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Christopher Sperry Photogr

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  1. rodeo_joe, Thanks for joining this conversation, as your comments bring more flash considerations for anyone following this thread. At the time that I chose the SB-80dx it made sense, and still does for photographing interiors. I shoot from a tripod, typically setting my camera at its base iso, and the speedlights as low as 1/8 power. I also use a Paul C. Buff White Lightning as a key light when needed. As you know, controlling window light is often more about subtracting and diffusing light. Soon I would like to consider adding remote control electronics to the lighting mix.
  2. Miss Annette, I once owned a Vivitar 283. Due to the uncertainty of the voltage, I gave the 283 away when I bought my Nikon D80. I then bought two used Nikon SB24 Speedlights. Now my four primary Nikon Speedlights are the Nikon SB80DX, Introduced in 2002. I continue to use the SB80DX with my full-frame Nikon camera. The SB80DX has a built-in slave unit, which functions perfectly if the distance from another flash is not too great. The SB80DX also has secondary built-in defusing and flash-bounce features, and a model-specific diffuser dome is also available. With re-chargeable batteries, the Speedlights have always performed perfectly. It is very important to have the Speedlight user manual with you to learn and remember the settings. I also use radio triggers to fire the Speedlights, often adding umbrellas or soft boxes.
  3. Adobe Creative Cloud subscription includes phone tech support. Try the Adobe 800 number if you feel so inclined.
  4. One of my kayaking photos in the Action Sports Contest needs to be rotated 90 degrees. The orientation was vertical in the source file. In the contest, the photo is horizontal. Three tries, no charm.
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