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Just 1 Film Speed


gary_raymond

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I'm a believer in only shooting one film almost all the time. That way I never had to worry if I have the wrong film for the occasion loaded. I even develop it the same and deal with contrast differences in post processing. It just eliminates one more variable thus allowing me to concentrate more on the quality of what I am shooting.

 

And my chosen speed is 400. I used to shoot Delta 400 in both 35mm and MF. But I've switched to Neopan 400 for 35mm. The next time I stock up on 120, it will also be Neopan 400.

 

You can do well with any film in the 100-400 range. Just buy a lot of the same film and keep shooting it. Quantity and consistency will be more important than film speed or brand.

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If we only take speed into account, 400 is the best all around film speed. But I don't like the lack of contrast compared to slower films, and they show very visible grain in 35mm format, which might be pleasing for some subjects, while distracting for others. I used to use ASA 400 films quite often, but now that I have found Ilford FP4+ (ASA 125), I think I like this film more than anything I have used before, and if I had to choose only one film to use, it would be FP4+. You can over expose in bright sunny conditions and get excellent results, and if you need some extra speed (I mean shutter speed), slight underexposure on an overcast day won't hurt much if developped accordingly. I find FP4+ with its ASA 125 speed to be very versatile and a very good all around film.
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Lots of good suggestions there <I>IF</i> you are doing your own processing & printing.<P>If you are not it's another ball game -- you should use a C41/chromogenic like XP2 Super. Those films are processed in any one hour photo machine -- always (one hopes) the same way.<P>Once processed, you use those negs for your B&W prints.
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Getting a little extreme for sure, but experiment. I have not done 400TX at anything higher than 6400 personally, but have seen 25000 done. How? I use HC110 with very little agitation, and soup for an hour. Biggest push for me is so far FP4 at 6400, so 5+ stops, and that took more than an hour.
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Probably Tri-X in both 35mm and 120. It's very accomodating of exposure extremes and responsive to various developers. Good for everything from "fine art" use for large prints to low light candid photography.

 

For a beginner Tri-X and HP5+ are excellent choices. My cousin's daughter is taking her first photo class and the teacher has standardized on HP5+ for all students.

 

OTOH, if I were to give up low light candid photography and just concentrate on more fine art stuff, especially in medium format, I might have to consider sticking with Efke R100.

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