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30D first impressions and rapid shooting tests


jcolwell

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As I said a few days ago, I just picked up a new 30D to be my second

dSLR. My first dSLR is a 20D, which still works well, but needs a

partner to reduce how often I change lenses, plus to be a digital

backup. I figure it may have been the first one sold in North

America, as I bought it at 08:30 Atlantic Standard Time on Friday -

did anybody in Newfoundland get one on Friday morning ? Anyway, here

are a few of my initial thoughts, and an informal test comparing

continuous shooting and fast shooting performance between the 30D and

20D. For those who think these throughput tests have no real world

value, you should try shooting rugby and soccer games from the

sidelines. The 20D does a great job, but you frequently miss

important opportunities while the stinking buffer is being cleared.

My tests suggest that the 30D will not be limited in this way.

 

<p>Overall impression: I'm completely satisfied. For me, the 30D

enhancements are worth the extra cost in comparison with buying a new

20D (of course, the 20D prices will probably drop further for a

while, before they're all gone). The 30D layout and controls are

basically the same as the 20D. The first difference I noticed was the

larger and brighter LCD screen on the back of the 30D. The on-screen

content is basically the same as the 20D (but better-arranged in a

few places, such as file quality), and so the text and symbols are

proportionately bigger and easier to read.

 

<p>The 30D ISO setting is graduated in finer increments that the

20D. For example, the 20D has three settings from 100 to 400 (100,

200, 400); while the 30D has seven (100, 125, 160, 200, 250, 320,

400). Also, you can see the ISO setting in the finder while in the

change-ISO mode. Maybe Canon is listening, sort of...

 

<p>As advertised, the 30D uses all of the same accessories as the 20D

(BG-E2 grip, remote shutter release, body's battery compartment door,

etc.) I did a walk-around yesterday in downtown Halifax with the two

bodies and three lenses (17-40/4L, 70-200/2.8L IS, 300/4L IS) and it

was absolutely wonderful. It significantly reduced the number of

times I had to change lenses and made it much easier to get the shots

that I wanted. I've often used the same lenses with an Elan 7 as

backup, but I only used the 7 when there was just no time to change

lenses on the 20D. To me, it made no nevermind which lens was on

which body (20D vs 30D). But it will when rugby season starts up

again (soon), and here's some throughput tests that show why.

 

<p>The following tests were performed with a 70-200/2.8L IS lens set

at f/2.8 on manual focus with IS turned off, and shooting an outdoors

daytime scene in Av mode with shutter speeds of 1/2000 sec and

faster. Cameras were set to ISO 100 with RAW files only being saved

(except for one test shown at the end). Each test was performed

three times, with identical results each time. Elapsed time was

counted in my head (one thousand, two thousand, ...), in a consistent

and repeatible cadence which is probably quite close to real time.

All tests were performed with the same Sandisk Ultra II 1 GB CF card

and same BG-E2 grip & batteries. The CF card was erased before each

test. BTW, the 30D erases in-camera images much faster that the 20D,

which is great for running multi-shot tests, but probably has no

direct payoff in real life; however, it is indicative of the 30D's

overall better file handling performance. The 30D has firmware

version 1.0.4, and the 20D has 2.0.3

 

<p>The number of shots shown below is how many you can take before

the write-to-CF-card buffer saturates, and the camera stops shooting

until the buffer clears.

 

<p>continuous shooting, RAW only:

<br>30D 5fps = 11 shots (10 sec to clear buffer completely,

continuous write activity)

<br>30D 3fps = 12 shots (11 sec to clear buffer completely,

continuous write activity)

<br>20D 5fps = 6 shots (16 sec to clear buffer completely, sporadic

write activity)

 

<p>fast shooting, RAW only:

<br>drive on single shot mode, take 2 shots, wait 2 sec, take 2

shots...

<br>30D = probably all day (lost interest after 25 pairs of shots)

<br>20D = 10 shots (5 groups of 2 shots)

 

<p>fast shooting, RAW only:

<br>drive on single shot mode, take 3 shots, wait 3 sec, take 3

shots...

<br>30D = probably all day (lost interest after 19 triplets of shots)

<br>20D = 10 shots (3 groups of 3 shots + 1 shot)

 

<p>fast shooting, RAW +fine.small.JPG:

<br>drive on single shot mode, take 3 shots, wait 3 sec, take 3

shots...

<br>30D = 20 (6 groups of 3 shots + 2 shots)

 

<p>Ciao for niao, Jim

 

<p>P.S. I turned off the AF to eliminate shutter lag, and turned off

IS to avoid repeated on/off IS cycles during the shoot-some, wait-

some tests, as the wait-time between bursts of two or three shots was

long enough for the IS to time out (i.e. turn off), and it then has

to turn back on for the next burst. In real life, I would have both

servo-AF and IS turned on, and the camera would probably already be

in focus with IS running before firing and while firing repeated

rapid shots - the relative buffer performance between the 20D and 30D

should be the same.

 

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Niced report James.

(and to PN super newbie Leon, typical dribble from him)

(Leon, one more thing, no one uses a Leica on the sidelines, so Leon, stick to what you know)

 

James, post a sample representative image? Not that it would be all that different from a 350D or 20D image, but just to be first I guess.

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Ralph & Ken, thanks for the kind remarks. Here's a shot I took yesterday at an indoor Sport & RV show just before the crowd was let in. I spend too much on you-know-what to buy one of these, but they sure are pretty. Taken with EOS 30D and EF 24/2.8 at f/2.8 t=1/100 sec, hand-held, no flash. The EXIF shows "ISO Value - 32767 (other)", which is interesting, and the EXIF also reminds me to set my name in the camera. Now where did that USB cord go...
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Nice work on the 30D review, James.

 

I just had a look at your picture. It's true - who can afford a motorbike with a DSLR habit :) . By the way, I've read some pretty ugly reports of poor reliability with the Victory's. Heads up if that's the brand your interested in.

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Jim, thanks. I'm not in the market for a motorbike, but they sure make an interesting subject for photomatography. I was at the Sport & RV show to do a shift at the Canoe Kayak Nova Scotia booth. We're strictly people-powered. It felt a bit odd to be wedged in between the way-large Mercury and Kawasaki displays. My only hardware (aside from a pair of dSLRs) was a beauty original Chestnut canoe. Jim.
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Sitthivet, I don't know. I figure that they'll be about the same, but I'll post if I notice any difference. I suspect that I'll be swapping grips & batteries between the cameras often enough that I won't be able to keep track without a formal protocol, which I don't plan to do. Jim.
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James Colwell wrote "For those who think these throughput tests have no real world value, you should try shooting rugby and soccer games from the sidelines. The 20D does a great job, but you frequently miss important opportunities while the stinking buffer is being cleared. My tests suggest that the 30D will not be limited in this way."

 

I have shot plenty of rugby and soccer from the sidelines James, and use the single precalculated moment shot method, not a motor burst in the chance of capturing something happening. My method ensures the buffer is always clear for that fleeting opportunity.

 

Using a 10D and a non IS 70-200 2.8, I can get about five publishable shots per 36 frames that capture the action I intended to on average. So there are more than one ways to skin a cat. Kinder on the life of the camera too ;-)

 

To me, it is much more fun to learn the cameras idiosyncrasies in the field, adjust to them, then take action pics rather than do tests, but each to his/her own I guess.

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Erin, I don't machine-gun fire with the camera, which is why I also did the shoot-shoot-shoot and then pause tests. I often shoot two or three photos in rapid succession, and then do it again as soon as the play makes it worthwhile. My tests suggest that this won't happen with the 30D, and so it is a better tool for me. I agree that you can get great shots at a predetermined focal plane, but this also makes it difficult to catch the events and especially facial expressions that occur before and after the play passes through the arbitrary plane of focus.

 

<p> I prefer to select a tool that works the way that I want it to. My personal quota of tolerance for idiosyncratic camera behaviour is reserved for things like my Rollei 35 SE and Shen Hao 45.

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errata: I somehow deleted a sentence from the first para of the previous posting. It should have said:

 

Erin, I don't machine-gun fire with the camera, which is why I also did the shoot-shoot-shoot and then pause tests. I often shoot two or three photos in rapid succession, and then do it again as soon as the play makes it worthwhile. With the 20D, I often miss opportunities while I have to wait for the buffer to empty. My tests suggest that this won't happen with the 30D, and so it is a better tool for me. I agree that you can get great shots at a predetermined focal plane, but this also makes it difficult to catch the events and especially facial expressions that occur before and after the play passes through the arbitrary plane of focus.

 

<p>I prefer to select a tool that works the way that I want it to. My personal quota of tolerance for idiosyncratic camera behaviour is reserved for things like my Rollei 35 SE and Shen Hao 45.

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Hi James, an excellent effort which is greatly appreciated, I just hope the imaturity and senseless answer from Leon doesn`t deter. I would like to ask about the LCD; as well as being larger. Is it an inprovement on the 20d in bright light when viewing images?

 

Thanks again well done.

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  • 1 year later...
very nice shot of them motorbikes ! used to be a motorbike racer when i was younger ( forget i said that). been crazy abt cameras since i was 16 yrs old. will probably live to keep saying i'm an amateur photographer. (dun like Leicas) can't afford them anyway.i'll stick to my old Rolleiflexes, they take great pics, even if i ain't behind them.oh! and my 6x9 Voigtlanders do the same (take great photos)got a 30D too and it does what i want it to do. know wha ah mean ? cheers ! PC
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