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Cottages & Symmetry


Ricochetrider

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SO again, back to my typical documentary type shots of places I see in my travels or movements. Up on Cape Cod, below Provincetown there's a little spot named Truro. Compared to the celebratory, artsy vibe of P-town, Truro has a more subdued, down home, sort of working class feel. Some folks clearly live there, and others come to vacation. There are a whole slew of little bayside cottages, but there's one group pf them that caught my eye because there is a whole line of them and they are all almost exactly the same. Each cottage is named for a flower species as well! I was enthralled & enchanted by them & took a handful of photos in black and white, which I am presenting now - and a few in color as well (I am awaiting the scans from the lab, should have em in a few days). I've been waiting to show these to you all, but since I'm posting other stuff today, here goes.

 

Please let me know what you think. I shot them in medium format which is mostly what I have now and also in 35mm.

Thanks again!

 

PS: I dragged & dropped these. The file sizes are 3+ mb, just under 4mb. FYI, if you click on a photo you'll get the whole bit.

Cheers!

 

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this next one (below) is a crop of a 6x6 MF shot

 

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and one 35mm photo

 

357263_0039.thumb.jpeg.e5525cbebe1af1777f1d55624dd0681b.jpeg

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SO again, back to my typical documentary type shots of places I see in my travels or movements. Up on Cape Cod, below Provincetown there's a little spot named Truro. Compared to the celebratory, artsy vibe of P-town, Truro has a more subdued, down home, sort of working class feel. Some folks clearly live there, and others come to vacation. There are a whole slew of little bayside cottages, but there's one group pf them that caught my eye because there is a whole line of them and they are all almost exactly the same. Each cottage is named for a flower species as well! I was enthralled & enchanted by them & took a handful of photos in black and white, which I am presenting now - and a few in color as well (I am awaiting the scans from the lab, should have em in a few days). I've been waiting to show these to you all, but since I'm posting other stuff today, here goes.

 

Please let me know what you think. I shot them in medium format which is mostly what I have now and also in 35mm.

Thanks again!

 

PS: I dragged & dropped these. The file sizes are 3+ mb, just under 4mb. FYI, if you click on a photo you'll get the whole bit.

Cheers!

 

[ATTACH=full]1361520[/ATTACH]

 

this next one (below) is a crop of a 6x6 MF shot

 

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and one 35mm photo

 

[ATTACH=full]1361525[/ATTACH]

Like the first shot and the 4th shot. The focal length is right, the patterns are more pleasing, and there is less distraction. Nice tones in all pics btw, Well done.

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Pan F appears to result in much more pleasing tones and contrast than P30 - and than Superpan 200 too.

 

The Pan F Plus is my favorite for MF, so great. It’s amazing how different it looked to me in 35mm. Conversely, Superpan didn’t strike me in 120, but I like it in 35mm!

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Nice work, interesting subject. Favourites are 1 and 2. The cars distract, without them the cottages have a more timeless feel. Perhaps for 1 I would take a more side on shot to increase the pattern, with less sky and road. For 2 I might photo one cottage, the side steps and the sea. A bit of tresspassing on the private beach could give a low shot of sand and cottages above. I really like the way you share your work, all the best, Charles.
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Your perspective and proximity in most of them provides distortion, especially in terms of size and dimension. Examples: how big the first bungalow appears in the first photo compared to the others, the pronounced foreground in the third. Is that something you're intentionally playing with? I think such perspective distortion can be used to great effect. With finesse and experimentation, it's worth keeping in mind. Probably a little harder with architecture than other subjects. They're all well exposed and the consistent threads seem to be geometry and repetition.
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"You talkin' to me?"

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1 and 5 I think are the most interesting especially 5. I like the parallel lines of the road and the cottages leading the eye into the image. I agree about the line of cars being a detraction, but don't think there's much you can do about that. What is most interesting to me though (and I don't know if anyone else has noticed it and it shows up in all the pics) is the subtlety of contrast between darker and lighter sections of the sky. I'm looking at these images on a 15 inch screen. What I noticed is that when I look at the images at normal distance (when I'm doing something), there's not whole lot of variation. But! When I sit back and look at the images from a distance (somewhere between 30 and 40 inches) it's a different story. The differences are very subtle but they're there, and they really add to the overall appearance of each image.
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Izzy From Brooklyn
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Hi everyone. Thanks for your critique, comments and kind words.

These cottages seemed to be pretty solidly booked, as you can see form the (unfortunate) cars out front. The cottages are basically right at the edge of the road, with only a bit of room to park and open a car door without it being swung into the traffic lane.

 

The road itself was surprisingly busy- hence the distance at which most of the shots were made. I had my MF camera on the tripod at kind of a low setting- what I was really trying to concentrate on was getting the camera level to eliminate the “converging vertical lines” type of distortion that seems so typical with shooting architecture- and never thought about perspective distortion!

 

 

 

I was kind of playing with the roadway space a bit, trying to minimize it to some degree- but in the end, I couldn’t risk being run over! I was playing around a bit with the crosswalk and in photo 5, (the 35mm shot which was hand-held) also with the double yellow line.

 

I did sneak out and get that single shot from the seaside of the cottages but then walked into a small store across the street - where the crosswalk is- to see if I might get permission to wander about. Unfortunately, the lady running the store was VERY stern about trespassing and said numerous times NO TRESPASSING! and NO! after I told her I was passing thru and taking photos of the area. She was not nice about it. At all. But, too, with the cabins being booked to some degree i was feeling a bit over-conscious and perhaps a wee bit voyeuristic in shooting these. I did draw at least a couple “looks” from folks who were coming and going!

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