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FD 35mm f2 Concave at British Museum


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<p>From experience I can say that taking photographs in a museum with only available light is always a challange. Most institutions do not allow flash photography. You've done well. Thanks for sharing.</p>
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<p>Hi Frederick<br>

Great work mate - I love the light, colour and DOF control and my real favourite is the Greek Bowl and Ladel - superb!.<br>

My favourite shop in the entire world is Aperture Photographic in Museum Street right opposite the Museum - it's the best camera shop ever (loads of second hand Leica's and other lovely kit) and it's an internet cafe too!. Did you get a chance to pop in?.<br>

Best regards<br>

Dave<br>

<a href="http://www.david-thrower.blogspot.com">www.david-thrower.blogspot.com</a></p>

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<p>When I was in High School I used to shoot by available light with my Konica Autoreflex T2 and a 35/1.9 Vivitar at the Museum Of Natural History in NY. That was with pushed Tri-X. Today I would use Portra 800 or Fuji 1600. The 35/2 FD SSC with the concave front element is one of my favorite lenses. The faster film will give you a little more depth pf field so more of your subject is in focus.</p>
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<p>My widest fast lenses are two Vivitar 24/2s. One is the earlier 22XXX... lens which is in Konica AR mount. The second is the 28XXX... lens which I have in Minolta MD mount. The 22 lens is a floating element design and is actually quite sharp. The problem is that it gets oil on its aperture blades like the 28mm f/2 22 lenses and also gets its floating element section gummed up. I don't find the 24mm 28 lens quite as sharp wide open but it doesn't seem to have the oil problem. In some cases when I visited aquariums and had a rubber lens hood I pressed the camera up against the glass of a tank so I could shoot at a slower speed and close down a little more. Superia 400 is one of my favorite films if I don't need something faster. My fastest 35 is an f/1.8 MC Rokkor and my fastest 28 is an f/1.9 Vivitar Series 1. </p>
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