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OT: pro you most admire (at the moment)...


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That's a really nice site Steve, with some great images. I have added it to my favourites too. But it it just me, or is the selective focus of some of the photos digitally derived? Some of the images have a kind of vignet of focus on my screen.
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andy

 

I think you're right. If you look at the 'contact' section on the site, there's a pic of his in-

house 'post production' facilities. Also, when he had his old site up, he experimented with

a home made lens glued to a household plunger, strapped to an old hassy body... I think

he called it a 'plungercam'

 

s

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very strong portfolio, definitely with a characteristic style, albeit heavy on the post-processing. i haven't heard about him before, but most be well recognized to shoot people like Morgan Freeman, Willie Nelson and Billy-Bob Thorton, needless to say. some of the most arresting stuff I' ve seen in quite some time. Thanks for sharing! </p>

 

My "favorites" always changes, but right now I'm enjoying the works of <a href="http://www.carlosserrao.com">Carlos Serrao</a>, <a href="http://www.erikalmas.com">Erik Elmås</a>, <a href="http://www.roberttardio.com/home.htm">Robert Tardio for his still-life lightning</a>, <a href="http://www.ondreabarbe.com/home.html"> Ondrea Barbe's crisp glamour/fashion work</a>, and <a href="http://www.danielastallinger.com/dsf.asp"> Daniela Stallinger's cool website (broadband needed)</a>.

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Someone mentioned the late Galen Rowell. I knew him, as an acquaintance not a close friend or anything, he was truly remarkable the way he envisioned his images in his head before he went to shoot them and then made all kinds of arrangements to be in the right place at the right time in the right light. Just the opposite of a guy like Cartier-Bresson who I also admire his work a lot but who shot spur-of-the-moment-style.

 

I'm also think Arthur Morris is maybe the best bird photographer ever because most all his shots show the dynamics of the birds in their behavior not just nice sharp portraits and occasional lucky in-flight shots like some others. I'm not really into bird photography much but I got conned into joining a buddy for a workshop with Art, and I had rented this creaky old two-piece Leica 400mm lens from like 1970 which happened to be the longest lens the little corner camera shop had to rent. Art could've just laughed at how I was struggling with it (it was as long as a clarinet and you had to push a button and push/pull the front tube in and out to focus!) and given me a lecture about how his Canon with a stabilizer lens is so much better, but instead he just gave me tips on how to maximize the potential from the limitations of the equipment I could afford. Great guy.

 

I also admire all the war photographers, I can't imagine being able to concentrate on making photos while bombs are exploding and bullets are flying and people are getting killed all around them.

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What Brad said: there's a difference between admiring someone's work and incorporating it, i.e. being influenced.<p>

 

My currently-admired list changes every week or two. It depends on who I'm looking at closely at the time. Most recently, <a href="http://www.edwardburtynsky.com/" target="_blank">Edward Burtynsky</a> and Alex Webb.<p>

 

Charting your own influences is a bit tricky. You tend to end up listing people who you wish you could be, who you're consciously imitating, or who your work is superficially similar to, while the real source of your inspirations lies elsewhere.<p>

 

Also, as the novelist Margaret Atwood said, "I don't talk much about my own work ... because I happen to believe that an author is always his own trickiest critic."

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harvey, I just meant that whether there was digital manipulation or not, I found much of Mark Tucker's work to be phenomenal, and my high opinion was not lowered because of the fact that there may have been some manipulation.
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