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Photo Printing Services Recommendations


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There are plenty of good quality inkjet printers for low prices. Many for about the

price of the included ink cartridges.

 

Sometimes I still prefer wet processed digital prints, as it reminds me some of the old way.

 

How high of quality do you want?

 

Shutterfly does prints of all sizes, but the price increases fast with size.

Maybe not museum quality, but good enough for what I often want, such as

sending pictures of kids to their grandparents. They have specials often

enough, that I rarely pay the list price.

-- glen

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Adoramapix. They will adjust your file, or you can download a printer profile for color management, with soft proofing. And, great service. Read this:

 

Incredibly good service from Adoramapix.com

Too bad you can’t use the profile further.

Same with WHCC; profile for soft proofing, can’t use it for conversions, must send sRGB or Adobe RGB (1998).

Author “Color Management for Photographers" & "Photoshop CC Color Management" (pluralsight.com)

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  • 3 years later...

I do not print that often, but when I do, I use Costco. Costco profiles their printers and maintains them so they match the published profiles.

 

I post process in either Lightroom or Photoshop, convert to the appropriate Costco profile, upload the resulting file, and go pick up my prints either later that day or the next day. Since the profiles are specific for a particular store, you must pick up the prints; mail order is from a central site that does not publish profiles.

 

All my prints match what I see on my screen - at least to my (old) eyes.

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Here is a part of a report by Herbert Keppler in Pop Photo 1992-07. Some 47% poor or unacceptable.

processin.jpeg.6db455c94686a9ab794f7538ec012c8a.jpeg

 

That was before digital had kicked in and explains, in part, why so many of us went digital between 2000 and 2005.

 

It is not easier to find good B&W processing today. One might have thought a kind of selection process would have eliminated the poor quality labs, but it only eliminated the more costly processing.

 

My very first roll of Panatomic X film through my then-brand-new Pentax H2 in 1960 came back with scratches, spots, and bug silhouettes. I soon learned to do my own work when I could.

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Here is a part of a report by Herbert Keppler in Pop Photo 1992-07. Some 47% poor or unacceptable.

[ATTACH=full]1370338[/ATTACH]

 

That was before digital had kicked in and explains, in part, why so many of us went digital between 2000 and 2005.

 

It is not easier to find good B&W processing today. One might have thought a kind of selection process would have eliminated the poor quality labs, but it only eliminated the more costly processing.

 

My very first roll of Panatomic X film through my then-brand-new Pentax H2 in 1960 came back with scratches, spots, and bug silhouettes. I soon learned to do my own work when I could.

In my experience a lot of labs catering to professionals have gone out of business since their market mostly disappeared. Pros would spend for quality work since it made them look good and they were billing their clients for the prints. Amateurs, on the other hand are paying out of their own pockets and are understandably more price sensitive. Good labs are charging you for the inevitable remakes in their prices, otherwise they won't stay in business.

 

My first and last rolls of B&W film developed by a commercial lab were also Panatomic-X and showed lots of grain in 3 1/2 x 5 prints. There are a couple of custom labs that I would trust now, but since I can develop it myself that's what I do.

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