Mike Gammill Posted February 25, 2021 Share Posted February 25, 2021 Greetings, all and welcome to our new thread. Post all the images you like from any film camera. I'll start with some images from a roll of Ilford FP4+ that I processed and scanned earlier this week. Camera was Minolta XE-5. Lens noted in caption, bench in front of retirement apartments, Minolta Celtic 35mm f 2.8 MD window display of drug store changes with holiday, same lens as above image I had planned to take a break from winter precipitation photos, but I had few at the beginning of this roll. sleet and ice on yard and car, same lens, four second time exposure on tripod mostly clear intersection in West Point, same lens back lighted ice, probably about 4 seconds picking up branches, Minolta 135mm f 3.5 MD That's all for now. Looking forward to seeing everyone's images. 5 Link to comment Share on other sites More sharing options...
James Bryant Posted February 25, 2021 Share Posted February 25, 2021 Antennas with clouds, Nikon FM2n, Zeiss 25/2, #12 yellow filter, Adox Silvermax 100. 5 Link to comment Share on other sites More sharing options...
James Bryant Posted February 25, 2021 Share Posted February 25, 2021 Afternoon shadows on my walk. FM2n, Zeiss ZF 25/2, Tiffen # 12 yellow filter, my last roll of Adox Silvermax 100 that has been discontinued. 5 Link to comment Share on other sites More sharing options...
James Bryant Posted February 25, 2021 Share Posted February 25, 2021 Railroad with grass. Nikon FM2n, Zeiss Otus 85/1.4, B+W 022 medium , yellow filter, Silvermax 100. 5 Link to comment Share on other sites More sharing options...
James Bryant Posted February 25, 2021 Share Posted February 25, 2021 Lizzie T likes my blanket. Nikon FM2n, Nikkor 195/2.5 ais, no filter, Silvermax 100. 5 Link to comment Share on other sites More sharing options...
James Bryant Posted February 25, 2021 Share Posted February 25, 2021 Railroad further back. FM2n, Zeiss Otut 85/1.4, 022, Silvermax 100. 5 Link to comment Share on other sites More sharing options...
allancobb Posted February 25, 2021 Share Posted February 25, 2021 Local Woods Bronica ETR, 40mm f/4 Zenzanon MC, Verichrome Pan, HC-110B 5 Link to comment Share on other sites More sharing options...
rick_drawbridge Posted February 25, 2021 Share Posted February 25, 2021 I was impressed by the results from my first outing with the Astrum Foto-100 film, and and here are a few frames from the second. I'm still impressed. The camera was a Canon T-90 fitted with a Canon 35-70mm f/4 lens, and the film was developed in PMK Pyro. 1933 Sunrise Summer The Power and the Glory Deco Push 5 Link to comment Share on other sites More sharing options...
m42dave Posted February 25, 2021 Share Posted February 25, 2021 Some test photos from a Zenit 412LS (one of the last screw-mount SLRs made), featured last December in the "What Cameras Are You Using" thread, CJZ Tessar 50/2.8, Fujicolor 200, processed locally. Plaza 5 Link to comment Share on other sites More sharing options...
m42dave Posted February 25, 2021 Share Posted February 25, 2021 Classic Cars 5 Link to comment Share on other sites More sharing options...
MarcelRomviel Posted February 25, 2021 Share Posted February 25, 2021 Olympus XA Kodak Ultramax 400 5 Link to comment Share on other sites More sharing options...
richard_ Posted February 25, 2021 Share Posted February 25, 2021 Ashland theatre (art deco), opened 1948. Admission for adults was 40 cents. (koni omega rapid 100, portra 160) Ashland, Virginia 5 Link to comment Share on other sites More sharing options...
mjferron Posted February 26, 2021 Share Posted February 26, 2021 Yesterday with my Minolta XD and MD 28 2.8. Film was tri-X developed in Lmax developer 70 degrees F for 6 minutes. 5 Link to comment Share on other sites More sharing options...
LMar Posted February 26, 2021 Share Posted February 26, 2021 Fujica GL690 with 100mm f3.5 Fujinon; T-Max in D76. 5 Link to comment Share on other sites More sharing options...
JDMvW Posted February 26, 2021 Share Posted February 26, 2021 I've been wanting to get out with this one again, but maybe later. Pentacon Super, Zeiss Pancolar 50 mm f/1,8 Fuji 200 (NOT a Praktica, but the DDR's last shot at rivaling Japan LINK) 5 Link to comment Share on other sites More sharing options...
luis triguez Posted February 26, 2021 Share Posted February 26, 2021 Canon FT. Hanimex 135. Plus-X 125 Canon FT. Canon FL 55. Tri-X 400 (red filter) Canon F-1. Canon FL 55.. Tri-X 400 5 Link to comment Share on other sites More sharing options...
rick_drawbridge Posted February 27, 2021 Share Posted February 27, 2021 Here are some from the Minolta SRT 303 with the 50mm Minolta MC Rokkor-PF f/1.7 lens that I featured in last weekends "What camera..." thread. As I mentioned then, I was intending to sell the camera, but I enjoyed my session with it so much that I changed my mind. I fear Gear Retention Syndrome is taking over from GAS, which I have pretty much under control. The film was the interesting Astrum Foto-200 developed in PMK Pyro. Seeing Double Rock Daisy Sothebys No Golfing Storage 5 Link to comment Share on other sites More sharing options...
Fiddlefye Posted February 28, 2021 Share Posted February 28, 2021 A few shots from a roll of Delta 100 in the Canon Model 7. I discovered when focusing the first image that the rangefinder had gone out of whack in the horizontal plane so I resorted to scale focus. Easy fix on a 7 as the adjustments are all on the outside, but still... First two and last images shot with the 50 f1.8 Serenar, the middle two with the 35 f2.8 Jupiter 12, a lens I've not explored nearly enough. 5 Link to comment Share on other sites More sharing options...
Bill Bowes Posted February 28, 2021 Share Posted February 28, 2021 Burrrrr ! Now for something a bit warmer....from a recent farmers market prowl. Zorki-4 / Jupieter-8, EDU 200 @ 125, Pyrocat HDC & a V600 scan. Aloha, Bill 5 Link to comment Share on other sites More sharing options...
Bill Bowes Posted March 1, 2021 Share Posted March 1, 2021 During the last several Film Camera Weeks, Rick Drawbridge has been introducing a lot of us to the various Astrum films in 100 and 200 asa. About the same time as Rick's first posting, I received one roll each of the 200 emulsion and another of their films labeled FN-64. Again the emulsion is noted as extended red sensitive, fine grain and coated on a plastic base. Long story short, I had some staining issues with the 200 material and need to work them out. The FN-64 material was very interesting to say the least, and another order is in. Here are a few examples of that FN-64 material. Zorki-4 / Jupiter-8, Astrum FN-64 @ 50asa, Hypercat developer and V600 scans. 4 Link to comment Share on other sites More sharing options...
Bill Bowes Posted March 1, 2021 Share Posted March 1, 2021 Shooting at asa 50 is a challenge with any camera as the speed is 1/30 sec with f8 settings. . . old fut shake does not help ! In mixed, average light levels (above shot) this FN-61 handles very well to my Zone System brain. When an extreme range is exposed, the hi-lites tend to be blocked. Compare this picture to the one above the Coconut scene. Different films and very different results. I will be able to solve these "problems" with some simple increased exposure (asa 32) and cutting back on my developing about 2 minutes. 4 Link to comment Share on other sites More sharing options...
Bill Bowes Posted March 1, 2021 Share Posted March 1, 2021 Last entry. Here is an outdoors capture on this film. ASA 50 yields a full scale negative and very good grain. I look forward to running the other emulsion thru the cameras and working out some filter factors for the tropical skies here in Hawaii. Developing time on the FN-64 was 13 minutes. 3ml of Hypercat in a 450ml Nikor. Aloha, Bill 4 Link to comment Share on other sites More sharing options...
rick_drawbridge Posted March 2, 2021 Share Posted March 2, 2021 Nice work with the Astrum stock, Bill. I was mightily impressed by the Foto-100 but not quite so much by the Foto-200, though I may give it another trial. I was tempted by the FN-64 but decided that it really was going to be a little slow for my kind of photography, taking into account the loss of speed with the PMK Pyro processing. Your results show it to be competitive with Pan F 50 in terms of tonality and grain. I have some more of the Foto-100 on order but it seems to be in short supply, unsurprisingly enough! Link to comment Share on other sites More sharing options...
Bill Bowes Posted March 4, 2021 Share Posted March 4, 2021 I should add that when the pre-soak is dumped, the liquid will be very dark black / green. Perhaps the spent developer liquid will also be this color when the developer is dumped if the pre-soak is skipped. Link to comment Share on other sites More sharing options...
Rick_van_Nooij Posted March 4, 2021 Share Posted March 4, 2021 I should add that when the pre-soak is dumped, the liquid will be very dark black / green. Perhaps the spent developer liquid will also be this color when the developer is dumped if the pre-soak is skipped. Yes, that's usually just the anti-halation coating washing off on some films. Even if I refresh the pre-soak water in the tank, with Fomapan in medium/large format, the developer still tends to look a bit greenish when I pour it out. Link to comment Share on other sites More sharing options...
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