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Film Camera Week for September 29


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I finished a roll of Bergger Pancro 400 that had been languishing in the Mamiya 645 1000s, waiting for a fine day. I'll post some samples; the lens was the 55-110mm Mamiya Sekor f/4.5, and the film was developed in PMK Pyro and scanned on an Epson V700 Photo using Silverfast SE software.

 

FNZD

 

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Imperial Productions

 

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Saunders

 

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Display

 

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Please Take One

 

2070268399_PleaseTakeOne..thumb.jpg.bee610f64b53fb3c8f3208f85098d477.jpg

 

 

 

 

 

 

 

 

 

 

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Rick, you're tearing them up w/ that Mami glass & your fine processing.

 

I really liked your earlier reference to "tone porn". :) I totally get that. Everything I've seen from Rick is just stunning. I'd say I want to be him when I grow up, but it's probably too late for that :D

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The extra film size would be most welcome. 'Not clear is if each roll of 120 needed a trip to the lathe.

 

Rick, you're tearing them up w/ that Mami glass & your fine processing.

I take a roll of 120 and secure it in mini wood lathe. with pen,pencil or tape mark off 35 mm. with an exacto saw (whatever) I just turn on lathe and it cuts perfectly to size in about 10 seconds with the paper backing in place.. it is so quick and thin cut along with the film wound tight the is no light penetration. Then quickly off to the dark where I rewind it to 828 spool. With the right orientation the numbers appear in window or you can guestimate each advance. You can also lay out the film in darkroom and with aspacer make A vertical line every 42 mm wich will show in window. The advance release becomes superfluous. I did post a better description with photos, I will try to find it.. If you do not have a lathe you can make a cutting guide with a few winds of tape and cut with razor, exacto saw or knife or even a good steak knife. With all of ythese I have had no problem with light penetration. The other end I save with a piece black tape and use it for 16 mm camera.

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Rick, you're tearing them up w/ that Mami glass & your fine processing.

 

I really liked your earlier reference to "tone porn". :) I totally get that. Everything I've seen from Rick is just stunning. I'd say I want to be him when I grow up, but it's probably too late for that :D

 

 

Aw shucks, fellas...Thanks for the kind words. Since I've been fooling around with cameras for about six decades, I guess it's me who never really grew up...

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Auferstehungskirche (Resurrection Church) Oberkassel

 

 

 

 

 

(Some Building) Leug Allee Oberkassel

 

 

 

 

Faux Fachwerk Eckhaus Schanzenstr/Columbusstr, Oberkassel

 

 

Rhein View

 

 

 

My Street/Lohengrinstr

 

Seems my original text disappeared

 

Here are some recently scanned images. The first group is from the Vitomatic IIIb with the Ultron lens. The last two are done with a recently acquired Zeiss Ikon Contessa S310. These were both Kentmere 100 souped in Rodinal... not really the best.

Edited by chuck_foreman|1
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2017-10-01-0015.thumb.jpg.fe2b5e781f0851546212b4e9dc1986e6.jpg

 

 

QUOTE="chuck_foreman|1, post: 5606337, member: 2409759"]

Auferstehungskirche (Resurrection Church) Oberkassel

 

2017-10-01-0024.thumb.jpg.ccd3d3db93340a3962ebd9338833603a.jpg

 

 

(Some Building) Leug Allee Oberkassel

 

2017-10-01-0026.thumb.jpg.66741c4e78aebb9a8b5c1206fffdcbc8.jpg

 

 

Faux Fachwerk Eckhaus Schanzenstr/Columbusstr, Oberkassel

 

 

 

299800233_2017-09-30-0014(3).thumb.jpg.e570ab7c05bb500a694499b5d5bc78bd.jpg

 

Rhein View

 

2070129958_2017-09-30-0018(3).thumb.jpg.c25fe96d826bd2fde7c74a15f6066fe3.jpg

 

My Street/Lohengrinstr

 

Seems my original text disappeared

 

Here are some recently scanned images. The first group is from the Vitomatic IIIb with the Ultron lens. The last two are done with a recently acquired Zeiss Ikon Contessa S310. These were both Kentmere 100 souped in Rodinal... not really the best.

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Hello everyone. These two race cars illustrate the technology changes of the late 50's-early 60's. #41 is a front engine Lola, #88 is a rear-engine Bobsy. Both use the same engine. As in their hay day, this race was very close for the first 10 minutes (of 20), until "technical problems" slowed #88 enough to let #41 thru for the win. SOVREN keeps these historical race cars on the tracks where they "played" many years ago. Enjoy, Bill95307455_2k17-107-025ces10bc.jpg.cd604786a5d3acd54b1bb0a2bc49e7a7.jpg
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Hello everyone. These two race cars illustrate the technology changes of the late 50's-early 60's. #41 is a front engine Lola, #88 is a rear-engine Bobsy. Both use the same engine. As in their hay day, this race was very close for the first 10 minutes (of 20), until "technical problems" slowed #88 enough to let #41 thru for the win. SOVREN keeps these historical race cars on the tracks where they "played" many years ago. Enjoy, Bill[ATTACH=full]1212148[/ATTACH]

To go off subject of course, rear engine, I sometimes wonder what the Corvair might have morphed into. Its design defect should not have made it moribund and there was lots of fertile ground for development

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I believe in all the documents presented during the legal battles of the Corvair, it was shown that GM knew the defect (rear suspension geometry) existed but did not want to spend the millions needed to correct the "problem". In the mid to late 60's, the army introduced a Jeep with the identical suspension. For a number of years many GI's were killed & injured before that problem was fixed. . .cost about $100 per unit to equip a "Z" bar to the vehicle. Cheaper yet was a hunk of hefty chain to keep each axle from "tucking under" & starting a roll over. Formula V racing cars (based on Volkswagens of the 60's) use Z bars to great advantage. Shown here is the upper link to the Z bar which runs horizontally to a link from the opposite axle. Bill

..

What's going on with the system? I am getting a "Too large a file". Picture is under 900 the longest side, and 500k.

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System is really weird today. . now the "edit" function is NFC. The Corvair rear suspension was based upon the VW Beatle of that era, but GM wanted a "cheaper" build, so they omitted the trailing link which VW used to keep the swing axles from "tucking under" & creating a roll over of the vehicle. Money vrs Lives was "fake news" to a lot of companies, even then, even today!. Bill
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System is really weird today. . now the "edit" function is NFC. The Corvair rear suspension was based upon the VW Beatle of that era, but GM wanted a "cheaper" build, so they omitted the trailing link which VW used to keep the swing axles from "tucking under" & creating a roll over of the vehicle. Money vrs Lives was "fake news" to a lot of companies, even then, even today!. Bill

That happened to me last night. I opened the photo with photo shop and save in a different folder and that worked. I do not know if all these step were nrcessary but it forked

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Hello

Here are a few from the Canon P with Film Ferrainia at 40iso and developed in Pyrocat HD 15 mins with a 3 min prewash and 7 min fix

I am liking the way these are coming out, a couple are still a little dark but I can live with that, for now

 

Beach Hut Deli

1978748493_CanonPFilmFerraniaat40isoPyrocatHDBeachHutDeli.thumb.jpg.51193ea8d9fa66d0e62f2c02aa3e1151.jpg .

GNC shadow and light

1769034604_CanonPFilmFerraniaat40isoPyrocatHDGNCshadowlight.thumb.jpg.da31859d44c801befbda1572a6005920.jpg

 

Putting green in Aptos CA this one a little dark

1785929544_CanonPFilmFerraniaat40isoPyrocatHDputtinggreenAptosCA.thumb.jpg.3194d46037cdea238d7536f4b455341d.jpg

Edited by Don Harpold
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The results look good to me, Chuck.

Thanks Mike... None too happy with scans using Vuescan. All my scans are soft... and fixing them make them look manipulated. Some of the grain problems are related to Rodinal..convenient but not a high res developer like D76 . But mostly it'S the softness that bugs me. This is either the driver/Vuescan the driver or the itinerant focus. It ma be just me, but the scans using the Epson driver ( won't work in Win10) were so much better! All other things like poor exposure, development errors and cheap optics are my fault.

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Hello everyone. Chuck you might consider the possibility that the Epson negative holders might need "adjustment" for height. My V600 (in Hawaii) was so terrible in producing sharp scans that I put the Better Scanning holders in it for both 35mm & 120 negs. Problem solved, and I use the native Epson software. Messing around with some black electrical tape on the bottom of the holders got the 35mm Epson working, but 7 layers of tape does not stay put in Hawaii's tropical climate. The BS carriers have Teflon Allen screws that adjust the deck height of the carrier to the glass of the scanner. 45 minutes max to set, and forget, the screws.

Here in Wa. my V800 scanner has similar problems with 120 negs, so once again, a Better Scanning carrier is used.

Here is another reason why I use the non oem carriers. Epson wants you to put the neg into the scanner with the emulsion UP. Crazy idea to my thinking. Why put a piece of plastic (film substrate) between the emulsion & scanner?? Ages ago, one used a cleared film strip OVER the neg in the enlarger (with emulsion down in those days!) to diffuse zips & other blemishes in portraits. With all of the BS carriers, Anti Newton Glass (ANG) is placed over the neg, since the emulsion is DOWN on my scans. The negs are always flat !

The Better Scanning carrier are not cheap, but well worth the money spent. Bill

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