<p>I mentioned in an earlier post (http://www.photo.net/modern-film-cameras-forum/00cDOn) I was doing a wedding exclusively in film, against my own, and everyone else's better judgement.</p>
<p>Tell me what you think:<br>
<img src="http://i.imgur.com/dIf4Kru.jpg" alt="" width="800" height="530" /></p>
<p><img src="http://i.imgur.com/b5gK4RQ.jpg" alt="" width="800" height="530" /></p>
<p><img src="http://i.imgur.com/GAkA2SI.jpg" alt="" width="800" height="530" /></p>
<p> <img src="http://i.imgur.com/v81OeJk.jpg" alt="" width="800" height="530" /><br>
<img src="http://i.imgur.com/MVDfE53.jpg" alt="" width="800" height="530" /></p>
<p><img src="http://i.imgur.com/bCBEQZX.jpg" alt="" width="800" height="530" /></p>
<p> <img src="http://i.imgur.com/ftfjUgU.jpg" alt="" width="530" height="800" /></p>
<p><img src="http://i.imgur.com/hZ5rwEp.jpg" alt="" width="800" height="530" /><br>
I used my Nikon F5&6 with 35/2, 50/1.4, 85/1.8 and Portra 160 and Delta 3200. The church was v dark, and only the F6 could shoot, and even then struggled a bit. NCPS did the processing, and no PP was needed, except for a couple B&W shots which were poorly exposed, and one colour which needed matching to the other in the series. I didn't use any flash - which was a slight problem when I got roped into doing group portraits (which we hadn't planned to do - don't ask, long story!).</p>
<p>My advice for anyone doing an all-film wedding - 1. Don't! - it was only luck with the weather that allowed me to use the portra 160 2. Use two good AF bodies 3. Bring more than 15 rolls of film</p>
