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Wednesday Landscapes, 21 February 2018


Leslie Reid

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You are invited to upload one or more of your landscape photos and, if you’d like, to accompany your image with some commentary: challenges you faced in making the image? your intent for the image? settings? post-processing decisions? why you did what you did? the place and time? or an aspect you’d like feedback on? And please feel free to ask questions of others who have posted images or to join the discussion. If you don’t feel like using words, that’s OK too—unaccompanied images (or unaccompanied words, for that matter) are also very much welcomed. As for the technicalities, the usual forum guidelines apply: files < 1 MB; image size <1000 px maximum dimension.

 

This week I’m again exploring the idea of the-opposite-of-serene landscapes. I figured this one fits the bill because it makes my palms tingle in a way reminiscent of my rock-climbing days. For me, the image is oddly more anxiety-provoking than the actual site was, and I suspect that has something to do with the lack of a horizon in the photo. I had tried stitching a vertical panorama to bring in the horizon, but my palms stopped tingling so I scrapped that idea. I then tried rotating the image slightly and cropping to improve the composition, but improving the composition seemed to once again reduce the image’s power, so here it is as originally shot.

 

PS01-IMG_5427.jpg.bd70d853c0e2dc7f765312bdd0ae79fc.jpg

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Interesting idea, Leslie, to consider non-serene, more active or anxiety-producing landscapes. Mine, from Yosemite, is to me fairly active, and there's probably some potential for anxiety but I'm not sure that's what I, personally, feel from it. Like yours, the perspective is downward-looking, but I think the anxiety one might feel from yours comes from the camera's proximity to the "downward-ness." In yours, it's like the viewer's feet are teetering on those winding steps. Mine could easily produce anxiety because of the height and depth but the grander scale and distance may moderate that a little bit. The non-serenity I feel in mine seems to come from, in addition to the perspective, the contrasting shapes and light as well as some of the pronounced harder edges.

 

yosemite-look-down_3714-w.thumb.jpg.1fdaf3955487b94befcb8ebe5f2b12f5.jpg

Edited by Norma Desmond
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We didn't need dialogue. We had faces!
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