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eric_duncan3

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  1. Thanks Allen -- I hadn't noticed that, and it does seem like a contradiction, but now that you say it, I see what you mean. I will have to try not to mess up a good thing, now, by trying too hard to re-create it as a deliberate style! :D
  2. Thought I'd upload some recent shots, including a seasonal one of a jack-o-lantern as a low-light example shooting with the Lumix S1. In the shot of the Waldorf Hilton, London, I wish I had waited for the woman by the telephone box to take a few more steps into the foreground. The timing was better on the shot in Broadway (the little one in the Cotswolds, not the big one in New York!), with the red Morgan in front of the lovely Cotswold stone buildings.
  3. Of course I am talking Velvia 50 scanned with a high-res scanner to make prints -- or something like Portra, if you want to look at prints from MF film without any digital workflow!
  4. Barry, the fact that you mention your Mamiya 7 (and I used to shoot with a smaller 645 format Bronica ETRSi), raises an interesting question as to how much digital camera is required to match or exceed the image quality that could be achieved with a good medium-format film camera / lens combination shooting on, say Velvia 50? I remember articles in the photo press back in 2002 claiming that the FF 14MP Kodak DCS 14n and 11.1 MP Canon EOS 1Ds could rival medium-format film quality for most uses. I am not sure now true that was, and how dependent on print sizes, etc. But I can say that image quality from my current Lumix S1, FF at a modest (by today's standards) 24MP, does not leave me in any way wishing to return to film work flow to get the results I used to get with 645 medium-format. So I would be surprised if any of the current Fujifilm (or Hasselblad) MF digital options would disappoint, or have you longing to return to shooting film on the Mamiya 7.
  5. Thanks Barry. I like those shots with the GX7 -- there is a nice quality / feel to them, which I am guessing the ability to play with mixing and matching lenses helped you to achieve.
  6. Thanks Allen -- the zebra one was my favorite from that day, too! g.richards -- don't blame you. To be honest, if I had already had a G9 and some nice MFT lenses, I would not have gone for the S1. Image and build quality of the G9 is fantastic, and the more portable format is very handy. And I am jealous of the prices of Leica lenses available for MFT -- their L-mount prices are eye-watering! Luckily Lumix and Sigma do some great L-mount glass, so I'm sticking with them!
  7. These have all been reduced to about 8.6MP,
  8. Here are a few more images from the Lumix S1, taken on a visit to Chester Zoo
  9. Hi Allen, Oh, GX8 -- sorry for the confusion. Yes, I am 'old school' in that regard, too -- I much prefer manual control dials to diving into layer after layer of menus! I did post a few of my early straight out of camera jpegs with the S1, but they copied as links in my reply, rather than copying directly as images. I will look at how to copy the image intact rather than as a link, and see if I can post more examples. Maybe down-res them a bit?
  10. No worries Robin -- alternative viewpoints make the thread interesting! I didn't read it that you were saying Lumix cameras are not great cameras, just that there are other great ones out there, too, which is true. I know I can't resist argument for argument's sake sometimes, too!
  11. All true, Robin -- I have not had any chance to handle the Nikon Z, but I have had a brief 'play' with the R6 and A7IV. And they are brilliant cameras, too, and with any of them, as with the Lumix S1, the limiting factor in capabilities will most likely be the photographer (at least in my case! :) and not the camera! The same was also probably true of my decade-old-plus 7D! For anyone in the market for a high-end mirrorless, I mainly wanted to share my very positive experience with the Lumix S1 and encourage those photographers in the market for new equipment to give Lumix a good look, as Nikon, Canon, and Sony already get plenty of press. Those cameras mentioned are all brilliant, as are may others; it's just to say those who do choose a Lumix S body are very unlikely to regret it, based on my experience. Great image quality in those shots with the GX80, Allen!
  12. I have heard from others who also are big fans of the FZ-20. The Leica-badged super zooms are great! In fact, my plan was to sell the Lumix FZ-2330 to help fund the S1, but I couldn't bring myself to do it. 25-600mm equivalent in a constant f/2.8 maximum aperture lens, in a great little camera you can slip into a large coat pocket! Hard not to like!
  13. Thanks -- It is early days with the S1, and I have had only a little time to play with the RAW files in post-processing, but here are a few samples of JPEGs straight from camera.
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