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Salgado Photoessay in TIME


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Photo number 5 reminds me of a similar but immensely more powerful one by the same photographer taken during the Ethiopian famine many years back. It burns into my mind, an image i will probably not forget. This one is less so only because the previous one is so heart renching. Photo number 12 or 16 will likely be the poster for the current drive for aids to relieve famine in southern Africa. Bring tears to my eyes. Perfunctory? Not!
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Preston,

 

Thanks for helping to bring about my first real introduction to Salgado's work, of which I had had only a vague awareness. I don't know what to say at this point, other than that I am awestruck.

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I don't agree that with the "perfunctory" description. I think that

they are very good photos -- maybe not on par with some of his

more stronger work, but good nonetheless. Though one thing

about the photos that really bothered me (and it's no fault of

Salgado), but I think the JPEGs are god-awful. In most photos

there is visible JPEG artifacts, the contrast seems off, and they

seem a bit soft focus-wise. I see a lot of the same problems with

the photos on the NG website. They really should hire a new

production artists for these websites.

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I'm happy to have my initial opinion challenged. As an epic photographer, Salgado often passes on moments of intimacy and real human engagement in favor of the grand sweep of the issues he addresses--which is fine when you see his large books and consider the hundreds of photographs as a whole.

 

In a short series, as a viewer I am interested in something more intimate. It's hard to decribe, of course. I wonder what the rest of the shots from this series (the ones not published on the Time website) look like.

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Correction- on second look I suppose the boy is kneeling, and of course, it's not a bed but a cot. These images force you to evaluate your own place in the world. I've got to take a look at the rest of his work, most certainly.
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When I was Paris three weeks ago, I saw many posters publicising the situation in Angola, with photographs by Salgado. Many months ago, Salgado was also interviewed by France Inter (a radio station) concerning the famine situation in Angola, which he has witnessed and documented. Whatever you may think of these photographs, they do bring attention to the situation in Angola - which is an essential and integral part of Salgado's work.
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