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Viewfinder coverage on a 500C or 500C/M


stephen_komp

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<p>If by "pans" you mean stitched panoramas, it is not necessary to achieve full coverage. Frames should be overlapped by 25%, which you can easily estimate from landmarks in the scene approximately 25% from one edge of the finder. If the finder is less than 100% coverage, that just gives you a little more margin for error.</p>
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<p>Perhaps there are cameras with a 100% viewfinder, but Hasselblad is not among them. The coverage is somewhere between 90% and 100%.</p>

<p>That alone should not keep you from aligning images in the manner you suggest if you crop each image accurately. The amount lost is trivial. However if you rotate the camera between frames, you face the same problems stitching programs are designed to overcome - changing perspective, matching and blending. If you don't care about that, you probably shouldn't care about the viewfinder accuracy either.</p>

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<p>I've been using a Pentax 67 that has 100% coverage when using a waistlevel finder. It works very well. I just wanted to try and use the square. I don't crop the images. They are printed full frame and butted up against each other. That is why I was looking for a square format that would be 100% coverage. Unfortunately, I don't think the camera exists. </p>
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<p>According to "The Hasselblad Manual" by Ernst Wildi, the viewing screen in a 500 series camera covers 98% of the film area in both directions. Both the WLF and PM90 show the entire screen, but the PM45 is 96% vertically and 92% horizontally. Series 200 cameras crop 1mm from the bottom of the viewing screen, but the film area is not affected.</p>

<p>Without perspective correction, straight horizontal lines will meet at an angle between frames. Objects split between frames will be different sizes on either side of the border. This will occur with any camera and rectilinear lens, even the Pentax 67. The viewfinder accuracy is irrelevant in this regard.</p>

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  • 2 weeks later...

<p>Robert,</p>

<p>Have you ever tested whether the coverage of the viewfinder is identical to that of what you get on film?<br>

And shift is only one thing to worry about when using TLRs. If the focal lengths of taking lens and viewing lens aren't exactly the same (and they never are) the angle of view will not be the same too.<br>

<br />"100%" screens may sound impressive. But i have yet to see one that keeps what it promises.</p>

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