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First Frame, Last Frame


travis1

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Ever notice these 2 shots in your every roll?

My first is always carefully planned, metered twice and framed

properly.

My last is always in the midst of a series of great moments. The

shutter advance is always stuck(no more film) when I wanted more

shots after the last.

 

My first COULD also be half-framed, because I didn't advance

properly, or half-exposed if I was testing the shutter.

My last COULD also be some boring shots when I was too eager to

finish the roll or if the rain was coming down heavily.

 

 

For e.g In a wedding series, the first and last frame could be quite

interesting. Bride dressing up in first, ending with kissing the

groom in the last.

 

 

 

What have your typical First and Last frames of a typical roll been?

 

Time to post 2 pictures! ;)<div>004JSk-10828784.jpg.45ad2806c187ed142d958b4011ecbd15.jpg</div>

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I find the the first & last frames in a roll of slides are the most likely to be screwed up by the processor. Also, I'm always in a big hurry to finish a roll to get it processed and wind up wasting the last few just to get it out of the camera, a problem I don't have with digital.
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My first and last frames are never as good as these!! But I share the same problem with the person above who said the last is often the best on the roll. With me, it's the one that doesn't fit into my 7x5=35 sleeves. I hate that. And I still don't know what to do about them. I have all these little snippets with one frame laying around collecting dust. Bad Tony. Bad.

Backups? We don’t need no stinking ba #.’  _ ,    J

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Lutz, We in the US have the option of several different size

negative pages. But the 7x5 pages fit best for contact shees on

8x10 paper. That's why I use them anyway.

 

Luckily I normally have a few frames on each roll I don't mind

trashing. They don't have to be at the end, you can always cut

some out of the middle if they're bad pictures.

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Yeah, Noah, but then you have to spend a long time hunting for an expendable frame that is in the right place to allow you to still cut all your strips five frames long. Been there, done that! If you have two extra frames, it's even worse.

 

How about this: make a habit of changing film after frame 35, UNLESS you see a once-in-a-lifetime shot right then and there? Just consider frames 36 and 37 as emergency frames only.

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