Which Medium Format Lenses Are Giving You Your Most Satisfying Images?

<p>180mm cfi for sharpness.</p>

<p>1) 180 mm f:4,5 for my Mamiya C330S<br>

2) 80 mm f:2,8 Xenotar on my Rolleiflex C3 (1953)<br>

Roberto Leotta</p>

<p>For me it's my HC 35mm lens which I use on my film H2, scanned with a Nikon 9000, and my H3DII39 camera:<br /><br /><a href="http://www.jecxz.com/?photograph=reflection_by_derek_jecxz.jpg"><img src="http://www.jecxz.com/images/portfolio/2007/thumbs/reflection_by_derek_jecxz.jpg" alt="" width="153" height="115" /></a> <br /><a href="http://www.jecxz.com/?photograph=reflection_by_derek_jecxz.jpg">Cartwright, Labrador 2007</a><br /><br /><br /><a href="http://www.jecxz.com/?photograph=shore_ripples_by_derek_jecxz.jpg"><img src="http://www.jecxz.com/images/portfolio/2009/thumbs/shore_ripples_by_derek_jecxz.jpg" alt="" width="153" height="115" /></a> <br /><a href="http://www.jecxz.com/?photograph=shore_ripples_by_derek_jecxz.jpg">Fortescue, New Jersey 2009</a><br>

<br />Kind regards,<br />Derek Jecxz<br />

<p>I like to use the 37mm fisheye for the RZ67 it can give objects a intresting look.<br>

<img src="http://michaeltornero.zenfolio.com/img/v7/p990384354-4.jpg" alt="" width="357" height="467" /></p>

<p>A summary so far of definite preferences:<br>

<strong>MAMIYA</strong><br>

<strong>RB and RZ</strong><br>

37mm, 65mm f4, 110mm, 140mm (2 votes), 180mm, 210mm<br>

<strong>6, 7 and 7II</strong><br>

50mm (3 votes), 65mm, 75mm (2 votes), 80mm f4 (2 votes), 150mm<br>

<strong>TLR</strong><br>

135mm f4.5, 180mm f4.5<br>

<strong>Press</strong><br>

50mm f6.3 Sekor<br>

<strong>HASSELBLAD</strong><br>

HC 35mm, 38mm Biogon (3 votes), 50mm Distagon (2 votes), 80mm Planar, 100mm Planar (2 votes), 110 mm f2 Planar(2000 FC), 120mm Macro Planar (3 votes), 150mm Sonnar (2 votes), 180mm Sonnar (2 votes)<br>

<strong>ROLLEIFLEX</strong><br>

80mm f2.8 Biometar, 80mm f2.8 Planar, 80mm f2.8 Xenotar, 75mm f3.5 Planar<br>

<strong>PENTACON 6</strong><br>

180mm Sonnar<br>

<strong>BRONICA</strong><br>

150mm Zenzanon<br>

Interesting that the most common of all medium format lenses, the Tessar has not yet made an appearance at all. As you would expect all focal lengths in the common ranges make an appearance according to shooting style favoured. None of this has any statistical validity but just might be interesting to look at if you have nothing better to ponder!<br>

<strong>Breakdown by focal length</strong> :<br>

35mm-38mm 5 Votes<br>

50mm 6 votes<br>

65mm 2 votes<br>

75mm 2 votes<br>

80mm 4 votes<br>

100mm 2 votes<br>

110mm 2 votes<br>

120mm Macro 3 votes<br>

135mm 1 vote<br>

140mm Macro 2 votes<br>

150mm 2 votes<br>

180mm 3 votes<br>

210mm 1 vote</p>

<p> </p>

<p>Wow factor with any Pentax 67 lenses? Yes.<br>

The 75mm f/4.5 SMC Pentax/ Takumar-- Amazingly sharp<br>

The 400mm f/4 SMC Takumar-- Sharpest big glass I've used<br>

The 55-100mm f/4.5 Zoom-- Beats most P67 primes in sharpness-- Ex contrast too</p>

<p>Another vote for the Mamiya 7II 50mm and 80mm lenses. Let's just say that this is my favorite MF system altogether.</p>

<p>Mamiya 7II 43mm f/4.5. <br>

Hasselblad 110mm f/2 Planar.<br>

Between the two there are very few situations you can't cover amazingly well. </p>

<p>The rectilinear Pentax SMC-A 35mm f/3.5 is the only lens I presently have for my P645N; I chose this combo for extremely low levels of distortion for such an ultrawide view, and I really couldn't be happier with the results. Although I do enjoy the shooting with the P645N and wouldn't mind acquiring other lenses for it, this is the one niche I find the 645 format does supremely well, whereas other angles of view would perhaps be best covered in other formats. </p>

<p>Hi, Steve -</p>

<p>Kind of tough to actually select "the" better ones, but I'll give the nod to the 50 Distagon f4, although for my strictly hobby work it's the least used. Next is the Sonnar 150 f4, often some of my best landscapes are from it. Then the old standby Planar 80 f2.8, what can I say, it's just so sharp.</p>

<p>One that totally surprised me and in my eyes came to be surely the equal to all, second to none, the Xenotar 75 f3.5 on my Rolleiflex E-2. I've had so much enjoyment with these optics, over many years, never was tempted to move on to something else that I thought might be better. BTW, the H'blad lenses are all "C*" T stars.</p>

<p>I really enjoyed the post, thanks for thinking of it and for detailing the results so well. Cheers.</p>

<p>Patrick </p>

<p>Steve, great question; tough to answer - so many lenses; so many of them really great ones.</p>

<p>Mamiya 645 - I have or had a few others, but these are my "most satisfying" lenses: 55mm f2.8 N, 80mm f1.9, 110mm f2.8 N, 200mm f2.8 APO. I don't yet have a lot of experience with the 110mm, but I really like it so far. The 55mm is the best SLR retrofocus wideangle I've used.<br>

But if I had to pick only 2 to live with to the end of my days, they would be the 80/1.9 and the 200/2.8. Put away your Planars and Xenotars: there's nothing as sharp across the field as the 80mm at f4 and f2.8, or as dreamily selective-focus as it at 1.9. And the 200/2.8 is just the best corrected photographic lens I have ever looked through - it performs so well on-axis that I use it as a high-magnification visual telescope as well.</p>

<p>Mamiya Press (6x9) - another vote for the 50mm f6.3: slow but exquisite Biogon-style 90-degrees wideangle. I also love the 100mm f2.8 - another speedster, midway in angular coverage between the M645 55mm and 80mm lenses, while giving more net IQ than either of them.</p>

<p>Pentacon 6/Kiev/etc.: the 30mm MC Arsat fisheye. Although I now only shoot this lens on my Mamiya 645, and I was determined that it wasn't quite good enough (off-axis) to make it into this list with such exalted company, I have to admit that it keeps cropping up when I think of my"most satisfying" images!</p>

<p>For photos of subjects in context, 60mm distagon is most used. Since that's the type of photography I mostly prefer, the 60 is my most used lens and is giving me the most satisfying images. </p>

<p>I'm very fond of the 120mm Macro for my Mamiya AFD.</p><div></div>

<p>The MF lens I use most often is an 80/2.8 Zenzanon PS. An SQ-A with an 80/2.8, a 120 back and a waist level finder is easy to carry around. With a Gossen meter around my neck and a few rolls of film in my pocket I can have some fun. After that my favorite lens is the 50/3.5 Zenzanon PS. I can do plenty of cropping when I print and still get very sharp results. </p>

<p>Fit this on your chart, Steve! Pentax 55-100mm zoom for the Pentax 67. Just as sharp as the fixed focal lengths and incredibly versatile. I also like the 165mm f/2.8 a lot. Mild depth compression and all the bokeh control you could possibly want.</p>

<p>The 45mm and 55mm Pentax 67 lenses are sweet for landscapes. The 200mm lens is good for close-ups and my perhaps my favorite Pentax 67 lens is the 90mm (non leaf shutter) for its combination of excellent sharpness and beautiful bokeh.<br>

Some samples at my <a href="http://cceder.com/gallery_main.html">website</a><br>

Another excellent lens is the 80mm Yashinon of the Yashica Mat LM.</p>

Without forgetting that lenses are only as good as the images one gets to create with them ( not just champions of resolution and contrast charts) it's obvious from the responses so far, that the majority of you people, have realized that it is the enjoyment of image creation that makes a lens a tool, one grows to love. My nominations for most satisfying lenses to me, are: Planar makro 120 mm f5.6 Cz. (Magnificent for portraits)

Pentax 165 mm f 4. 0 ( Good in many situations)

Pentax 45 mm f4.0 ( Outstanding for W/A photography anytime)

Sonnar 180 mm f2.8 CZJ on a Kiev 60 ( Very nice focal length on 6x6 )

Arsat 80 mm f 2.8 on a Kiev 60 (What Bokeh! And stopped down has excellent performance.) Thank you.

<p>my vote would be for the mamiya 7II 43mm lens for landscape...and for portraits i really like the PS 180mm Bronica on the SQAi. the mamiya is just wow. and the 180 bronica will focus close enough to allow for tight head shots and allow for great background separation.</p><div></div>

<p>I like this about medium format shooters...we all like gear (especially our gear). Rollei 6008AF with 60 Schneider and 150 lenses. Mamiya 7ii with either the 43mm or 65mm. I could live with just the 65mm if I had to.</p>

<p>The late version of the 55mm Pentax 6x7. Super sharp and, for what it's worth with a wide lens, good bokeh. When I'm shooting for an 11x14 print it beats my Hassy lenses for sharpness.</p>

<p>Pentax 67 late model 75mm f2.8 is my hands winner.</p>

<p>75mm 3.5 six element Planar on my Rollei...and I am getting some very nice images from the 105mm Heliar on my old Bessa 2. I can stop this lens to f/32 (beyond its measured range) and get a very nice balance between depth and diffraction limited sharpness. Perfect for long exposures of moving water. The lens I miss is the 120mm CF Makro Planar - which I'd use handheld wide open (f/4) for spontaneous natural light portraits. Wonderful IF/OOF transition...and great Bokeh! This was also a very nice lens stopped down to f/16 or thereabouts to use in the range of about 1:10 to 1:4 with natural subjects. I also have fond memories of a 75mm 4.5 lens I'd used with a Pentax 6X7 long ago... and this is all just MF! so little time, and so many lenses I'd still love to try! </p>

<p>My 110mm Kowa Macro lens for my Super 66 doesn't need excuses either. Super sharp flat field. Great stuff. Too bad that it needs 2 extension tubes to get to 1:1, but worth the cost to me. </p>

<p>Here are a few of my shots with the 90mm f2.8 Pentax 67 lens. I couldn't wish for a nicer lens. Sweet creamy Bokeh and very sharp.<br /> <a href="http://cceder.com/6x7/portra160_01.html"></a><br>

<a href="http://cceder.com/6x7/portra160_01.html">sample 1</a> <br /> <a href="http://cceder.com/6x7/velvia_01.html"></a><br>

<a href="http://cceder.com/6x7/velvia_01.html">sample 2</a> <br /> <a href="http://cceder.com/turkey/urfa_01.html"></a><br>

<a href="http://cceder.com/turkey/urfa_01.html">sample 3</a></p>

<p> </p>

<p>CZ 38/4.5 Biogon for the incredible sharpness, 3d rendering and lack of distorsion:<br>

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CZ 100/3.5 Planar for the top sharpness again, and for total lack of distorsion coupled with a natural perspective for architectural shots<br>

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CZ 120/4 Makro Planar for the incredible mix of sharpness and mellowness<br>

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Rolleiflex 2.8/80 Planar for the great B&W rendering and sweet in and out of focus passage<br>

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Having said that, I have 13 Hasselblad lenses and they are all truly spectacular.</p>