jorn ake Posted February 15, 2005 Share Posted February 15, 2005 As mentioned earlier, I went to Central Park with my Pentacon Six tosee what I damage I could do. The camera is in very nice condition andhas an immaculate CZJ Biometar 80/2.8 with a waist-level prism.Actually not as heavy as I thought it would be. Certainly no heavierthan say a Bronica or a Hasselblad or even a Nikon F perhaps. In fact,it reminds me a bit of a Nikon F - sort of big and clunky but stilleasy to handle. Nicely balanced, especially with the shutter button inthe standard Praktica location just to the right of the lens. A bigPraktica. That's what it is.<p>I only pooched one roll. I think that 90% of the frame separationproblems are the result of miswinds while loading the film. It takes alittle bit of practice to figure out how to work the winding mechanismin order to get the start point lined up with the white dot inside thefilm chamber. Don't do it correctly, and whatever pre-advance you havedone is carried through on each frame of the roll, resulting inoverlap. I can't say I have totally figured out the winding yet, but Ido get a sense that this is purely driver error and not a defect ofthe camera.<p>The gates were something else. Not really environmental art as much asa mass happening - a sort of lens through which to see something (thepark in this case) at a level of detail you might not otherwise see.Lots and lots of people were out, and obviously many people fromoverseas were there to see the work. The light was so changeable theday I went out, that early photographs look pretty flat orange, whileones taken later in the day were much more vibrant orange. Get alittle light behind them and whammy! orange overload. Part of thewhole thing I guess.<p>Above all, it was fun. That's what I am looking for.<p>Here is the link:<p><ahref="http://www.mindspring.com/~jorn.ake/christoweb/index.html">TheGates</a> Link to comment Share on other sites More sharing options...
gib Posted February 15, 2005 Share Posted February 15, 2005 I especially enjoyed #3 - great colour from your gear. Link to comment Share on other sites More sharing options...
connealy Posted February 15, 2005 Share Posted February 15, 2005 You got some very nice images out of a subject that seems difficult for a camera to interpret adequately. I'm reminded of the term "Be-in" which may have originated in the Sheep Meadow, and probably means nothing to most these days. Anyway, it all seems an auspicious beginning to your stay there. Looking forward to updates. Link to comment Share on other sites More sharing options...
david_f._stein Posted February 16, 2005 Share Posted February 16, 2005 I only owned that combo for a short time but the image quality is magical-great lens. Link to comment Share on other sites More sharing options...
dean_williams Posted February 16, 2005 Share Posted February 16, 2005 Good work Jorn. I like "Pondgates" and "Sleepy" best of the series. Thanks for a look at something I won't see in person. Link to comment Share on other sites More sharing options...
luis triguez Posted February 16, 2005 Share Posted February 16, 2005 Well Done Jorn. I had a Pentacon Six long ago and sold it before buy the Bronicas. Keep that tough machin. It's real good. Link to comment Share on other sites More sharing options...
mfophotos Posted February 16, 2005 Share Posted February 16, 2005 Jorn: Thanks for sharing. I spent a day in Central park last April, and walked through a great deal of it. It is nice seeing the Gates and having a sense of what the place is really like. My opinion beforehand of the project was skeptical. But now, I think it really is an interesting sight after all. Link to comment Share on other sites More sharing options...
__stu_evans Posted February 16, 2005 Share Posted February 16, 2005 Pictures are interesting enough. Too bad the city stopped short of billboards, flashing lights, and toll booths. Link to comment Share on other sites More sharing options...
jorn ake Posted February 16, 2005 Author Share Posted February 16, 2005 Thanks all. Being a black & white shooter, I don't feel like I nearly have a grasp of color adjustment in Photoshop yet. Need practice. The tool booths are there, though early in the morning, their attendants sleep in as depicted in one of my photos. And the billboards cruise through on the bodies of all the cyclists who slather themselves in lycra and spandex. I like the camera - funny, I bought it because I couldn't quite afford a good condition Bronica S2a and my target lens which is a 50mm of some sort. The Flektogon for the Pentacon is cheaper and great. I would also like to get the Baier prism and advance modification, but then why wouldn't I have bought the Bronica? I wonder if it is still at the shop..... Link to comment Share on other sites More sharing options...
kai_griffin Posted February 16, 2005 Share Posted February 16, 2005 Thanks, Jorn. I think your's is the first down-to-earth hands-on informal "review" of the Pentacon 6 I've ever run across, despite a lot of searching. There's lots of dry technical material out there, but nothing as simple as describing what the thing actually feels like in your hands! Nice shots, too - I think this is the first Cristo creation I've ever really warmed to.Cheers,Kai Link to comment Share on other sites More sharing options...
mike_elek Posted February 16, 2005 Share Posted February 16, 2005 I guess this is one of those art exhibits that only works in person, because from what I've read and seen so far, I don't get the point. Link to comment Share on other sites More sharing options...
tom_holum Posted February 16, 2005 Share Posted February 16, 2005 Beautiful photographs. You obviously took great care in composition, since most of them have a lovely "rhythym." I've owned your "target" camera/lens (Bronica S2A w/ 50mm f3.5) for a few years, and tho I like the camera a lot, nothing I've done with it shows better technical performance than your work here with the Pentacon. Perhaps the S2A is less finicky, since loading and advancing are a snap. I must say I agree with Mike Elek: I don't see the point of "Gates." Perhaps it's like so much of contemporary art, that the "point" is in the concept or underlying idea, and not in the technique or execution, not in the made object as actually seen. I heard somewhere that "Gates" was financed by Cristo and his wife to the tune of tens of millions of dollars. Is this possible? I'd take Central Park plain and unadorned any day. Link to comment Share on other sites More sharing options...
david_m Posted February 16, 2005 Share Posted February 16, 2005 At first I thought it was some misbegotten device to scare geese off the lake. Central Park is such a beautiful place, why not seek out some of those places? The last thing I would photograph is someone sleeping on a bench. Link to comment Share on other sites More sharing options...
roman_sonnleitner1 Posted February 16, 2005 Share Posted February 16, 2005 Jorm, I've got two Pentacon Six TL, and love them - you must also get the CZJ 180/2.8 Sonnar, one of the best portrait lenses ever... BTW, there's a trick how to get perfect frame spacing every time: http://www.baierfoto.de/transportengl.html - works 100% for me! Link to comment Share on other sites More sharing options...
don_mckeith Posted February 16, 2005 Share Posted February 16, 2005 Mike- shmattes on sticks- what's not to get? Link to comment Share on other sites More sharing options...
mike_elek Posted February 18, 2005 Share Posted February 18, 2005 well, when you break it down like that, it's very clear now. :) Link to comment Share on other sites More sharing options...
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