benjamin_cromwell Posted June 21, 2003 Share Posted June 21, 2003 I just shot some photos of a friend outside, with Kodak Portra 160VC. I was shooting with a sigma 70-200 2.8 HSM EX. One thing I cannot figure out is that the 4x6 prints have an unusual amount of grain. I have been tring to improve my siklls now for a few years and I have never seen this. Could the Grain result from my Lens? The film I shot was from several different sources all of which has not expired. The environmant was outside, nice, not too much direct sun. Some shots were slow shutter some were fast all were the same quality. Any ideas?? Link to comment Share on other sites More sharing options...
steve_dunn2 Posted June 21, 2003 Share Posted June 21, 2003 <p>Your lens should not affect the grain. Were the pictures underexposed, by any chance, or are you seeing grain in darker areas? Grain tends to be more prominent in darker areas (with an underexposed frame being a rather large example of a darker area :-)</p> Link to comment Share on other sites More sharing options...
benjamin_cromwell Posted June 22, 2003 Author Share Posted June 22, 2003 I am calling it grain but prehaps that I am saying it wrong. there seems to be almost a "haze" over that entire prints. But there will be a few that are not as bad. Could this be metering issues? The prints are not at all "crisp". I had shot a roll of this film a few weeks ago and the prints were awesome. Same camera, same film, same location, different time of day, and different lens. Link to comment Share on other sites More sharing options...
steve_levine Posted June 22, 2003 Share Posted June 22, 2003 Can you scan & post an example?Explaining & diagnosing without this is non productive. Link to comment Share on other sites More sharing options...
benjamin_cromwell Posted June 22, 2003 Author Share Posted June 22, 2003 Hey Steve thanks for your comments, I think I have narrowed it down. My friend that I was shooting was wearing a white dress. If I am correct, I think my camera was metering off of the white dress thus underexposing the face and everything else. Once printed I believe my lab tried to compensate by lightening the prints up A LOT. I scanned the negative and noticed that they were really Dark. This "haze" as I call it seems to be a result of underexposed shot, overexposed print. My only issue now is trying to figure out how I as a photographer can compose a shot in a situation such as this. How do I know how to set my camera if my camera won't operate right. Yes, I will post a photo. Link to comment Share on other sites More sharing options...
benjamin_cromwell Posted June 22, 2003 Author Share Posted June 22, 2003 Ok I uploaded 2 photos from the same roll of film. Just click my name. The one where she is standing is better that the other. Let me know what you think about my obervations. Link to comment Share on other sites More sharing options...
bill_tuthill Posted June 23, 2003 Share Posted June 23, 2003 This is about what you can expect with Portra 160VC in 35mm. One interesting facet of slow films is that they are grainier than (some) faster films when underexposed by the same number of stops. I'd wager that Fuji NPH or Portra 400UC would have been less grainy despite your underexposure. Portra 160NC is superb. For metering, I'd recommend using the spot meter, or partial meter if it's a lower end Canon, in this case on your subject's skin. Incident metering would be another option but probably not worth the cost and hassle. Link to comment Share on other sites More sharing options...
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