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8x10 Eastman Commercial all Metal View Camera


james_chinn2

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I have stumbled across one of these cameras that appears to be in excellent shape, very clean, with only a couple of pin holes in bellows needing repair. All knobs, springs hinges etc are good and work smoothly. Has extra extension rail included. Ground glass is not original but seems to be custom designed with a vareity of grids superimposed. I was curious if anyone knows a little background on this camera. I can pick it up for $200. Did Kodak build these cameras or did someone else? When were they sold and is it worth more than $200? I assume it is from the late 50s early 60s because of the style and aluminum design.

 

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As always, thanks for your responses in advance.

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I have done a little research on my own and all I have been able to

find out is that the camera is basically a metal version of a 2D,

manufactured in 1937. I don't know if the movements are the same as

a 2D. One reason i am curious about the value is that after looking

at the camera it looks as if it would be relatively easy to modify

the front standard to allow for tilt similar to how the rear standard

is set up for tilts.. If the camera is substantially worth more than

$200 I might not want to mess with it and destroy any resale value

for the future.

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I have one and it is a bargain at 200.00, You could modify it but the

best characteristics about this camera are the light weight, rigidity

and simplicity. I amde several lense boards from .125 aluminum, 6

inches square and I use a Nikkor 120 and Fuji 250 6.7 in it, I do not

need a wide bellows and can easily set this camera up. If you try to

modify it and mess it up then it breaks you cannot get new parts and

you will end up with rubbish, IMHO modify a wooden camera because the

repairs are easier.The belllows does not detatch. This summer I plan

to use it go ariel photography withthe fuji 250 at 1/500th. this

camera is light enough to hand hold. I will just make a light base

and simple grip from .125 aluminum and mount the camers with the

tripod screw to the grip base. This is the camers to use wher there

is no need for rise. Ifyou really want to use rise and tilt then get

the camera and tilt the camera side ways on your tripod. It is light

nad you can do that, no modifications necesssary.

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Ansel Adams used this camera (it's mentioned in his book Examples).

I have one that had the front standard modified to allow tilts. When

I showed it to John Sexton at a workshop, he told me that Adams'

camera was modified in the same way (and that mine looked just like

his). Anyway, the modification does not compromise the camera's

rigidity. It's really only a convenience, however, since you can

duplicate front tilt by using combinations of other movements.

 

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A good example of this camera is definitely worth more than $200. In

my opinion, as a working field camera, the Eastman Commercial is

superior to many cameras (e.g., Deardorff NFS) that typically sell

for far more than that.

 

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If you're interested in more information, I've written a short review

of the camera and could email it to you. Send me an email if you

want it.

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A friend of mine once used this camera. IIRC it's made of magnesium,

not aluminum. His camera had a lensboard with a bellows attached that

allowed front tilt (and maybe swing). Only view camera I've ever seen

with two sets of bellows. I believe this camera was discontinued

during WWII and replaced after the war by the Kodak 8x10 Master View

(aka the metal Deardorff).

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