Giovanni Cappai Posted July 10, 2020 Share Posted July 10, 2020 Fuji GX617, 180mm, Kodak Portra: 5 Link to comment Share on other sites More sharing options...
pavel_l. Posted July 11, 2020 Share Posted July 11, 2020 Hasselblad 500 c/m, Planar 80 mm f2.8 C T* 4 "... Our perception of the world is a fantasy that coincides with reality." Chris Frith. Link to comment Share on other sites More sharing options...
Giovanni Cappai Posted July 14, 2020 Share Posted July 14, 2020 Fuji GX617, 180mm, Kodak Portra: 5 Link to comment Share on other sites More sharing options...
Ricochetrider Posted July 15, 2020 Author Share Posted July 15, 2020 Ilford Pan F Plus 50 500cm, 80mm Planar 4 Link to comment Share on other sites More sharing options...
Jay M Posted July 18, 2020 Share Posted July 18, 2020 Bronica SQ-A, 50mm, Ilford XP2_400, UK June 2019 5 workonit Link to comment Share on other sites More sharing options...
cameragary Posted July 19, 2020 Share Posted July 19, 2020 Bronica s2a 75mm 2.8 nikkor w/# 4 close up lens Ektar 100 5 Link to comment Share on other sites More sharing options...
Giovanni Cappai Posted July 20, 2020 Share Posted July 20, 2020 Fuji GX617, 90mm, Kodak Portra: 5 Link to comment Share on other sites More sharing options...
Ricochetrider Posted July 22, 2020 Author Share Posted July 22, 2020 500cm 80mm Planar Kodak Ektar100 2 Link to comment Share on other sites More sharing options...
Giovanni Cappai Posted July 23, 2020 Share Posted July 23, 2020 Fuji GX617, 90mm, Kodak Portra: amiya 645 DF+ 120mm T/S, Phase One P45. Lens tilted down: 5 Link to comment Share on other sites More sharing options...
Bill Bowes Posted July 23, 2020 Share Posted July 23, 2020 (edited) 7-23. From my files of Yester Year...2014. Agfa Isolette 2. Aloha, Bill Edited July 23, 2020 by Bill Bowes 5 Link to comment Share on other sites More sharing options...
Ricochetrider Posted July 24, 2020 Author Share Posted July 24, 2020 500cm 80mm Planar Kodak Ektar100 [ATTACH=full]1350076[/ATTACH] No idea why this came out so tiny, but here's the full sized version, along with a 2nd shot of the car 3 Link to comment Share on other sites More sharing options...
Giovanni Cappai Posted July 24, 2020 Share Posted July 24, 2020 Fuji GX617, 180mm, Kodak Portra: 3 Link to comment Share on other sites More sharing options...
sjmurray Posted July 25, 2020 Share Posted July 25, 2020 I've shot a lot of portraits with medium format, mostly black and white. This one with the Yashicamat 5 Link to comment Share on other sites More sharing options...
Silent Street Posted July 27, 2020 Share Posted July 27, 2020 Toorongo Narrows (I & II) on the Toorongo River, Noojee, Victoria, Australia. June 2019 Pentax 67 + RVP50 w/ KSM-CPOL (@+0.6). SMC-Pentax 67 45mm f4, multispot metered (MWA w/+2.0 FF and +0.5 baseline shift) Printed 12x16" Kodak Endura Professional metallic. Ed. 1 MGCF, sold to Singapore priv. col. __________________________________________________________________________________________________________________ ( I ) Lete's pause here and see how the same pretty scene looks in "Pro" mode o_O on my phone. What you reckon? True dinks, it looks very ... bland, on first sight, but then, all things change (a lot!) when you bring out a proper camera under proper pro control!! :p (II) 5 Garyh | AUS Pentax 67 w/ ME | Swiss ALPA SWA12 A/D | ZeroImage 69 multiformat pinhole | Canon EOS 1N+PDB E1 Kodachrome, Ektachrome, Fujichrome E6 user since 1977. Ilfochrome Classic Master print technician (2003-2010) | Hybridised RA-4 print production from Heidelberg Tango scans Link to comment Share on other sites More sharing options...
Silent Street Posted July 27, 2020 Share Posted July 27, 2020 (edited) On Blanket Bay, Evening Great Otway National Park, Victoria. October 2018 ZeroImage 69 multiformat pinhole camera; Provia 100F, multispot metered with extended exposure shift (2 minutes). Printed 20x20cm Kodak Endura Professional metallic. In priv. col. _____________________________________________________________________________________________ Loneliness of a long-living plum-tree Dog Rocks, Batesford, Victoria, Australia. Pentax 67 + RVP50 w/ 90mm f2.8 UV(0) multispot MWA metered. Printed 12x16" Kodak Endura Professional metallic. In priv. col. This very old, weather-beaten prickly plum is the sole remaining tree standing where once a granite quarry was worked very close by. It stands on an isolated high granite plateau, surrounded by modern new homes, so this is not a 'wilderness' shot, but I've tried to make it so! :p I had to get down low and dirty so as not to include distant HV power lines, TV antennas and wandering stock behind the rocks! ______________________________________________________________________________________ Edited July 27, 2020 by Silent Street 5 Garyh | AUS Pentax 67 w/ ME | Swiss ALPA SWA12 A/D | ZeroImage 69 multiformat pinhole | Canon EOS 1N+PDB E1 Kodachrome, Ektachrome, Fujichrome E6 user since 1977. Ilfochrome Classic Master print technician (2003-2010) | Hybridised RA-4 print production from Heidelberg Tango scans Link to comment Share on other sites More sharing options...
mark45831 Posted July 27, 2020 Share Posted July 27, 2020 Mamiya RB67 Pro SD 180mm Tri-X 5 Link to comment Share on other sites More sharing options...
Ricochetrider Posted July 28, 2020 Author Share Posted July 28, 2020 500cm 80mm Planar Ektar 100 5 Link to comment Share on other sites More sharing options...
LMar Posted July 28, 2020 Share Posted July 28, 2020 Rolleiflex K4B (75mm f3.5 Tessar with yellow filter); HP5+ in D76. 5 Link to comment Share on other sites More sharing options...
Silent Street Posted July 29, 2020 Share Posted July 29, 2020 House of Midnight Oil Burra, South Australia. Pentax 67 + RVP50 w/ 165mmLS multispot MWA metered. In priv. col. 'The House of Midnight Oil' is an 1864 settler's ruin 4km outside the old copper and tin mining town of Burra in South Australia. A heavily stylised and distorted image of this ruin featured on Midnight Oil's 1987 album, Diesel and Dust. The ruin is on the bucket list of many international travellers passing through South Australia. ______________________________________________________________________________________ 5 Garyh | AUS Pentax 67 w/ ME | Swiss ALPA SWA12 A/D | ZeroImage 69 multiformat pinhole | Canon EOS 1N+PDB E1 Kodachrome, Ektachrome, Fujichrome E6 user since 1977. Ilfochrome Classic Master print technician (2003-2010) | Hybridised RA-4 print production from Heidelberg Tango scans Link to comment Share on other sites More sharing options...
Ricochetrider Posted July 29, 2020 Author Share Posted July 29, 2020 Toorongo Narrows (I & II) on the Toorongo River, Noojee, Victoria, Australia. June 2019 Pentax 67 + RVP50 w/ KSM-CPOL (@+0.6). SMC-Pentax 67 45mm f4, multispot metered (MWA w/+2.0 FF and +0.5 baseline shift) Printed 12x16" Kodak Endura Professional metallic. Ed. 1 MGCF, sold to Singapore priv. col. __________________________________________________________________________________________________________________ ( I ) [ATTACH=full]1350673[/ATTACH] Lete's pause here and see how the same pretty scene looks in "Pro" mode o_O on my phone. What you reckon? True dinks, it looks very ... bland, on first sight, but then, all things change (a lot!) when you bring out a proper camera under proper pro control!! :p [ATTACH=full]1350674[/ATTACH] (II) [ATTACH=full]1350675[/ATTACH] These are crazy cool shots. Really nice. Too bad drum scans have fallen out of vogue because all the photos I've even seen that were drum scanned look SO great. I'd actually LOVE to have a drum scanner and learn how to use it well. Link to comment Share on other sites More sharing options...
Bill Bowes Posted July 29, 2020 Share Posted July 29, 2020 Again, from the Yester Year files. Aloha, Bill Mamiya C330 & 85mm 4 Link to comment Share on other sites More sharing options...
Silent Street Posted July 29, 2020 Share Posted July 29, 2020 These are crazy cool shots. Really nice. Too bad drum scans have fallen out of vogue because all the photos I've even seen that were drum scanned look SO great. I'd actually LOVE to have a drum scanner and learn how to use it well. Thanks for your comment. It is a beautiful place and almost like it was made to be photographed The prints themselves are far and above way better to look at than the scans, which are not optimised for web viewing (only print production). I think the drum scan ship has sailed. Realistically, we have only 5-6 more years of productive use of drum scanners of any persuasion, as spare parts, so critical to their continuing reliable operation and upkeep, are becoming harder to find. By the time they go the way of the dodo, I will have fully retired and wouldn't care too much (photography will not feature in my retirement!) :p 2 Garyh | AUS Pentax 67 w/ ME | Swiss ALPA SWA12 A/D | ZeroImage 69 multiformat pinhole | Canon EOS 1N+PDB E1 Kodachrome, Ektachrome, Fujichrome E6 user since 1977. Ilfochrome Classic Master print technician (2003-2010) | Hybridised RA-4 print production from Heidelberg Tango scans Link to comment Share on other sites More sharing options...
Ricochetrider Posted July 30, 2020 Author Share Posted July 30, 2020 one of my "sheltering in place" photos from the past few months of shooting around the house. Kodak Ektar 100, Hassy 500cm, probably the 80mm Planar lens 5 Link to comment Share on other sites More sharing options...
Giovanni Cappai Posted July 30, 2020 Share Posted July 30, 2020 Mamiya 7II, 43mm, Fuji 160NS: Mamiya 7II, 43mm, Kodak Portra: 5 Link to comment Share on other sites More sharing options...
mark45831 Posted August 2, 2020 Share Posted August 2, 2020 tri-x 4 Link to comment Share on other sites More sharing options...
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