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Best all-round film & chemical combinations


ed_hurst

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I am comparatively new to black & white, and would really value advice/opinions. I currently use Ilford Delta 400 Professional, which I develop in either Ilfotech HC (1+31) or ID-11. I then use stopbath and Hypam fixer. I need 400 ISO film, as I often use it in variable light. If the light is better, I do use the Delta 100, but I have found I usually need 400. Oh, and I use 120 rollfilm (in case it's relevant!).

 

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From the little research I have done so far, it appears that there are lots of trade-offs and differences of opinion. My aim is to achieve moderate-high contrast, fine grain, sharpness and a good range of tones. Oh, and it needs to push well, by 1 or 2 stops! I know, this is a long wish-list! Any views on the best combinations of films and chemicals?

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> moderate-high contrast, fine grain, sharpness and a good range of tones. Oh, and it needs to push well, by 1 or 2 stops!

 

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Hmm...you don't want much. <g>

 

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Delta 400 does all that except push very well. There's a new version of it that's said to give more exposure/development flexibility but since we can't buy it yet it doesn't count.

 

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My pick for those characteristics is Ilford HP5+. For "normal" usage I develop it in D-76H (D-76 / ID-11) 1:1 or 1:3, EI 400, and for speed I use Microphen. The "normal" speed based on shadow density and normal contrast is EI 640, which gives a "free" 2/3 stop speed increase without higher contrast. It's good to around EI 1600.

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Geoffry Crawley's tests in the BJP show the new Delta 400 to be a

significant improvement. Maybe 1/2 stop faster and pushes much better.

The overall conclusion is that it gives HP5+ a run for it's money,

unlike the current film which is slower then HP5+ and doesn't push as

well.

 

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I still like HP5+. I had a roll on which I'd shot 1/2 at EI 400 and

1/2 at EI 1600. I didn't have time to split the roll so I processed it

in Microphen with a 1 stop push for EI 800. The negatives shot at 400

and 1600 were all quite printable and I was quite pleased with the

results.

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No one seems to like T-max 400, but I think it is under-appreciated,

particularly in 120. In PMK I get a speed of 400 out of it, and in

PMK+ I can rate it at 640. I don't push it, but it is certainly

feasible. I particularly like T-max 400 for low-contrast situations.

In high-contrast situations it can be hard to print the full range

the film records.

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  • 2 weeks later...

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