full frame mirrorless digital body. When you have highly corrected wide angle "legacy" lenses, it is not fun to have a 21mm become an effective 28mm, 35mm or even longer focal length lens, quite apart from the benefit of a larger pixel size in a larger (full frame) sensor of the same MP count as a 1.5X or 2X mirrorless camera. As Sony, Nikon, Canon and others have full frame sensors in their flagship models, why not in their mirrorless cameras, in addition to the M9? It's not just a question of camera size, as the full frame sensor M9 has a smaller body than the new 1.5X crop factor Fuji interchangeable lens digital camera.</p>
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<blockquote>

<p>I'm not sure 2x crop factor is a plus or a minus, depends....</p>

</blockquote>

<p>Peter, yes, that's why I said it depends. I like wides so 1.5 would be better but others might like tele...</p>

<p>Arthur, we sure like FF but there's none unless you shell out 7k. There's no point in talking about what doesn't exist, right? </p>

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<p>Arthur, there's probably a few of us. I <a href="../casual-conversations-forum/00Yx4W">asked about that</a> six months ago, and you had some good comments then. The balance of opinion was it's unlikely we'll see one soon. </p>

<p>Sony could presumably make one now, and perhaps they've made a prototype. It means a full-frame sensor in an oversized NEX-type body that takes full-size Alpha lenses. They have all those technologies already, but why would they market something that would compete with their own full-frame dSLRs?</p>

<p>My personal rash guess is that full-frame (or at least large-sensor) mirrorless will be the next big paradigm shift in high-end cameras. I think it could replace the 60-year-old SLR design, maybe starting in five to ten years. To do that, it would need a really good live viewfinder, which might be the rate-limiting step. </p>

<p>Incidentally, I don't have a dog in this fight. I'm a die-hard film user, but I follow these things because they could make excellent backpacking cameras.</p>

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<p>Dave, your earlier post and the contributions to it makes good reading. The DSLR - mirrorless market positioning you mention here is probably key to the present industry hesitation for FF mirrorless cameras. I would like to see higher quality digital for colour capture and digital printing work, but I am very happy, like you, to use my rather simple but good quality MF film cameras for B&W landscapes and other B&W photography and traditional printing. I realize that puts me out of most marketers targeted audiences.</p>
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My NEX 5N and the EVF arrived and I have just run off a few test shots with a 35 f2 Summicron ASPH and a Metabones

adaptor. The results are truly excellent in terms of resolution/sharpness and colour and so far I have find no chromatic

aberration fringing even in shots against the light with a bright white sky (the sun wasn't out for long). I have not quite got

the customisation right but I am getting there and the manual focusing is simple and accurate. Thanks again. Philip

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<p>I bought a Panny G1 when they were on sale just before they came out with the GF. I bought adapters for Canon FD, Nikon and Pentax. Shot all the lenses for a year and then got tired of the big lenses on the small to hold body such as the Canon 80-200 F4 and others. Now I'm tired of changing lenses period especially when I loose OIS. So, I keep the 14-45 on for quick uploads, birthdays and that sort of thing and have gone back to shooting my A1 with the 50mm 1.4ssc and Nikkormat FT2 with 35mm F2, and that's my kit now. Full frame with superior lenses, OVF and a tripod when needed.</p>
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