john_curtis1 Posted January 17, 2001 Share Posted January 17, 2001 Anybody out there tried using Tech Pan to get super high contrast, black or white no mid tones, negatives and prints? Does it work? How do I visualise what will be white and what will turn out black? A lab told me to shoot it at iso 200, bracket 1/2 stop, and they will develop it in Tmax. Link to comment Share on other sites More sharing options...
j._o. Posted January 17, 2001 Share Posted January 17, 2001 Your lab's advice will probably work fine. I had "success" by choosing inherently high-contrast subject matter and also by using direct flash to blast foregrounds into oblivion. Side light at sunset will also probably create some interesting effects. <p> I developed in Dektol full strength for 3 minutes, exposed at EI 320-400. Plenty of contrast. I quickly learned that I don't see that way, but perhaps you may. Link to comment Share on other sites More sharing options...
pete_andrews Posted January 17, 2001 Share Posted January 17, 2001 Technical pan <b>is</b> a super-high contrast film. It was designed for graphic arts copying work. Lith developer should be enough to push it over the edge to line film. Link to comment Share on other sites More sharing options...
gene_crumpler18 Posted January 18, 2001 Share Posted January 18, 2001 Check www.digitaltruth.com for information on handling of Tech Pan. Link to comment Share on other sites More sharing options...
kip_babington Posted January 24, 2001 Share Posted January 24, 2001 The last roll of Tech Pan I bought came with an instruction sheet which included developing suggestions for a range of contrast indices from 0.50 (low contrast, pictorial) to 2.50 (highest contrast,) using Kodak developers Dektol, D-19, HC-110, D-76, Microdol, XTOL and Technidol (in descending order of contrast - I note that TMax developer is not listed.) <p> For the highest contrast index (2.50) they suggest exposing at EI 200 and developing in Dektol for 3 minutes at 68 F. Dektol is a paper developer, usually diluted 1:2 (stock solution made from powder.) I remember using Dektol stock solution succcessfully, either straight or 1:1, when developing Kodak's High Contrast Copy film for high contrast applications. (Apparently Dektol is now available as a liquid concentrate to be diluted 1:9 for use - I'd guess that using this concentrate without any dilution might be a bit aggressive. <p> I wouldn't be surprised if that chart is available somewhere on Kodak's web site, although I confess I haven't checked to be sure. The instruction sheet also contains a reference to Kodak Publication P-255 for more info on Tech Pan - perhaps that's available on line, too. <p> Good luck with the process. Link to comment Share on other sites More sharing options...
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