Film Camera Week for July 3

Greetings all and welcome to our new thread, Post all the images you like from any film camera. I'll start with a few from a roll of Kentmere 100 that I processed and scanned yesterday. Camera was Minolta SRT 101. Lens noted in caption,

Jackson Street in Starkville late afternoon, Minolta Celtic MC 28mm f 3.5, K2 filter

looking south on Jackson St. Same lens and filter.

The Celtic 28mm f 3.5 isn't any lighter than some of the f 2.8 versions, but it does balance well on the SRT. This one has an original metal lens cap.

window prism, 100mm f 3.5 MD Macro, tripod

After rain started I decided to finish up the film with some close focus shots.

listened to music for a few minutes in vehicle while waiting for rain to stop, same lens, cropped. I must apologize for the dust, but this vehicle (a 2001 Chrysler Town & Country) doesn't get used much.

one of the cat food dishes, same lens, tripod

I'll have more images over the weekend. Looking forward to seeing everyone's images.

LeConte Creek, Great Smoky Mountains National Park, USA. (1990).Zone VI 4x5 view camera and 210mm lens. Silver print copied with Nikon D800.

Leconte Creek, GSMNP. (1990). 4X5 with 120mm lens. Solver print.

Peregrine Ridge, GSMNP. (1990). 4x5 view camera, silver print.

John Oliver Cabin, Cades Cove, GSMNP. (1990). Zone VI 4x5 view camera with 210mm lens, Silver print.

View from Newfound Gap, GSMNP. (1990). Zone VI View camera 4x5. Silver print.

Last two from the Agat 18k 1/2 frame, ColorPlus 200.

 

There is some misinformation online that the Agat's Industar-104 28/2.8 lens is a triplet design. However, I confirmed from disassembling a parts body that it is a 4-element Tessar type, not surprising given its sharpness.

 

 

Ditch Trail

Edited July 2, 2020 by m42dave

 

Irrigation

Some from a Canon T90 with a 35-70mm Tamron Adaptall II lens, the CF Macro f/3.5 (Model 17A). The film was Kentmere 100 developed in Pyrocat HD.

 

Indian

 

 

St.Andrews

 

 

Honda

 

 

100

 

 

Seat

 

 

Structural

 

 

 

 

 

 

 

 

 

 

 

 

Tuesday had me trekking into Honolulu for another med appointment, so the Kiev-4 / Jupiter-8 was stashed in the backpack. UFX 400 & Hypercat. V600 scan. Aloha, Bill

T50 FD 28 mm f2.8 AGFA Portrait 160

Zenobia

Olympus OM2, 100mm f2.8 Zuiko, and Porta 800.

soap bubbles

 

shiner

Canon FTb. Sun 28. Tri-X 400 (both pictures)

Concord, MA, back in 1980. Ektachrome slide, Pentax K-1000 with 50/2 lens. I miss slides.

 

Concord, MA, back in 1980. Ektachrome slide, Pentax K-1000 with 50/2 lens. I miss slides.

 

 

You can have all the fresh Ektachrome 100 you want, for about $15.00 a pop!

Here are a few from a Konica SII with the 48mm Konishiroku Hexanon f/2 lens. The film was Arista EDU Ultra 100 developed in Pyrocat HD.

 

Alley #6

 

 

Sign of the Times

 

 

 

Solstice #11

 

 

1931

 

 

Waiting

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Airshow queen NC17334 during a short stop at AA's Maintenance and Engineering Base in Tulsa, Oklahoma for some free maintenance. She is the oldest DC-3 still flying.

 

Canon EF with concave FD 35/2.0, Fujichrome Provia. April, 2011

 

 

 

 

 

Bettendorf said :

Airshow queen NC17334 during a short stop at AA's Maintenance and Engineering Base in Tulsa, Oklahoma for some free maintenance. She is the oldest DC-3 still flying.

 

Great pics, and what a magnificent old aircraft!

Thank you Rick. It certainly is. She even smells good in her old age!

A few more Eastman 5222 images from my archives to keep things moving.

Interior sign

My dad with his Voigtlander Vitessa L, Minolta SLR with 35-135

Tank, Pentax ZX-7 with 50mm f 2.8 AF macro

early morning walk, Maxxum 8000i with AF 35-70 f 4

junk, Ricoh KR 5 Super II with Pentax 135mm f 3.5

walking dogs, Konica Auto S2

still have some photos from the last batch of development, don't think I posted this one here, yet. Voigtlander R3m, 50mm f3.5 Heliar lens. Film is Rollei Superpan 200, I have like 8 rolls of film awaiting processing, so maybe at some point I'll have something more recent to show.

 

Still getting shots in from my first trip up to PA's coal country, here are a couple pix from my old Voigtlander Bessa 1930s 6x9 folder. I think all these were shot on Ilford's HP5.

 

You've seen this church before:

 

 

 

this old camera is quite a challenge for me. Close focusing I find extremely difficult, for one thing, and winding the film either forward or rewinding can be spotty with it. Hand holding the camera, most of the shots I've taken with it have. been out of level, varyingly. Some are worse than others! All that aside, when it's good, it's good. Sometimes the old thing really surprises and delights. Other times I find such a pain in the @$$ that I wonder if this camera is really a viable addition to my kit? I love the 6x9, and a Fuji GW690 is maybe the ideal in terms of image/negative size BUT nears I can tell they are so huge, the sheer size makes them really unwieldy. Of course, who wouldn't love an Xpan for that wide perspective! Then again, it's 35mm, not 120, so there's that. Meanwhile back at the ranch... the antique Voigtlander does have its merits