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Film is making me happy


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Nice Marc....except what I think S.J. Goffredi meant was that very few typical digital photo users print out their images. That is what is hurting Kodak....very few digital images ever see the light of day. On the other hand, the final goal (for the most part) of a photographer that uses color negative film is the print. But lets not digress too much into digital. Lets celebrate film in this forum.
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And another thing, no need to have external hard drives, disks, portable storage devices, battery chargers, sensor cleaners

and a host of other doodads - nor a range of plug-ins and software to imitate the effect of film on your digital file. A negative

will outlast any digital device on the market, and you can choose your film to obtain the effects and qualities you want

without having to spend hours in front of a computer screen faffing about in Photoshop.

 

Dawn Penso

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Benny: It is in Colorado, that is all I am at liberty to say as far as location. It is hard as heck to get to and not even the

locals get up there all that much. The place is pristine, the lakes filled with huge trout. Even if it were not a secret, most

people would not approach getting there because they could not handle it.

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Thank you Benny, exactly what I meant. Most people who are not into photography use point and shoot cameras (always have, just now they are digital) and rather than sending the film off to the local chemist after they get back from their holiday/family wedding/graduation etc. they now just upload them to their laptop and possibly burn them to a disc. That is the end of the story for them and they never produce a print. With film though the end result is (usually) always a print. I develop my own B&W by the way and scan to computer then proffessionally print the results (haven't room for a full darkroom) so I am not anti-digital.
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Daniel: That shot is so beautiful that I stared at it for a minute. It's breathtaking.

<p>

I also agree with the people who say that they like tangible aspects of film, but I also love how much you can do

with film. Sure, there is Photoshop that can do all sorts of things for digital images, but I actually like doing

similar things on film. It's hard to explain, but I feel a sense of awe that a small roll of film and a SLR

camera can do SO much. And then there are developing techniques, different types of film, etc that's always fun

to experiment in. I think I like not having FULL control of what comes out in film. I can know the optimum

settings, but it can't always be perfect. I like the little imperfections also.

<p>

Here are some prints that I did:<br>

<a target=new href=http://i12.photobucket.com/albums/a248/zassou/photo/eeb1295a.jpg>Kodak Elite Chrome 100 /

Printed on Polaroid 664 using a Daylab</a>

 

<p>

<a href=http://i12.photobucket.com/albums/a248/zassou/photo/b15cfc12.jpg target=new>

Cross-processed Elite Chrome 100</a>

<p>

<a target=new href=http://i12.photobucket.com/albums/a248/zassou/photo/2.jpg>[1]</a> <a target=new

href=http://i12.photobucket.com/albums/a248/zassou/photo/3.jpg>[2]</a><br>

Both taken using Kodak Tri-X 400

<p>

<a target=new href=http://i12.photobucket.com/albums/a248/zassou/photo/7d5551c9.jpg>

Over-exposed Elite Chrome 100 / developed onto Polaroid 669 using a Daylab</a><br>

I love doing Polaroid transfers and how unpredictable it can be yet you do have control. I'm not making sense,

but I get into my own dimension when I make these.

<p>

<a target=new href=http://i12.photobucket.com/albums/a248/zassou/photo/aac57bab.jpg>

Elite Chrome 100 / Polaroid transfer</a>

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