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Coverage of short focal length lens on 8x10 at close focusing


scott_a._wells

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I am interested in knowing if anyone can explain the possibility of using a short focal length lens of say 90mm or less for closeup work on an 8x10. I'm thinking that a 90mm with an image circle just large enough for 4x5 coverage be capable of providing an image circle large enough to cover an 8x10 negative. I'm assuming that the image circle becomes larger as you move the lens from the film plane during focusing at close distances. If this is possible at what focusing distances would I have to move the lens from the film plane to get the required image circle for full 8x10 coverage?. What happens to the lens image quality when a short focal length lens are used like this.? Basically I'm interested in short focal length wide angle macro work with an 8x10.
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Yes, this should work. It is the same principle that allows the 20 x

24 Polaroid camera to make larger than lifesize portraits with modern

lenses that don't come close to covering that format at infinity

focus. The diameter of the image circle should be proportional to the

bellows extension. Thus, for example, if a lens covers 4 x 5 at

infinity, it should cover 8 x 10 at 1:1, because the bellows extension

is doubled, consequently the diameter of the image circle is doubled.

As for image quality, all I can say is that the 20 x 24 Polaroids made

in this way that I saw recently were astonishingl

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Scott... I have read about using shorter focal length lenses from

your enlarger for this type of work. I think it was suggested that

the lens be mounted backwards on the camera for better results. <p>

Lack of a shutter would not be a problem because after figuring in

the bellows factor and reciprocity of the film, the exposures would

become quite long.

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You are correct that the image circle becomes larger as the lens is

moved away from the film. The way to think of it is that the lens

projects a cone of light. The area of the film plane intersecting the

cone becomes larger as the apex of the cone (the lens) moves farther

from the film plane. A particularly simple case is a 1:1

reproduction ratio (life size image). The lens is twice its focal

length from the film, so the coverage is also increased by a factor of

two. Therefore a lens that will cover 4x5 when focused on infinity

will cover 8x10 at 1:1. If it barely covers 4x5 at infinity, you will

have to go all the way to 1:1 to get it to cover 8x10.

 

<p>

 

This simple geometric argument doesn't prove that the image quality

will be excellent. A very asymmetric lens optimized for infinity

might have rather poor image quality at 1:1. Something like a

G-Claron or Apo-Ronar should do well at both. I don't know how well a

wide-angle design will do. If you already have the 90 mm lens, why

don't you try it and see if you like the results? If the image

quality isn't good enough, then you can ask on this forum for

suggestions.

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Thanks to all you for your assistance. My only remaining thought on

the subject goes back to image degradation as Michael above pointed

out. It sounds reasonable to assume that a lens optimised for work at

infinity may become not so usable at 1:1 working distances. I will

have to borrow a short focal length or maybe purchase one and then

resell it if i cant use it. Anyhow if anyone out there has any ideas

on a good candidate for a 90mm or less please respond. I dont have

enough information on using the enlarging lens or maybe a process

lens as these are designed for 2 demensional flat art reproduction.

Thanks everyone

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