Film Camera Week for December 4

Greetings all, and welcome to our new thread. Post all the images you like from any film camera. As always, tech data welcome and location where applicable. I'll start with some images from a roll of Kentmere 100 that I processed and scanned earlier in the week. Camera was Minolta SRT SCII. This was one of the last SRT models made. This model did not have CLC metering, but instead had a single CDS cell in the finder. Lens noted in caption.

 

shed at Clay County (West Point) Co-op. Sigma 24mm f 2.8 and deep yellow filter

fence near Co-op, same lens

old building late afternoon in Pheba, MS. Minolta Celtic 35mm f 2.8 MD

edge of shopping center in Barnes Crossing area, same lens as previous picture

shady side of unknown building, Barnes Crossing, same lens as previous photo

That's all for now. Looking forward to seeing everyone's images.

Bear Lake, Rocky Mountain National Park. (1972). Hasselblad 500c, Zeiss Planar 80/2.8.

Nymph Lake Rocky Mountain National Park. (1972). Hasselblad 500c, Zeiss Planar 88mm f2.8 lens.

Windmill Texas Panhandle. (1972). Hasselblad 500c, Zeiss Planar 80/2.8.

Aspens Grand Tetons National Park. (1972). Hasselblad 500c, Zeiss Planar 80/2.8.

Rafts on Snake River, Grand Tetons National Park. My wife and I took an all day float trip. (1972). Hasselblad 500c, Zeiss Planar 80/2.8.

A new to me Minox ML , which had faulty shutter , but I did successfully repaired it and very happy with this little camera performance.

 

Taking a cue from the recent Argus thread, here are two test photos from an Argus C4 I cleaned up and re-sold this summer. Didn't make any money on the deal, but did enjoy trying out the camera. Cintar 50/2.8 lens. Fujicolor 200 film, processed locally.

 

 

Gate

Edited December 3, 2020 by m42dave

 

Sunflowers & Fence

Some from a Canon T90 with the 35-70mm Canon FD f/4 lens. The film was Arista EDU Ultra 200 developed in PMK Pyro.

 

@Mesita

 

 

Abstract #2

 

 

Abstract #4

 

 

Abstract #5

 

 

Filament

 

 

Old Town : Le Coiffeur

 

 

 

 

 

 

 

 

 

 

 

Toyo Field 45A, 120 mm lens. Delta 100 shot at 50 and developed in Rodinal stand 1-100 for 1 hour. F16 and 1 second.

garlic seller

Nikon F. Nikkor-S 50. Tri-X 400. 1/250 at f8. D-76 (1:1) 9' 45" at 20ºC. Sepia with PS

Hi folks. Still getting pix out there from my last batch of photos. These scans came in Oct 21 but I have 9 more rolls of film in the lab as we speak so should have some new stuff before too awful long. I checked back a ways trying to avoid any reposts but if I missed something, please forgive me. Been shooting a lot of color film this summer- mostly Cinestill 50D in 35mm (seen here), which I am really liking, and also a fair amount of Fuji Provia 100f in 120 (next photo) which I find to be just stunning, if not somewhat unforgiving at times. Overall, I am loving the results from both film stocks.

 

35mm shots from the Voigtlander R3m with either the 40mm f1.4 Nokton Classic or the 50mm f3.5 Heliar lenses. MF shots with Hasselblad 500c and the lovely 250mm Sonnar.

 

 

 

 

Olympus 35SP and Tri-X in D76.

 

 

 

 

 

 

 

Some from a Nikon F90X with a Nikon 28-105mm f/3.5-4.5D lens. The film was Ilford Delta 400 developed in PMK Pyro.

 

Sarah's

 

 

Rodeo

 

 

Quality

 

 

Classic

 

 

Shaft

 

 

 

 

 

 

 

 

Streetart in Hilversum Netherlands

Pentax espio Kodak Ultramax 400

 

Pentina, first models 1961

More street art from Hilversum

Pentax espio Kodak Ultramax 400

Carl is TALL. Crown Graphic, Rodenstock Sironar 210mm f/5.6, Fuji Velvia 100F.

 

Edited December 6, 2020 by bradleycloven

Some winter sun at last so over to Tsehum Harbour for some repeats with the RTS II and Kentmere 100 in Pyro HD.

 

One with the Sonnar 135/2.8.

 

RAINCOAST SPIRIT.

 

Now the Distagon 35/2.8.

 

OPTIMIST No1.

 

SEARANGER.

 

THE NORDIC TWO.

 

 

HUNKY DORY IV.

R.J. CALEB.

 

 

 

Tony Evans said :

Some winter sun at last so over to Tsehum Harbour for some repeats with the RTS II and Kentmere 100 in Pyro HD.

 

Nice work, Tony! I've run out of Kentmere 100 and was pondering whether or not to re-order, but you've swung the balance in favour.

In many areas Kentmere 100 is often quite a bit less (especially in 100' rolls) than Kodak or Ilford films.

Thank you Rick. Yes, Kentmere 100 is capable of yielding very pleasant results. As Mike says, it is cheaper than FP4 up here. Also available in 24 Exp. suiting my level of activity which, does not justify the 100 ft. Rolls. In comparison with FP4+, it might be just a little less in both contrast & development response.