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500mm Reflex filter


max_d

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<p>Where is the confusion emoticon? I thought the Nikon 500mm Relfex takes an 82mm front filter. At least that is what everything I've read says. But the B+W UV I have seems to be a bit small and won't fit the hood or lens. Can someone help?</p>
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<p>Use a lens hood or lens cap to protect the glass...A UV or skylight filter just adds more glass surfaces to degrade image quality...You may not be able to notice that it does so in most situations, but they do, & no matter who makes them, or how much they cost.</p>
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<p>If your Reflex-Nikkor f/8 is like mine,</p>

 

<ol>

<li>there are no threads on the inside of the lens front to screw in any filter and the inside diameter is about 88mm in any case,</li>

<li>the front surface is set back some 25mm or so from the front of the built-in lens hood, so is fairly well protected,</li>

<li>it takes a 39mm filter like the one shown in the picture that screws into the rear of the lens,</li>

<li>and the outside diameter of the lens front is about 92mm, and this-- by strange coincidence-- happens to be the same size as a "I Can't Believe It's Not Butter" tub lid. Mine came with a very fancy leather hood that would like to slip off when you carry it, so I use the oleo lid instead. Inelegant, but it does protect the lens. </li>

</ol>

<p>It's a great lens, the star of my unfortunately large collection of 500mm lenses.</p><div>00WU3l-244920184.thumb.jpg.63b548ed4d7803c21562b67f77e812ae.jpg</div>

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<blockquote>

<p>A UV or skylight filter just adds more glass surfaces to degrade image quality...You may not be able to notice that it does so in most situations, but they do, & no matter who makes them, or how much they cost.</p>

</blockquote>

<p>I find that type of statement very misleading. I have tested by stacking 3 or 4 UV filters together and find no observable difference in terms of image quality. I posted those A/B test results in this forum and nobody dared to guess which is which. I am sure technically there is a difference, but the difference is so tiny that it is not worth pointing out.</p>

<p>Especially if you are starting from a 500mm mirror lens, you are not too concerned about image quality.</p>

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<p>Shun,<br>

Here's a link to a Luminous Landscape article with examples of the flare from UV filters...<br>

http://www.luminous-landscape.com/columns/sm-feb-05.shtml</p>

<p>There are other threads (including some on Flickr groups), where examples can be found. I am only going to reference the one above. Granted, as I said in my OP, most times the effects will not be noticed, but in certain situations they can be seen easily (as in the link)...That aside, a filter can offer only so much "protection". I only use "protective" filters where there is blowing sand or sea spray. If you drop a lens, your just as likely to damage the optical alignment even if the filter has protected the front element...In my 40+ years of shooting , I have yet to have a filter protect any of my lenses from any mishaps. I did use those filters back in the late 60's, but stopped soon thereafter. And you are correct, when using a 500mm mirror lens, you are not too concerned with IQ because it is lacking</p>

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<blockquote>

<p>if you are starting from a 500mm mirror lens, you are not too concerned about image quality</p>

<p>And you are correct, when using a 500mm mirror lens, you are not too concerned with IQ because it is lacking</p>

</blockquote>

<p>This is complete nonsense if you are talking about lenses like the Reflex-Nikkors.At least one major problem, chromatic aberration, doesn't exist at all with these lenses. Donut "bokeh" is not all there is to IQ. On the other side, I have to admit that Ken Rockwell agrees with you-all. :)</p>

<p>As I said, the current new cheapies aren't worth a dime. It's the equivalent of saying a 400mm lens has to be bad because the Cambron f/8 400mm of 1972 was a bow-wow.</p>

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<p>Scott, if you shoot directly into a source of light, using an extra filter can be a problem, so can using a zoom lens with many elements. Once I shot a sunrise and I pointed my 80-200mm/f2.8 AF-S directly into the sun, and I immediately saw the flare and switched to my 200mm/f4 macro, which was the only other 200mm lens I had at the time. The problem went away.</p>

<p>The thing is that at least in my case, well less than 1% of my images involve shooting directly into a significant source of light. Therefore, we don't tell people to stop using 80-200 and 70-200 lenses altogether. In those few cases when using a filter is problem, remove it. But it is perfectly fine to have it on the other 99+% of the time.</p>

 

<blockquote>

<p>This is complete nonsense if you are talking about lenses like the Reflex-Nikkors.</p>

</blockquote>

<p>Not in my experience. Back in 1987 I bought a new 500mm/f8 Reflex Nikkor, that would be the very last version Nikon made before they discontinued all mirror lenses. That lens is very difficult to focus even on my F4 because the viewfinder is very dim. A supertele at f8 (most likely actually a bit slower than f8 in reality) without VR means it is prone to all sort of vibration issues.</p>

<p>I used that mirror lens for about 2, 3 years and had a lot of frustration. It is difficult to get sharp images with it, even on a very heavy tripod. By 1990, I bought the 300mm/f4 AF and started using that instead and then in 1992 I had saved enough for the 500mm/f4 P. That 500mm/f8 mirror was by far the biggest lens purchase mistake I have made in 30+ years using Nikon. The images I got from it have so much sharpness issues that I am sure adding 5 UV filters in front of it will not make a bit of difference.</p>

<p>If you use that lens, figure out how to foucs it (modern DSLR with live view may be the answer) and how to support it. Filters are non issues. However, that lens probably worths no more than $300 or so and you need a huge filter in front. Those big filter are not cheap so that it probably doesn't make a whole lot of sense to buy a filter that costs perhaps 1/3 of the lens to protect it. You are merely adding a lot of cost, percentagewise, to your lens.</p>

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<p>Shun - read your own post and tell me again that these really are <em>image quality</em> issues?</p>

<p>Of course, any 500mm lens needs support; yes, the depth of field is very shallow; yes, they are dark for a lot of older, smaller viewfinders. And so on. These do not seem to be optical problems, so much as problems in figuring out how to use the lens to good effect. I sense a certain element of a jilted lover here: go on, date a Reflex-Nikkor again, maybe you'll find out it's not all that bad.</p>

<p>I've done a fair amount of shooting of my Reflex-Nikkor with an older APS-C camera with a very small and dark viewfinder by today's standard, and got good results with high shutter speeds and a nice heavy monopod. It's easier to use on a 35mm sensor camera with a big, bright viewfinder, naturally.</p>

<p>One 'feature' that does exist, but you didn't mention, is that contrast can be lower than with a refractor type telephoto, but that is not the same as sharpness, although people love those snappy, high contrast lenses because they <em>perceive</em> sharpness in the high contrast. I don't think this is much of a problem in a digital world.</p>

<p>In any case, the OP already has a Reflex-Nikkor, and merely wanted to know how to 'protect' the lens from sno-cones and the like.... ;)</p>

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<blockquote>

<p>Shun - read your own post and tell me again that these really are <em>image quality</em> issues?</p>

</blockquote>

<p>Of course they are. The nature of all mirror lenses makes it very difficult to capture high-quality, sharp images, be it Nikon or any other brand. Even non-mirror 500mm, f8 will have a lot of limitations. Eventually I could not figure out any way to get images that are up to my standards. After I bought my 500mm/f4 P, I sold my mirror lens. Today, I do not own any lens that is slower than f4 in any part of its focal length, but I admit that I am very picky.</p>

<p>That is why I think it is silly to worry about any tiny tiny image degradation from adding a filter on that lens. There are major hurdles you need to overcome, if you can.</p>

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<p>I have the Nikon 500mm f8 Reflex lens. I have to agree with Shun, these lenses are simply reflex telescopes with a Nikon mount at one end. They are major optical compromises compared to a normal lens. That being said, they are small and compact, and in a pinch, can get you an image that you may not get otherwise. I'm going to take mine to the San Juan Islands this summer to see how it does. But shooting with it needs a tripod to really nail focus. I only paid $160 for it so it's easily sold again if I decide it's not worth it.</p>
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<p>The last version of the Reflex Nikkor 500mm 1:8 will accept 82mm screw-in filters attached to the front of the lens, between it and the HN-27 screw-in lens hood. It will also accept Nikon 39mm screw-in filters attached at the rear.<br>

This lens, whilst it is nominated at 1:8 (f8) is more like 1:11 (f11). It is about 1 stop slower than its claim to fame.<br>

As others above have said, it is a difficult lens to focus accurately, especially on moving subjects.</p>

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  • 10 months later...

<p>Max --<br>

According to Roland Vink, the first (pre-AI) version of the Nikkor 500mm reflex takes 88mm front filters while the second version takes 82mm filters -- see <br>

http://www.photosynthesis.co.nz/nikon/accessory.html <br>

for details. If your 500 reflex is 135mm in diameter and 142mm long, it's the 88mm version.<br>

According to Vink, both versions accept 39mm rear filters, much easier to find than the 88mm.</p>

 

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  • 5 years later...
Also, according to Nikon ( did not try it) you should Always have at least a filter mounted in the 39mm thread, as not having a filter influences the optical quality of the system. Not sure if that also goes for DSLR's though...
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Another 6 year old thread back from the dead for no reason. What's going on?

 

But while we're here. I have an early 500mm f/8 Reflex-Nikkor, and it most certainly does have a front filter thread. I know this because its lens cap is a metal screw-in type with "Nikon" embossed on the front.

 

Never measured the thread, but 88mm sounds about right. And FWIW, sticking a pane of glass in front of the lens may well degrade the image. Coatings or flare notwithstanding, the slight deviation of oblique light rays caused by an extra refractive element may well be enough to reduce (already quite poor) sharpness.

 

The best accessory for this lens is an extra lens hood. The one supplied is insufficiently deep to prevent stray light sneaking sideways past the front mirror to form an unfocussed fog all over the image.

 

CPM, the rear filter is part of the optical design. It's not there for fun. The supplied 39mm "UV" filter has almost no effect on the UV transmission of the lens. Have you seen how thick the front element is on that lens?

Edited by rodeo_joe|1
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When I was in camera sales we were told to always push a UV or skylight filter on the customer because they made a high profit on filters.

Shutterbug magazine did a article on protective filters years ago. The outcome was if you wanted protection use a steel lens shade, any glass placed infront of your lens can be detrimental to image quality. The one excepting being during rain. If your lens needed protection the manufacturer would of provided a filter like they did with some of the super telephotos with very expensive front elements. You are the best protection for your equipment, if your a putz who is careless buy a filter.

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Shineofleo,

You wasted your money on that filter. A Reflex lens is basically a Schmidt Cassegrain or Maksutov telescope, you don't put any filters in front of them without effecting the image quality. Solar filters (used for eclipse) astrophotography are an exception but almost ruin the image quality. They are only a cheap remedy because internal astronomical filters are rare and extremely expensive. The best protection is a lens shade. Since the FOV of that lens is very narrow the tube can be straight. The rule is a shade should be at least 2x the aperture diameter to be effective (some Nikon shades are not), in your case your shade should be about 180mm long. Forget about finding one but you can make one from black construction paper taped together. (yes, it will look like $hit), but work. The best protection would be a metal shade that you can extend with paper. Because of the nature of reflex optics extraneous light entering the front will reduce contrast. Your 108mm filter will introduce unwanted internal reflections. 108mm is one heck of an odd-ball size, it must of been hard to find. I have several Nikkors that use 122mm filters, but I only leave them on for transportation.

Richard

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Given that this was just talking about protecting the front element, I'd be tempted to stretch some cling film (plastic wrap) across the front, if I could get it flat enough. But only if I was going out in the rain or something. In retrospect, that's an approach that might have saved my 14-24 when I went to Niagara...
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Since we're on a roll with the protective filters debate, can someone resurrect a 7 year old Canon vs Nikon thread? I'm sure we can sort that one out once and for all.

 

Yes, definitely. Some people, including at least one moderator, are busy making new posts to very old threads and in the default settings this now moves those threads to the top of the line.

The default (which could be changed if so desired) should be the date of the first OP.

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