JohnWebster
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My film classes (before digital) admonished the shooter to get it right at the time of exposure. Good advice for commercial shooters but not practical most of the time for wedding photographers or news photographers. Knowing the purpose of an exposure can give you leeway to ball-park the technical so as to stay tuned into and ready for the precise moment. In my opinion, knowing what you want in the finished print, and how to get it in post production, is the most important.
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I use photoshop 7 to adjust this image. I lightened the whole image in curves, made selections of the guy's faces and adjusted the RGB values in curves to approximate the proper skin tones. Sometimes setting the color temp in camera is a useful thing but if you forget to put it back on auto and step outside those pics will be blue. If auto exposure/ auto color balance gave you the result you posted you might be ahead of the game by learning (teaching yourself) about the range of RGB numbers associated with various skin tones (and other objects as well). Learning the logic of color can be a bit complex in the beginning but eventually very satisfying as you build your understanding.
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Great use of space, dynamic lines with her leg and the diagonal sand lines add energy. A nice sense of scale (not too close or far away. Good balance between the two centers of interest. The red dress emotionally implies the attack of the gold monster. Kudos for the efforts you went to to achieve this image.
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germany - 1996, 1998, 2001, 2004, 2008 2006_07070048.JPG
JohnWebster commented on maria's gallery image in Architecture
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The lighting is a little harsh and flat--and the catch-lights in her eyes look like a car headlights coming at her. The color is okay and it is a sharp image. Her chest flesh really competes with her face flesh. I think a face crop makes it stronger. My crop preference shows what I would keep in your image and what I would leave out. I hope this is helpful.
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I like it. I would not add any additional lighting because you have a nice lighting pattern on her face (diffused highlights on her forehead, nose and cheek--and the contrast feels right on my monitor). Some portrait traditionalists will say her face should be posed as a profile or a 2/3 view--not something in-between like you have here. Usually this bothers me a bit but not with this image. She is gorgeous, her dress stately, her pose strong and assured. Nice job.
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