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Weekly Post Processing Challenge September 21, 2018


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Glenn this is a great image you have a good eye. I like the potato head peaking out of the window. Thank you for supplying the image this week.

I used Gimp. First I cloned out some vegetation growing up from below the frame. Then I used the curve tool to add some contrast. Next I made luminosity and used the to do some selective color shifting. Not too much I hope. Then I added closed text. Last I played with truck side bored with SPUD DRIVEN trying to increase the contrast and saturation.

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Thanks for the interesting image, Glenn. I prepared 3 versions. The first involved initially using PSE15 to adjust tonalities using levels and then to add saturation in certain areas and partially desaturate in others using the sponge tool. I sharpened using the NIK Output Sharpener, and did some fine tuning by means of the sharpening tool in PSE.

 

The second version involved converting in b&w using Silver Efex. I then adjust the tonality using levels in PSE.

 

Finally, the third is a semi-realistic abstract. I used the cutout filter and then the solarization filter, followed by levels adjustments, in PSE.

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Ok, I really liked the sign on the back of the old movie screen. How could I not-- hamburgers, potatoes, dense pine forest, awesome snowcapped mountains and even a snow-covered sasquatch cleverly placed to look like part of the mountain. To preserve this cool sign I converted it into a license plate that I'm sure "Scenic Idaho" will want to adopt. Haha. I used a few programs and learned some new stuff along the way. Gracias, Topaz AI Gigapixel, Lightroom, DXO Viewpoint, Photoshop, a bolt I stole off the internet, Smart Photo Editor for the cracks and Alien Skin Eye Candy for the rust. I learned (or probably re-learned) how to expand the image dimensions using the crop tool to get a little extra canvas for my license plate holder, and used Photoshop's Clone Source Panel for the first time ever to rotate one of bolts so its slot was at a different angle. I never get to do this kind of stuff with family photos! Thanks for the practice.

 

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Thanks for the image Glenn. All adjustments in LR 5.71. Cropped in on the truck and then did some basic exposure, white point and black point. Converted to B&W, used red channel slider to lighten the cab. Decided on a split tone, yellow for the highlights and blue for the shadows. Readjusted the white point to make the snow white again.

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My approach was to expand the image vertically and then substitute clouds and some distant mountains for the blank foggy sky. Selecting the sky was the hard part. I thought that using "select color range" in Photoshop would work, but the sky and snow tonal ranges overlap in the original image. So, I used Topaz Remask 5 to carefully select everything but the sky. I then copied the result and pasted it over a photo of the mountains behind the theatre with thin clouds above. The orientation of the mountains and the theatre are only approximate.

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