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Technical Pan as line film


john_curtis1

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Anybody out there tried using Tech Pan to get super high contrast, black or white no mid tones, negatives and prints? Does it work? How do I visualise what will be white and what will turn out black? A lab told me to shoot it at iso 200, bracket 1/2 stop, and they will develop it in Tmax.
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Your lab's advice will probably work fine. I had "success" by

choosing inherently high-contrast subject matter and also by using

direct flash to blast foregrounds into oblivion. Side light at sunset

will also probably create some interesting effects.

 

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I developed in Dektol full strength for 3 minutes, exposed at EI

320-400. Plenty of contrast. I quickly learned that I don't see that

way, but perhaps you may.

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The last roll of Tech Pan I bought came with an instruction sheet

which included developing suggestions for a range of contrast indices

from 0.50 (low contrast, pictorial) to 2.50 (highest contrast,) using

Kodak developers Dektol, D-19, HC-110, D-76, Microdol, XTOL and

Technidol (in descending order of contrast - I note that TMax

developer is not listed.)

 

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For the highest contrast index (2.50) they suggest exposing at EI 200

and developing in Dektol for 3 minutes at 68 F. Dektol is a paper

developer, usually diluted 1:2 (stock solution made from powder.) I

remember using Dektol stock solution succcessfully, either straight or

1:1, when developing Kodak's High Contrast Copy film for high contrast

applications. (Apparently Dektol is now available as a liquid

concentrate to be diluted 1:9 for use - I'd guess that using

this concentrate without any dilution might be a bit aggressive.

 

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I wouldn't be surprised if that chart is available somewhere on

Kodak's web site, although I confess I haven't checked to be sure.

The instruction sheet also contains a reference to Kodak Publication

P-255 for more info on Tech Pan - perhaps that's available on line,

too.

 

<p>

 

Good luck with the process.

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