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Processing RAW in Lightroom and going to WEB


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<p>System display is set to the calibration from when I used the eye-2 display that for the screen if that what your looking for?</p>

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<p>The display profile for your system is only used for previews within color managed applications and such app’s will automatically access and use it for previews. Don’t embed it into a doc or use Photoshop’s proof setup with that display profile. That’s not what you want to do (in Photoshop) at least in terms of setting the display profile for the document. Soft proofing with the display profile effectively makes Photoshop match a non color managed app. It may produce a match but its a wrong match. What Photoshop is showing you is correct. If you have the sRGB (or any working space) profile embedded, its previewing using that display profile to produce a proper preview of the RGB values. In Save for Web you should be embedding sRGB. And it may not match on the web (again, it depends on if the entire system handling your web images is fully color managed). IF you open the sRGB embedded doc in Safari by using File Open, it should match Photoshop. What happens when you then post the image to a site, running Flash or some other system is where you need to be looking at this preview disconnect. </p>

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Author “Color Management for Photographers" & "Photoshop CC Color Management" (pluralsight.com)

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<p>Is the name of your i1Display monitor profile "Monitor_4-15-10_1" as read from Display Preferences? What is the name of your system display profile as viewed in Display Preferences?</p>

<p>Also you need to scroll up in the drop down menu of Color Setting's RGB Working Space in Photoshop and make sure that "Monitor RGB..." has the name you gave to the i1Display profile listed right after it. Does this say "Monitor_4-15-10_1"?</p>

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<p>OK, then your color should be working just fine.</p>

<p>A note about Save For Web, the Document Space will give the right preview as long as you keep converting your images to sRGB before exporting out of Lightroom as you've described here.</p>

<p>A caveat about this type of workflow is if you ever decide to export out of Lightroom by not converting to sRGB and stay in ProPhotoRGB, when you launch SFW make sure you change to Windows Color Space instead of Document space because in SFW there is a "Convert To sRGB" setting in one of the drop down menu triangle icons. This needs to be selected if it isn't when in ProPhotoRGB or else it won't look correct on the web in nonCM browser. <strong>BUT</strong> if "Convert To sRGB"<strong> IS</strong> already selected Document Space will give an over saturated preview as if<strong> ASSIGNING </strong>ProPhotoRGB-(the original document space) to the sRGB converted data viewed in SFW's OPTIMIZED window pane.</p>

<p>This is my workflow because it automatically reduces the file to 8 bit and converts to sRGB on the fly saving a lot of dialog boxes coming out of ACR making SFW pretty much a one step process as long as the settings are correct.</p>

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<p>Thanks for the quick response I felt so dumb with this all to find out I have a pretty good understanding of the color spaces. I have been thinking I have screwed something up so bad when the work flow and set up is just fine. I emailed a tech guy for bludomain which I using for the site, I asked him over and over about different things and he was talking about how I need to read up on color spaces and saving for the web. I told him all the info here SRGB and how the images are the same on photoshop and other site but not on website hosted by them. I asked about the Flash of the site and how that effects the images, and the reply was that many people host and do not have a problem so it has to be my setup. I then again respond and the reply is they cannot control FLASH and the Web. So its gotta be them and something I am just wondering if what the other people are doing to fix the problem. </p>
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<p>I think there's a bit of a misconception here about what colour profiles for monitors do - they do not ensure that you see the "correct" colours in some random, arbitrary sense, rather they ensure that, say, the colours you see in your monitor are the same as the colours appearing in some other device (i.e. printer or scanner). That is why you create a colour profile in your monitor - you don't create a colour profile so you see the colours "right" (or whatever).</p>

<p>Second, I notice that you're jumping from one colour space to another - from AdobeRGB in camera to ProPhoto in Lightroom. You realise that this is not possible, right? ProPhoto is a larger colour space that AdobeRGB and you cannot expect the computer to somehow magically generate all those additional colours without some cost. It's good that you're shooting in the largest colour space your camera allows, but moving "up" to another colour space is useless. Also, you mention you export sRGB from LR - that is the most restrictive colour space and having the computer then interpolate in CS4 to reconvert to ProPhoto means even more problems. Guaranteed!</p>

<p>Also, smart sharpen has a different effect when applied to a TIFF, a PSD and a JPEG image because, very simply, the pixels are arranged differently across the different formats. So, the same settings would produce different results across the same image in each of the three formats. And because smart sharpen also works on a micro-contrast level (in order to affect the "smart" part of the sharpening process), you may inadvertedly notice colour variations in JPEG images.</p>

<p>Finally, each subsequent "save as JPEG" reduces both image quality (even if you set it at the highest image quality setting in CS4) and integrity and introduces, even if you never actively select it, colour adjustments to meet the lower compression standard. The various browsers afterwards are, in turn, rendering the colours they find in their own distinctive way - resulting in even larger discrepancies.</p>

<p>If you want my humble opinion, stick with one image manipulation program - I'd go for LR as it can do everything you're doing with CS4 and then some - and one colour space right until the final export in sRGB for the web. Import, manipulate and then simply export directly through LR in sRGB, in the resolution you want and size you desire. That way you will have the best possible results.</p>

<p>I hope this helped a bit.</p>

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<p>Thanks for the quick response I felt so dumb with this all to find out I have a pretty good understanding of the color spaces. I have been thinking I have screwed something up so bad when the work flow and set up is just fine. I emailed a tech guy for bludomain which I using for the site, I asked him over and over about different things and he was talking about how I need to read up on color spaces and saving for the web. I told him all the info here SRGB and how the images are the same on photoshop and other site but not on website hosted by them. I asked about the Flash of the site and how that effects the images, and the reply was that many people host and do not have a problem so it has to be my setup. I then again respond and the reply is they cannot control FLASH and the Web. So its gotta be them and something I am just wondering if what the other people are doing to fix the problem. </p>
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<p>I wish your response would help but it did not since I am aware of the color space changes. I am aware that CS4 is in Prophoto when opening the picture in CS4 I did not choose the working space color I left the image in the SRGB scheme. I have also try to load the image without sharpening and with sharpening same result.</p>
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<blockquote>

<p>I think there's a bit of a misconception here about what colour profiles for monitors do - they do not ensure that you see the "correct" colours in some random, arbitrary sense, rather they ensure that, say, the colours you see in your monitor are the same as the colours appearing in some other device (i.e. printer or scanner). </p>

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<p>No, that’s not really what they do. They define the device behavior of the display. ICC aware applications then use the profile for previewing RGB values (or CMYK values converted to RGB values) based on this device behavior using an architecture called Display Using Monitor Compensation. Each display profile provides a unique tweak if you will, so that the same RGB values appear the same on dissimilar devices (that’s why we all have differing ICC display profiles). It takes TWO profiles for this to work; the display profile and the document profile. One profile by itself is like one hand clapping, it can’t do anything alone. </p>

 

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<p>Second, I notice that you're jumping from one colour space to another - from AdobeRGB in camera to ProPhoto in Lightroom.</p>

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<p>He’s shooting raw so the camera setting is totally moot. There is no Adobe RGB camera color space in effect here. </p>

 

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<p>Also, you mention you export sRGB from LR - that is the most restrictive colour space and having the computer then interpolate in CS4 to reconvert to ProPhoto means even more problems.</p>

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<p>True but at this point, all he wants to do is match what he see’s in Lightroom and Photoshop to a web preview. And he can export the same master image, that is in a ProPhoto variant into ProPhoto or any color space at any time. So for now, the issues are, why does the preview go south when he views the image on the web. Its pretty clear to me its the web host or something in how they are translating the sRGB image. </p>

 

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<p>So its gotta be them and something I am just wondering if what the other people are doing to fix the problem.</p>

 

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<p>IF you get a match within Lightroom, Photoshop and opening directly into Photoshop (as an sRGB tagged image), then yes its them, no question. </p>

Author “Color Management for Photographers" & "Photoshop CC Color Management" (pluralsight.com)

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<p>For whatever reason anytime I used the ProPhoto colorspace I got very de-saturated photos.</p>

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<p>ONLY in applications that don’t understand color management. They have no idea the data is in ProPhoto, they have no idea of your display profile. They simply send the RGB values directly to the display, no Display Using Monitor Compensation as discussed above. In ICC aware app’s it looks fine (as it should). </p>

Author “Color Management for Photographers" & "Photoshop CC Color Management" (pluralsight.com)

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<p>Thanks Andrew the whole color space issue is not the problem as you said you can set Lightroom, Photoshop to Prophoto and the camera to AdobeRGB largest color space. Shooting raw then imported in lightroom and export out in of lightroom as a srgb it can be worked on in photoshop if you have everything correctly setup up so that when you open a srgb embedded image in photoshop with the working space set as ProPhoto, you can select whether you want to work in the working space of prohoto or the embedded color space of the image that is being opened. I have been searching here I found one link that somewhat seems to be what happening here.<br>

http://www.photo.net/digital-darkroom-forum/00CMDi<br>

They do offer a html template which I might try to talk with them to change to hoping that it works but is just weird that so many use bludomain they must be doing something.</p>

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<p>It did not appear that the flash gallery was applying color management, even as viewed with Flash Player 10.</p>

<p>I do not know if the fault lies with the author of the flash file for overriding the default or with somebody else for defaulting color correction support to off.</p>

<p>The flash file could force color correction if it contained the line:<br>

stage.colorCorrection = ColorCorrection.ON;</p>

<p>This link shows an example of working flash color management, near the bottom.<br>

http://www.adobe.com/devnet/flash/quickstart/color_correction_as3/<br>

For me, only "on" applies color correction. "Off" and "default" do not.</p>

 

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<p>I asked about the Flash of the site and how that effects the images, and the reply was that many people host and do not have a problem so it has to be my setup.</p>

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<p>I suspect that most people have monitors much closer to sRGB and therefore cannot tell the difference. (I couldn't tell just by looking at it, and had to set my monitor profile to ProPhoto as a test)</p>

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<p>Well I will keep posting updates since I am sure this will come up again and I hope this is a good lesson in the future. I have been been passed through to some real tech guys on bludomain, they asked to see the image shots from the original and the image on the site. I also noticed that when I am on the admin page and uploading to the gallery there, on that admin page; matching the image side by side with photoshop color is spot. But when your viewing it as a webpage that's when the color problem comes in so we no where this is going I just hope they can track it down and fix the problem once again I wonder all the people that have not really crossed checked their images. I do notice a lot of photographers apply those lightroom typical cookie cutter preset so I tested them with bludomain and found that there is very very very small change to the good eye when use those presets. </p>
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<p>New Update on a email that I got from support:</p>

<p>"we do export for the latest flash player however in order for color management to work the flash movie needs to be coded in ActionScript 3. our sites are coded in AS2 and recoding them would mean going through every line of code since unfortunately AS3 is very different."</p>

 

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<p>FWIW, I host with bludomain with two different domains and two different templates, and have always had similar desaturation issues on both sites. (Sofie and Freddy templates) I emailed examples of screenshots and everything. You got a lot farther with tech support than I ever did. This the first time I've ever heard any sort of techinical explanation from them.<br>

<br />Basically, it sounds like we just have to live with it. Or create a web-only version of images and proofs that are hyper-saturated in order to compensate.<br>

<br />I'd love to hear if there are any further updates.</p>

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<p>Interesting to know who engineered ActionScript 3 in Flash encoding and why they didn't make it backward compatible to prevent website adiministators from having to go through every line of code to get it work. And I hope that tech guy really is for sure certain this is the issue seeing how complicated this stuff has become.</p>

<p>Couldn't the user create their own Flash slideshow gallery that's AS 3 encoded and upload it to the site? Don't know. I'm not a programmer.</p>

<p>I just can't understand why Flash technology has so many issues just running a slideshow over the web.</p>

<p>My "Image Pro" gallery provided by Photo.Net runs a Flash slideshow and I don't have any problems with and the color is spot on. At least I think the color looks OK. I may have to re-check going by the subtle differences seen in Ryan's gallery. But regardless, downloads and running of my gallery is pretty quick unlike Ryan's. </p>

<p>Ryan, what file size (as read from Get Info off the hard drive) are your slideshow gallery images reduced to before preparing to upload to your host site? You know you don't have to reduce the dimensions, just the compression in Save For Web set at maybe 50 Compression will get it down pretty small. SFW will show in the preview any compression artifacts including color changes, which can happen, viewed at 100%, the zoom level of most browsers. SFW does a much better job at this over regular "Save As..." jpeg.</p>

<p>I've gotten many 700 pixel on the long end images compressed below 200K (as read from Get Info) without much of a noticeable change. Sorry to drift off topic on this. </p>

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<p>My "Image Pro" gallery provided by Photo.Net runs a Flash slideshow and I don't have any problems with and the color is spot on. At least I think the color looks OK. I may have to re-check going by the subtle differences seen in Ryan's gallery.</p>

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<p>I checked, and neither<br>

http://imagepro.photography.com/Tim_Lookingbill<br>

nor<br>

http://www.photo.net/photodb/slideshow?folder_id=734063<br>

are using color correction for me. I'm running Windows 7, Firefox 3.6 and Flash 10.</p>

<p>Of the five web browsers I have installed, only Firefox is even color correcting http://www.photo.net/photodb/folder?folder_id=734063, since Safari will not color correct images which are not tagged with a color profile.</p>

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<p>So the newest update, sent a email with the same image above saved as jpeg. The goal was for them to compare the original and the image loaded on the site. They created a gallery called "Test" and said side by side it looks fine. So I check it out and garbage! No changes still desaturated, I ask them what it would take to get bludomain color managed for the use of FLASH. We will see the reply, I am not going to back down on this when you pay for a service you expect the good quality. I know they are probably going to come back with a typical we are not going rebuild the codes to have the current templates color managed. What I am thinking of, if this can not get worked out is try to switch to the HTML template they have hoping that doesn't have any issues with it. I bet all the new templates they build will have the proper action script 3 for color!</p>
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<p>They should not see any differences unless they are both using color management and their monitor profile is significantly different from sRGB.</p>

<p>The problem is that the Flash gallery <em>is not </em>changing the image.</p>

<p>Here are two screenshots, each of the flash gallery and this forum page. The first one is with an sRGB monitor profile. The second is with a ProPhoto monitor profile (not ever a good idea, but it makes the difference easy to see).</p>

<p>With the sRGB monitor profile, both images have identical colors, since the Flash gallery is uncorrected and the color correction does nothing to the forum page either.</p>

<p>With the ProPhoto monitor profile, the Flash gallery does not change, but the forum page changes because Firefox now thinks the monitor has extremely saturated primary colors. Since that isn't true, the image on the right looks wrong.</p>

<p>The simplest solution would be to switch from a Flash gallery to an HTML gallery (and make sure to tag the images as sRGB). Of course, if I were in the business of providing Flash based slideshows, like BluDomain or Photo.net, I would already be porting my Flash code to ActionScript 3.</p><div>00WNNY-241003584.jpg.3782f22c89f85208ba32a5ff83c12d39.jpg</div>

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<p>New update, Got emailed again. I sent them another screen shot comparing the actual and the image on the site. They came back saying they checked my screen shot on 5 monitors and do not see the difference. Also, stated that my monitor must not be correct. If they are seeing it right then clients will also see it right. Thousands of photographers use them and no one has contacted them on this issue. Being that its me thats wrong not them they say. After they said they are not using action script 3 for flash which is color managed, its my fault. I see the same difference in color on monitors not calibrated. There is no way in heck that the screen shot I sent shows the same color on their monitor they have to be color blind this is a lost cause!</p>
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