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other favorite films for stand development


Mike Gammill

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I know now that Rolleipan 25 works great in Rodinal for stand development, but I only have a few rolls left. Any favorite films that any of you have had success with in stand development? I think I read somewhere that slower, or at least fine grained films seem to do well with this technique. In particular I'm interested in how Ilford Pan F+ might do. I still have some bulk Panatomic-X (1982) that I might try a roll or two from it. And one roll of TMAX 100. Don't have any clue as to whether or not Kentmere 100, Ilford FP4+, or Eastman 5222 would do well. I mention them because I have bulk rolls of those three. Also, if you have images of your efforts, please post.
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I've not attempted stand/semi-stand on the three films you've mentioned but I've been quite pleased with semi-stand on Arista Edu Ultra 400 in both 135 and 120 format. I use 3-4 ml of either HC-110 or Rodinal in 500 ml of water for this film depending on the scene contrast. After the initial agitation, I do two gentle inversions at 2, 6, 14, 30 minutes and dump at the end of 60th minute. I use Patterson tank and the start temperature is 19-20 C. I presoak film for about 5 minutes in tap water at 19-20 C. Fix, wash and dry normally.
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Stay tuned Mike. I just ran the 1st roll of the Kodak so2238 thru a new Zorki & did a 60min SS stand development in 3ml / 450 ml of Rodinal. Looks good on the 25asa exposures & will scan tomorrow am. Weird film, with a yellow tint to the Estar base, almost like old Kodacolor negs. Bill
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  • 10 months later...

I'm relatively new here... did film for many years. Now doing more digital but getting back to film after a hiatus. The term "stand/semi-stand development" is new to me, just what is that? Let me guess... you load the tank but let it stand on the table. Maybe you agitate with a stirring rod but let the tank stand. Am I close?

 

I tried searching but I haven't caught on to the search feature here. I'm behind on that too!

 

Thanks!

 

Paul

www.paulwhitingphotography.com
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Paul, stand development, as the name suggests, is a technique whereby the film is developed (usually for a lengthy time) without agitation. I.e. left to stand. This supposedly improves acutance or sharpness by encouraging an edge effect. The necessary low-temperature or dilute development may also have a compensating effect and reduce highlight density while retaining shadow detail.

 

Personally, I'm usually too impatient to see the results to bother with such a fiddle. And it's all a bit hit-or-miss for my liking.

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Thanks, rodeo_joe, for the quick response. I think I'll pass on that technique... but helpful to know what the term means.

 

Another newbie question:

 

Is this forum focused more on traditional darkroom photography, with perhaps some posts on what I would call hybrid photography? Whereas the Digital Darkroom focuses, as the name implies, on strictly digital photography? Lately I've been making b/w prints from either a color digital photo converted to b/w or a scanned b/w negative. My Epson printer has been reconfigured to b/w only, using various dilutions of carbon ink loaded in refillable cartridges. I learned most about this technique from Paul Roark and others over in the Yahoo! groups on b/w printing and QTR. But lately traffic is kind of slow and am looking for something over here on photo.net. For another example, where would I go for questions on "camera scanning" (as differentiated from using a dedicated scanner).

 

I can see where, depending on my question, I may end up active in both forums. Or maybe there's a third forum I should look at.

 

Maybe I'm guilty of thread drift! I'd be happy to post that question elsewhere... if so, where would you suggest?

www.paulwhitingphotography.com
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(snip)

Personally, I'm usually too impatient to see the results to bother with such a fiddle. And it's all a bit hit-or-miss for my liking.

 

Stand development is related to compensated development, in that both try to bring up the shadows, without overdoing the highlights.

 

I have been using Diafine, a popular compensating developer, since not long after my grandfather told me about it 50 years ago.

(That is, when I was ten years old.)

 

It is only much more recently, in these forums, that I learned about stand.

 

Diafine is good for the impatient. It uses two baths (A and B), where the film goes in A for 3 minutes, pour it out, then B for 3 minutes. Longer than 3 minutes is fine, and for reasonable times has no effect. Temperatures between about 70F and 85F also don't change much.

 

The quick explanation is that A has the developing agent, and B the activator (base), such that actual development happens in B.

At the same time, A is diffusing out, reducing the rate of development.

-- glen

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