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Film Camera Week for October 15


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Greetings, all, and welcome to our new thread. Post all the images you like from any film camera. I didn't process any film this week so I'm starting with a few from my archives. I hope to finish and process some film over the weekend.

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fall decorations, Olympus IS 50 with Fuji Superia 200

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lunch, Ricoh KR5 Super II, 45mm f 2.8 Chinon lens, Fuji Superia 200

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lights, Minolta XE-7 with Tamron Adaptall 28-200, Fuji Superia 200

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leaves, Minolta XE with 100mm f 3.5 MD Macro, Superia 200

I'll finish with a couple of shots from fixed lens rangefinder cameras:

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Stromboli's (Starkville) before remodeling, Olympus 35 RC

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morning view on Broad St. in West Point. Konica Auto S3 with Superia 200

Looking forward to seeing everyone's images.

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My first shots with ReraPan 400 in the Baby Rollei developed in D76 and scanned with the V700. This film is not actually made in Japan but is respooled in Japan. Investigation attempts tell me it is actually Rollei RPX 400. Impressive low grain and sharpness for a 400 film. Unfortunately 35mm RPX is out of stock here in the states until Dec.

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Here are a few from a Nikon FA, trying out a rather nondescript 35-70mm Osawa MC f/3.5-4.5 lens. I wasn't expecting sensational results, but this little lens is actually pretty good. Given Osawa's close association with Mamiya, I guess I shouldn't have been too surprised. The film was Kentmere 100 developed in PMK Pyro.

 

Test #2

 

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Late Lunch

 

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Disturbing

 

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Test #4

 

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Test #7

 

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As promised, a few more images for this week's thread. The film was Fomapan 200 processed in HC110 dil. H. Camera was Minolta SRT 101. Lens noted in description.

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maritime draw markers, Celtic 50mm f 3.5 MD Macro

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early evening tribute service, no meter reading at this low light level, 55mm f 1.7 MC Rokkor

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69' Mustang convertible (I used to own one, but it was a hardtop and only had a two barrel carb. 55mm f 1.7

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waiting on morning train

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early morning fog, 55mm f 1.7

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