steve_fournier1 Posted October 11, 2008 Share Posted October 11, 2008 Hi: I am shooting my niece's outdoor wedding next weekend. I am concerned about the nat light as I have no idea what the conditions, weatherwise, will be. I plan to use my 522 as flash fill regardless. However my niece is very light skinned so I was considering adding some 3200K from my Lowell DP kit (diffused) for warmth. Is it ok to mix in tugsten this way? Can Velvia 100F handle the mix? I just recently got back into using the 645 after a number of years and I do not have any CC filters for my lenses. Thanks, Steve Link to comment Share on other sites More sharing options...
erie_patsellis Posted October 11, 2008 Share Posted October 11, 2008 That's a pretty big swing between 5000K and 3200K, I'd order a R1.5 and R3 Decamired filter from KEH (they're pretty cheap these days) and test shoot a roll if you can before the wedding. I find that a R3 is about right for light skinned (Norwiegen/Swedish type) persons. It also helps warm up the cool shadows that typically get too blue. Link to comment Share on other sites More sharing options...
fwstutterheim Posted October 12, 2008 Share Posted October 12, 2008 I hope you know what you are doing. This is the first time ever I hear of someone shooting a wedding on one of the Velvia films. Too much contrast, too satured, colour casts. Fine for landscapes, not for portraits of any kind. I have stayed clear of shooting weddings all my life but heard of people using lower contrast colour negative films like Portra NC or the similar Fuji product for natural skin tones and a white dress. Link to comment Share on other sites More sharing options...
golden Posted October 12, 2008 Share Posted October 12, 2008 I shot a wedding yesturday using fuji 100f, first time i had ever used it. I will post the results Link to comment Share on other sites More sharing options...
ellis_vener_photography Posted October 12, 2008 Share Posted October 12, 2008 I'd put eith a 1/4/ CTO or a 1/2 straw gel over the flash head instead. Velvia would be about my last choice for shooting anyone's wedding. it is great for landscapes, cityscapes and very tightly controlled studio photography of people but not as good as Astia for skin tones. Link to comment Share on other sites More sharing options...
erik_l. Posted October 12, 2008 Share Posted October 12, 2008 I should think almost any other film (save for Infrared) would be a better choice for a wedding. There are a huge number of great color negative films that should be much more forgiving of variable light conditions. Link to comment Share on other sites More sharing options...
steve_fournier1 Posted October 12, 2008 Author Share Posted October 12, 2008 Thanks for the advice. I'll switch to Portra. Link to comment Share on other sites More sharing options...
steve_robb1 Posted October 13, 2008 Share Posted October 13, 2008 Hi Steve, If you still want to go the transperancy way, why not run off a roll each of Provia and Astia, and see which you like best? Link to comment Share on other sites More sharing options...
steve_fournier1 Posted October 13, 2008 Author Share Posted October 13, 2008 Steve. Well I would if I had enough time. I sort of got roped into this and it's been so long since I used any color 120 film, I didn't know what to do. I shot some Velvia 100f over July 4 weekend and was very pleased with colorimitry. However, I did not shoot any people so I wasn't sure about how blue it might shift using a flash as fill. I'll go with Portra for this one as I'd rather not screw up too bad. I shot a test roll today with/without a CTO gel and the lab should have the results tomorrow. I'll give the Provia a shot later on. I got like 30 rolls of Velvia I'll need to burn first. Link to comment Share on other sites More sharing options...
steve_robb1 Posted October 14, 2008 Share Posted October 14, 2008 That's true, if you're pressed for time, you don't want to be firing away thinking "Hmmm... just how WILL this turn out?"! You can't really go too far wrong with something like Portra I guess, even if you do happen to have colour shift problems, they can all be fixed in the printing. ...I hear you on the stockpile of Velvia, I just loaded up on the 50 last month, hopefully it'll last me a while! I'd love to see how some of your test shots came out, and what you decide to do regarding gelling your strobe. Just an incling, but if it were me, I suspect I'd leave it ungelled, just to know I've got that little bit of extra power available, just in case... although, having said that, with a 522, you probably won't have that sort of a worry ;) Link to comment Share on other sites More sharing options...
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