Film Camera Week for June 7

Greetings all and welcome to our new thread. Post all the images you like from any film camera. I'll start with some photos taken with a Minolta SRT SCII. Film was Plus-X processed in HC110 dilution H and scanned with Epson V600.

City Hall and insurance office, Tamron Adaptamatic 105mm f 2.5

I have the Auto Rokkor mount so I have to use stop-down metering with this combination.

Hardware store, same lens

One of the useful characteristics of telephotos in this range is the ability to isolate your subject at widest aperture, However, one mus focus carefully. Next image I shot wide open, but I think I missed focus a bit. Also cropped it as well,

youngest son

rusty base to streetlight, Celtic 35mm f 2.8 MD

The Celtic doesn't focus as close as my Zuiko 35mm, but still is quite useful

cracked asphalt

I processed a roll of Pan F+ late last night that I will scan later and add to the thread. Looking forward to seeing everyone's images.

Remains of Munitions Depot

Leica IIIc-syn, 2.8cm f/6.3 Hektor, Fomapan 100

Construction in the Cotton District. Nikon F2as, Zeiss Milvus 50/1.4, medium yellow filter, Ilford FP4+.

More Construction. F2as, Milvus 50/1.4, medium yellow filter, Fp4+.

Tennessee 2005, Mushroom Valley Road. Nikon FM2n, 50/1.8 Nikkor ais, Fuji Velvia 100F.

Tennessee 2005. FM2n, 50/1.8 nikkor ais, Velvia 100F.

Tennessee 2005, my wife's parents' drive. FM2n, Nikkor 35/1.4 ais, Velvia 100F.

 

 

 

 

 

Leica IIIf, Summaron 3.5cm 1:3.5 (except the building), Ilford Delta 100, Kodak D-76 1+1. Building taken with Summicron 5cm 1:2 collapsible.

Nikon one touch, hp5

 

Leica M6 35mm Summicron ASPH Ilford Pan F 50 Epson V700 scan. Put the kids in the shade.

 

Leica M6 35mm Summicron ASPH Ilford Pan F 50 Epson V700 scan. Pickup.

 

Leica M6 35mm Summicron ASPH Ilford Pan F 50 Epson V700 scan. Best use of a VW I have ever seen.

Leica M6 35mm Summicron ASPH Ilford Pan F 50 Epson V700 scan. Someone could use a sandwich.

Two taken with Fujica ST901, EBC Fujinon Macro 55/3.5, Ektar 100. Ektar doesn't seem to tolerate underexposure well, as it can result in muddy-looking colors. I've also found that I prefer using it with older, single-coated lenses of lower contrast.

 

 

Fire Engine

 

Green Desert

Great images, everyone. We are off to a good start. Here are some scans from a roll of Pan F+ that I processed last night.Camera was Olympus XA.

closing a road for work

not much of an inconvenience as street is one-way

work is near the stop sign

Freezer, used self-timer with camera propped on a a couple of boxes. Aperture at f 5.6 Cropped

Another XA long exposure this time at f 4. Oval blur at top of mug was a ball on string that was moving. Light from overhead fixture which has two 60 watt equivalent LED's. Light outside window from high pressure sodium vapor streetlight.

Wright Park, Tacoma. Rolleiflex Automat 1938 Zeiss Jena Tessar 3.5; TMax.

 

Lenin with Feminine Products. Fremont, Seattle, WA. Canon P, Canon 1.8 LTM, Kodak Portra 160.

 

Clamming, WA Coast. Nikon FA, 1.8, Kodak Porta 160, cropped.

 

Aw heck, I'll go for a fourth, since it's completely unlike the others. Canon P, Canon 1.8 LTM, Portra 160.

 

Some frames from a Contax RTS with a 50mm Carl Zeiss Planar T f/1.7 lens. The film was Kentmere 100 developed in PMK Pyro.

 

Ironmongery

 

 

Definitely B&W

 

 

Remnants

 

 

Bunting

 

 

Morning Walk

 

 

Dry River

 

 

 

 

 

 

 

 

 

 

 

 

 

 

My kart racing provides high drama (the race) & low comedy (the pits). Here are some of the later. Enjoy, Bill Fed-3 / N-61, UFX400, Pyrocat HDC & V800 scans

I messed up developing a roll of AGFA APX 400. Maybe the developer was out of date, but the negatives came out blank.

So here more from the Retropan 320

 

 

Minolta Himatic 7S