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dave_wilson1

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  1. I have been using this for years on my D5100s in my editorial kit, small light and sharp. Enjoy!
  2. When I still used to shoot freelance, mostly sports, back in the 80s I used an F3, N2000 (when it came out), two FM2s and a Canon F1 so that I could borrow some of the big Canon lenses the one paper had. Most guys I was around had Canon, a few used Nikon. Olympus had it's followers too.
  3. I got the "you're today's winnng iPad" Geeeez !! Either way, agree, not the lens. There's no way that would show up lol ke that spot.
  4. I take as little as possible. For simple editorial work and musicians I use a pair of D5100s one with 35/1.8 and the 18-55 kit zoom. For other needs I use a pair of D7100s with 20/1.8, 50/1.4, 85/1.8, 180/2.8, 18-140, and I carry a cheap Sigma 55-300? for emergency reach just in case. I also still use my 400mm Nikkor ED-IF f3.5 when needed. Lots of cards and a few flashes.
  5. Keeping a simple log for later reference is one aspect. Making more detailed notes or little drawings to refer back to specifically can be helpful to in order to recreate certain techniques. Model releases and other such formalities are a separate concern.
  6. This is a hard question to answer because every circumstance is different. My objective is to get the meat and potatoes and then as much extra as I can. So front and center get some good clean shots then move off. The problem is that you can't always move around and you also need to get the rings. Plus if the kiss comes very fast sometimes so working alone limits your movement.
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