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Sycamoe

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  1. <p>I was always a fan of FP4+ in my closing days of black and white film use. Although I suppose I wouldn't go back, I often look back fondly on my days of obsessing over film/developer combinations and printing technique. There's something about the tactile experience of agitating reels of black and white in a tank and anxiously awaiting the results. In color, I loved Velvia and Fuji print films in general for their latitude. Strange how I love the ease of digital but miss film so much.</p>
  2. <p>I love my 100 mm Tokina macro. One thing about them is their solid build quality and it wasn't a fortune. It's easy to push/pull from auto to manual focus, which is something you will learn that you will have to do often in macro work. I would agree that anything that is a true macro lens will serve you well--Sigma, Tamron, Nikon or Tokina. Once you have an actual dedicated macro lens and see how superior it is, you won't know how you ever did without it.</p>
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